Filed under catalogue | Tags: · algorithm, artificial intelligence, big data, cyberfeminism, hacking, internet, technofeminism, technology, women
“Computer Grrrls brings together 23 international artistic positions that negotiate the complex relationship between gender and technology in past and present. The book deals with the link between women and technology from the first human computers to the current revival of technofeminist movements. An illustrated timeline with over 200 entries covers these developments from the 18th century to the present day.
The publication presents artists, hackers, makers and researchers who are working on how to think differently about technology: by questioning the gender bias in big data and artificial intelligence, promoting an open and diversified Internet, and designing utopian technologies.
The perspectives presented here address a broad range of topics: electronic colonialism, the place of minorities on the Internet, the sexist bias of algorithms, the dangerous dominance of white men in the development of artificial intelligence and digital surveillance, but also ideas on how we can change our traditional ways of thinking.
Artists included: Morehshin Allahyari, Manetta Berends, Zach Blas & Jemima Wyman, Nadja Buttendorf, Elisabeth Caravella, Jennifer Chan, Aleksandra Domanović, Louise Drulhe, Elisa Giardina Papa, Darsha Hewitt, Lauren Huret, Hyphen-Labs, Dasha Ilina, Roberte la Rousse, Mary Maggic, Caroline Martel, Lauren Moffatt, Simone C. Niquille, Jenny Odell, Tabita Rezaire, Erica Scourti, Suzanne Treister, Lu Yang.”
Publisher Kettler, Dortmund, and HMKV, Dortmund, May 2021
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Filed under journal | Tags: · aesthetics, art, black people, body, colonialism, gender, queer, transgender, women
“Those who make it possible to really live as a trans woman are rarely those who are our representatives to the other, and still less those who appoint themselves among us as the police of our supposed collective identity. Those who make it possible are artists. Not fine artists necessarily, nor writers of “fine writing.” They might work in minor, vernacular forms. They might just be artists of trans life itself. They might be undetectable outside of our little covens of care. They make up stories or images or gestures that elude the limits of what they, and we, were handed. Making it up as they go.”
Contributors: Isabel Sandoval, Jules Gill-Peterson, Rosza Daniel Lang/Levitsky, Bishakh Som, Sultana Isham, Tamarra and Riksa Afiaty, Kira Xonorika, Maxi Wallenhorst, Eva Hayward, McKenzie Wark, Emily Alison Zhou, Comrade Josephine (embodied by Luce deLire).
Edited by McKenzie Wark
Publisher e-flux, New York, April 2021
Filed under book | Tags: · feminism, literary criticism, literature, science fiction, women
“Chronologically arranged, these 33 talks and essays and 17 reviews of books and films, dating from 1976 through 1987, eloquently record Le Guin’s responses to ethical and political climates, the transforming effect of certain literary ideas and the changes of a supple, disciplined mind,”
Publisher Grove Press, New York, 1989
ISBN 080211105X, 9780802111050
Reviews: Joan Gordon (Science Fiction Studies, 1990), Elizabeth Cummins (Science Fiction Studies, 1990), Thomas Larson (Brick, 1989), Kirkus Reviews (1988).
Commentary: Lisa Hammond Rashley (Biography, 2007).