Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe (2018)

16 March 2019, dusan

Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.

The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”

Contributors: Roddy Hunter, Miško Šuvaković, Dietmar Unterkofler, Ileana Pintilie, Cristian Nae, Andrej Mirčev, Andrea Bátorová, Berenika Szymanski-Düll, Kata Krasznahorkai, Laine Kristberga, Adam Czirak, Amy Bryzgel, Jasmina Tumbas, Beáta Hock, Angelika Richter, Maja Fowkes and Reuben Fowkes.

Publisher Routledge, London, 2018
ISBN 9781138723276, 1138723274
xii+263 pages

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Fred Turner: The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties (2013)

25 February 2019, dusan

“We commonly think of the psychedelic sixties as an explosion of creative energy and freedom that arose in direct revolt against the social restraint and authoritarian hierarchy of the early Cold War years. Yet, as Fred Turner reveals in The Democratic Surround, the decades that brought us the Korean War and communist witch hunts also witnessed an extraordinary turn toward explicitly democratic, open, and inclusive ideas of communication and with them new, flexible models of social order. Surprisingly, he shows that it was this turn that brought us the revolutionary multimedia and wild-eyed individualism of the 1960s counterculture.

In this prequel to his book From Counterculture to Cyberculture, Turner rewrites the history of postwar America, showing how in the 1940s and ’50s American liberalism offered a far more radical social vision than we now remember. Turner tracks the influential mid-century entwining of Bauhaus aesthetics with American social science and psychology. From the Museum of Modern Art in New York to the New Bauhaus in Chicago and Black Mountain College in North Carolina, Turner shows how some of the most well-known artists and intellectuals of the forties developed new models of media, new theories of interpersonal and international collaboration, and new visions of an open, tolerant, and democratic self in direct contrast to the repression and conformity associated with the fascist and communist movements. He then shows how their work shaped some of the most significant media events of the Cold War, including Edward Steichen’s Family of Man exhibition, the multimedia performances of John Cage, and, ultimately, the psychedelic Be-Ins of the sixties. Turner demonstrates that by the end of the 1950s this vision of the democratic self and the media built to promote it would actually become part of the mainstream, even shaping American propaganda efforts in Europe.

Overturning common misconceptions of these transformational years, The Democratic Surround shows just how much the artistic and social radicalism of the sixties owed to the liberal ideals of Cold War America, a democratic vision that still underlies our hopes for digital media today.”

Publisher University of Chicago Press, 2013
ISBN 9780226325897, 022632589X
365 pages

Reviews: Jathan Sadowski (LA Review of Books, 2014), Carolyn L Kane (J Visual Culture, 2015), Matthew Linton (Society For U.S. Intellectual History Blog, 2015), Craig J. Pearison (J American History, 2016), Katie Simpson (J-History, 2017), Malte Hagener (NECSUS, 2015), Erika J. Pribanic-Smith (Journalism History, 2014), Debra Cash (ArtsFuse, 2014), Alex Sayf Cummings (2014).
Interview with author (Henry Jenkins, 2014), (cont.)
Interview with author (Clay Shirky, Public Books, 2014)
Video lecture (Berkeley, 2014)

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Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-based Art in Late Socialist Europe (2018)

22 April 2018, dusan

“This is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.

The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”

Publisher Routledge, New York & London, 2018
ISBN 9781138723276, 1138723274
xii+263 pages

Interview with editors (ARTMargins, 2014)

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