Filed under magazine | Tags: · cyberfeminism, feminism, gender, science fiction, technofeminism, xenofeminism
The inaugural issue of the art and visual culture zine Seminar.
“시각문화예술 웹진 ⟨seminar〉 창간호를 공개합니다. 첫 호의 제목은 ‘여성적 상상력’을 주제로 한 ‘Inverse Universe’ 입니다.”
Publisher Ágrafa Society, Seoul, 2019
Filed under book | Tags: · artificial intelligence, biography, computing, cyberpunk, cyberspace, science fiction, virtual reality
“The leading figure in the development of cyberpunk, William Gibson (born in 1948) crafted works in which isolated humans explored near-future worlds of ubiquitous and intrusive computer technology and cybernetics. This volume is the first comprehensive examination of the author of the seminal novel Neuromancer (and the other books in the Sprawl trilogy, Count Zero and Mona Lisa Overdrive), as well as other acclaimed novels including Pattern Recognition, Spook Country, and Zero History. Gary Westfahl draws upon extensive research to provide a compelling account of Gibson’s writing career and his lasting influence in the science fiction world.
Delving into numerous science fiction fanzines that the young Gibson contributed to and edited, Westfahl delivers new information about Gibson’s childhood and adolescence. He describes for the first time more than eighty virtually unknown Gibson publications from his early years, including articles, reviews, poems, cartoons, letters, and a collaborative story. The book also documents the poems, articles, and introductions that Gibson has written for various books, and its discussions are enriched by illuminating comments from various print and online interviews. The works that made Gibson famous are also featured, as Westfahl performs extended analyses of Gibson’s ten novels and nineteen short stories. Lastly, the book presents a new interview with Gibson in which the author discusses his correspondence with author Fritz Leiber, his relationship with the late scholar Susan Wood, his attitudes toward critics, his overall impact on the field of science fiction, and his recently completed screenplay and forthcoming novel.”
Publisher University of Illinois Press, Urbana, IL 2013
Modern Masters of Science Fiction series
ISBN 9780252037801, 0252037804
Reviews: Benjamin Gabriel (Strange Horizons, 2013), D. Harlan Wilson (Extrapolation, 2013), Michael M. Levy (Science Fiction Studies, 2014), Lars Schmeink (Journal for the Fantastic in the Arts, 2014).
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Filed under book, fiction | Tags: · indigenous futurisms, indigenous peoples, science fiction
“In this first-ever anthology of Indigenous science fiction Grace Dillon collects some of the finest examples of the craft with contributions by Native American, First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as “magical realism” by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon’s engaging introduction situates the pieces in the larger context of science fiction and its conventions.
Organized by sub-genre, the book starts with Native slipstream, stories infused with time travel, alternate realities and alternative history like Vizenor’s “Custer on the Slipstream.” Next up are stories about contact with other beings featuring, among others, an excerpt from Gerry William’s The Black Ship. Dillon includes stories that highlight Indigenous science like a piece from Archie Weller’s Land of the Golden Clouds, asserting that one of the roles of Native science fiction is to disentangle that science from notions of “primitive” knowledge and myth. The fourth section calls out stories of apocalypse like William Sanders’ “When This World Is All on Fire” and a piece from Zainab Amadahy’s The Moons of Palmares. The anthology closes with examples of biskaabiiyang, or “returning to ourselves,” bringing together stories like Eden Robinson’s “Terminal Avenue” and a piece from Robert Sullivan’s Star Waka.
An essential book for readers and students of both Native literature and science fiction, Walking the Clouds is an invaluable collection. It brings together not only great examples of Native science fiction from an internationally-known cast of authors, but Dillon’s insightful scholarship sheds new light on the traditions of imagining an Indigenous future.”
Publisher University of Arizona Press, Tucson, 2012
Sun Tracks series, 69
ISBN 9780816529827, 0816529825
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