Siegfried Zielinski: Variations on Media Thinking (2019)

5 December 2019, dusan

“Expanding on Siegfried Zielinski’s inquiry into ‘deep time’ of the media, the essays in Variations on Media Thinking further the eminent media theorist’s unique method of expanded hermeneutics, which means for him interpreting technical artifacts as essential parts of our cultural lives. Covering such topics as the televisualized Holocaust, the ubiquity of media today, the Internet, the genealogy of sound art, and history’s first hacker movement, these essays further diversify Zielinski’s insight into the hidden layers of media development, which he first articulated in his pioneering work Deep Time of the Media.

Including many previously untranslated and scarce essays, these ‘written time machines’ open new lines of investigation for cultural scholars. From the automata of the Arabic-Islamic Renaissance (800–1200) to the largest and loudest techno-event ever, known as The Symphony of Sirens—which transformed Baku in 1922 into an immense music box of modern noise—Variations on Media Thinking covers Zielinski’s inquiries since 1975. Richly illustrated and full of provocation, brilliant insight, and fascinating research, this volume is perfect for students of media archaeology, philosophy, and technology, as well as any adventurous, rigorous thinkers engaged with culture and media.”

Publisher University of Minnesota Press, 2019
Posthumanities series, 52
ISBN 9781517907075, 1517907071
xxv+428 pages

Publisher
WorldCat

PDF (71 MB)

Journal of Peer Production, 8: Feminism and (Un)Hacking (2016)

31 March 2016, dusan

“This special issue of the journal shows a growing body of work that brings together feminism with hacking and making. The growth of internet technologies and the pervasion of computer culture into everyday life has prompted a renewed interrogation of the gender limits within these information technologies and digital media. From the shiny glass screens on our mobile devices to the sprawling campuses of technology corporations, gendered configurations of power within technoculture have become the focus of attention in popular culture, media, and academic scholarship.” (from the Introduction)

Edited by Shaowen Bardzell, Lilly Nguyen, and Sophie Toupin (a.k.a. SSL Nagbot)
Published March 2016
Open access
ISSN 2213-5316

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Garnet Hertz (ed.): Critical Making (2012)

21 January 2015, dusan

Critical Making is a handmade book project by Garnet Hertz that explores how hands-on productive work ‐ making ‐ can supplement and extend critical reflection on technology and society. It works to blend and extend the fields of design, contemporary art, DIY/craft and technological development. It also can be thought of as an appeal to the electronic DIY maker movement to be critically engaged with culture, history and society: after learning to use a 3D printer, making an LED blink or using an Arduino, then what?

The publication has 70 contributors ‐ primarily from contemporary art and academia ‐ and its 352 pages are bound in ten pocket-sized zine-like volumes. The project takes the topic of DIY culture literally by printing an edition of 300 copies on a hacked photocopier with booklets that were manually folded, stapled and cut. The 300 finished copies were primarily given away for free to project contributors, individuals and institutions important to them. Some of the handmade copies were traded for reviews, photographs, videos, lectures and were given to library archives.

Due to the large demand for this content, the entire collection had been scanned and released on conceptlab.com/criticalmaking and through the Twitter account @criticalpdfs.”

Publisher Telharmonium Press, Hollywood/CA, November 2012
Open Access
10 booklets, 352 pages total

Reviews: Debatty (We Make Money Not Art, 2013), Blue (Engine Institute, 2013).

single PDF (36 MB)
PDF contributions (67 pieces)