Solvejg Nitzke, Nicolas Pethes (eds.): Imagining Earth: Concepts of Wholeness in Cultural Constructions of Our Home Planet (2017)

4 April 2019, dusan

“While concepts of Earth have a rich tradition, more recent examples show a distinct quality: Though ideas of wholeness might still be related to mythical, religious, or utopian visions of the past, ‘Earth’ itself has become available as a whole. This raises several questions: How are the notions of one Earth or our Planet imagined and distributed? What is the role of cultural imagination and practices of signification in the imagination of ‘the Earth’? Which theoretical models can be used or need to be developed to describe processes of imagining Planet Earth? This collection invites a wide range of perspectives from different fields of the Humanities to explore the means of imagining Earth.”

Contributions by Gabriele Gramelsberger, Angela Krewani, Bruce Clarke, Timothy Morton, Hania Siebenpfeiffer, Nicholas Pethes, and Solvejg Nitzke.

Publisher transcript, Bielefeld, 2017
Creative Commons BY-NC-ND 4.0 License
ISBN 9783837639568, 3837639568
172 pages

Publisher
WorldCat

PDF, PDF

The Distance Plan (2013–)

20 February 2019, dusan

“The Distance Plan is a project founded by Abby Cunnane and Amy Howden-Chapman that brings together artists, writers and designers to promote discussion of climate change within the arts. The Distance Plan works through exhibitions, public forums and the Distance Plan Press which produces publications, including an annual journal.”

“The issue 4 features artist pages by Louise Menzies and Michala Paludan, an essay by Lina Moe on the closure of New York’s L Line, and, through our ongoing Climate Change & Art: A Lexicon, surveys the language currently surrounding anthropogenic climate change. Through proposing neologisms and promoting less well-known terms, we wish to propel interdisciplinary discussion, and by extension accelerate the pace of action.

Through this lexicon we propose that the science around climate change is developing so rapidly that we need new language to articulate its processes and effects. The lexicon is also based on the recognition that evolving science produces evolving policy, and politics must be commensurate with this. The first set of lexicon terms were collected in the Reading Room journal in 2015.”

Edited by Amy Howden-Chapman and Abby Cunnane
Publisher Distance Plan Press, Auckland, New Zealand
Creative Commons BY-NC-SA 4.0 International Licence
ISSN 2463-5553
127 pages (Issues 2 & 4), 135 pages (Issue 3), 69 pages (Issue 5)

Project website

Issue 1, 2013: PDFs
Issue 2: Seven Conversations, 2014: PDF, PDFs
Issue 3: Climate & Precarity, Dec 2015: PDF, PDFs
Issue 4: Climate Change & Art: A Lexicon, Oct 2016: PDF, PDFs
Issue 5: Charismatic Facts: Climate Change, Poetry & Prose, Apr 2019: PDF, PDFs (added on 2019-5-30)

Kathryn Yusoff: A Billion Black Anthropocenes or None (2018)

10 February 2019, dusan

“No geology is neutral, writes Kathryn Yusoff. Tracing the color line of the Anthropocene, A Billion Black Anthropocenes or None examines how the grammar of geology is foundational to establishing the extractive economies of subjective life and the earth under colonialism and slavery. Yusoff initiates a transdisciplinary conversation between black feminist theory, geography, and the earth sciences, addressing the politics of the Anthropocene within the context of race, materiality, deep time, and the afterlives of geology.”

Publisher University of Minnesota Press, 2018
Forerunners series
ISBN 9781517907532, 1517907535
xiv+115 pages

Commentary: McKenzie Wark (Verso Blog, 2019).

Publisher
WorldCat

HTML