Filed under book, journal | Tags: · body, gender, lgbt, psychoanalysis, sexuality, social criticism, theory
“‘Trois milliards de pervers: Grande encyclopédie des homosexualités’ [Three Billion Perverts: The Big Encyclopedia of Homosexualities] is the title of the twelfth issue of the journal Recherches, founded in 1965 by Félix Guattari. Published in March 1973, this issue caused a scandal, proclaiming the irruption of homosexuality in French society. Very quickly banned, seized, and destroyed for breach of moral standards, it became a milestone in the history of homosexual struggles. Recently reprinted, this publication is at once an historical document and an element of reflection for contemporary struggles for emancipation, shedding light on what could be a homosexual affirmation conceived as a radical break with the normative structures running through the social space.
Combining testimonies, original texts, and interviews; articulating social criticism, literature, philosophy, and psychoanalysis; across spaces as diverse as cafés, political meetings, prisons, asylums, parks, and urinals; and bringing together contributions from such figures as Gilles Deleuze, Fanny Deleuze, Michel Foucault, Jean Genet, Felix Guattari, Daniel Guérin, Guy Hocquenghem, Jean-Jacques Lebel, the actor Marie-France, Vera Memmi, Jean-Paul Sartre, and Jozy Thibaut, ‘Trois milliards de pervers’ takes the form of a collective of homosexuals reflecting on the come-on, masturbation, transvestites, scouting, and militant movements, in order to call into question all forms of desiring-production. As such, this publication set out to establish an entirely ‘new scientific spirit.'” (Source)
Publisher Recherches, Paris, Mar 1973
PDF (17 MB)
HTML, PDF (English trans. of Foucault’s Testimony at the Trial of Félix Guattari, in 1974, after the publication was seized; and “La Femme de Drague”, a conversation between seven women addressing the social and affective economy of seduction, trans. Gila Walker, Glass Bead, 2019)
Filed under artists book, magazine | Tags: · body, choreography, dance, education, labour, movement, performance
A free publication edited by Romana Schmalisch during her residency at Les Laboratoires d’Aubervilliers.
“The first issue analyses the conjunction of dance with Labour Movements of the 1930s (New Dance Group) as well as its use in the industry to enhance efficiency (Laban/Lawrence); it looks at the vague image that we have from various professions, researches the value of the performance of a work and its equivalence in the wage, and considers different forms of abstractions (notations and graphics) and training methods.”
“The second issue focuses on the question of education. In an interview, sociologist Anne Querrien discusses social norms and the school system. In her text, the London-based writer Marina Vishmidt revisits an earlier essay which considered the relationship between contemporary dance and the de-materialization of labour. What changes about this relationship as all employment becomes more and more of a brutal hypothesis in our post-crisis conditions?”
“The last, third, issue deals with what is at stake when one learns a job, with relationships between teachers and students, with various methods of education, and with the way these systems reflect certain social norms.”
Edited by Romana Schmalisch
Publisher Les Laboratoires d’Aubervilliers, Aubervilliers, 2013-2014
24 pages per issue
Filed under journal | Tags: · body, eroticism, love, reproduction, sex, thinking
“This issue, produced in the framework of Okayama Art Summit 2019 (‘IF THE SNAKE’, curated by Pierre Huyghe, September 27 – November 24 2019, Japan), focuses on the concrete conditions of embodied thought. From the assessment of historical attempts at grounding critique in the body to the exploration of contemporary issues surrounding situated knowledge, from the analysis of the aesthetic and political economy at play in the encounter with advanced human-like sex robotics to the ways in which algorithms are transforming our sense of intimate relationships, and from the ways in which cruising practices subvert dominant discourses on architecture and the city to the libidinal economy at work in specific art forms, the contributions gathered in this issue navigate the fault line that articulates erotics and rationality.
‘Site 2. Dark Room: Somatic Reason and Synthetic Eros’ contends that contemporary upheavals concerning love, sex and reproduction are not mere side issues that can be safely dealt with in various already existing discursive regimes (e.g. biology, psychology, identity politics) but crucial transformative vectors for developing a renewed understanding of transdisciplinary reason.
The publication of this issue will be spanned across the duration of the triennial, with one new contribution uploaded every week.
With contributions by Adam Berg (artist, writer), Louis Chude-Sokei (writer), Cruising Pavilion (curatorial collective), Sally Haslanger (philosopher), Anna Longo (philosopher), Alexandra Hedako Mason (researcher), Matthew Poole (writer), Patricia Reed (artist, writer), Oli Surel (writer), and Three Billions of Perverts (archival material).”
Publisher Glass Bead, September-November 2019Comment (0)