Bruce Conner: It’s All True (2016)

10 February 2019, dusan

“Realist. Surrealist. Hippie. Punk. Bruce Conner (1933-2008) was all of these and more. A pioneer in experimental film, collage, photography, conceptual works, and paintings, he challenged the limitations of medium, genre, and style, constantly breaking new ground. Both of and ahead of his time, Conner continues to exert influence over artists working today. Bruce Conner: It’s All True was the first comprehensive retrospective of this pivotal American artist’s output, bringing together over 250 objects in various media, including film and video, works on paper, assemblages, photographs and photograms, performance, and more. Spanning his five-decade career, the exhibition presents aspects of Conner’s work that have rarely been seen before, from paintings he made in the 1950s to photos from the Bay Area punk scene in the 1970s to video work from the 2000s, as well as numerous works produced in the last decade of his life.”

With texts by Rachel Federman, Laura Hoptman, Kellie Jones, Michelle Barger, Roger Griffith and Megan Randall, Rachel Federman, Kristine Stiles, Rudolf Frieling, Gary Garrels, Diedrich Diederichsen, Stuart Comer, Johanna Gosse, a.o.

Edited by Rudolf Frieling and Gary Garrels
Publisher San Francisco Museum of Modern Art, in association with University of California Press, 2016
ISBN 9780520290563, 0520290569
384 pages

Review: Hugo Daniel (Critique d’art, 2017, FR).
Exh. reviews: Roberta Smith (New York Times), Andrea K. Scott (New Yorker), J. Hoberman (New York Review of Books), Matthew Biro (Brooklyn Rail), Maika Pollack (Aperture), Kristin M. Jones (Wall Street Journal), Kimberly Connerton (Aesthetica), Thomas Gladysz (Huff Post).

Exhibition (MoMA)
Exhibition (SFMOMA)
Exhibition (Reina Sofia)
Publisher
WorldCat

PDF (35 MB)

Thurston Moore, Byron Coley: No Wave: Post-Punk, Underground, New York, 1976-1980 (2008)

16 July 2017, dusan

“A visual chronicle of the collision of art and punk in the New York underground of 1976 to 1980. This look at punk rock, new wave, experimental music, and the avant-garde art movement of the 1970s and 1980s focuses on the architects of No Wave from James Chance to Lydia Lunch to Glenn Branca, as well as the luminaries that intersected the scene, such as David Byrne, Debbie Harry, Brian Eno, Iggy Pop, and Richard Hell.

This rarely documented scene was the creative stomping ground of young artists and filmmakers from Jean-Michel Basquiat to Jim Jarmusch as well as the musical genesis for the post-punk explosions of Sonic Youth. Thurston Moore and Byron Coley have selected 150 images and compiled personal interviews to create an oral history of the movement.”

Publisher Abrams Image, New York, 2008
ISBN 9780810995437, 0810995433
143 pages

WorldCat

PDF (65 MB, no OCR)

Petar Janjatović: Ilustrovana YU Rock Enciklopedija 1960-1997 (1998–) [Serbo-Croatian]

20 December 2015, dusan

Features biographies and discographies of the rock scene of Socialist Federal Republic of Yugoslavia.

“Prva enciklopedija ove vrste kod nas, koja pokriva celokupni period jugoslovenskog rokenrola od njegovih začetaka ranih šezdesetih do raspada Jugoslavije 1991. godine. Za period od 1991-1997.g. u knjizi se, osim posebnog dela o SR Jugoslaviji, nalaze i podaci o grupama i pojedincima iz bivših jugoslovenskih republika. Enciklopedija je ispisana na više od 700 autorskih strana, obradjuje preko 350 jedinica, a opremljena je sa 250 crno-belih fotografija.”

Publisher Geopoetika, Belgrade, 1998
ISBN 8683053083, 9788683053087
226 pages
via Luka Pejić

Wikipedia
Publisher
WorldCat

PDF (85 MB)
Flash (New edition, 2007)