Filed under book | Tags: · afrofuturism, black people, blackness, fiction, freedom, gender, human rights, literary criticism, race, science fiction, utopia
“Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible.
In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice.”
Publisher Columbia University Press, New York, 2019
ISBN 9780231187404, 0231187408
Filed under journal | Tags: · china, futurism, literary criticism, literature, science fiction, sinofuturism, technology
“The idea for this special issue developed out of a workshop organized by Dino Ge Zhang as part of the WuDaoKou Futurists collective, a collective aimed at decentering Sinofuturism from its Western articulations. The workshop, “Alternative Sinofuturisms,” already presupposes Sinofuturism as a venue for alterity and retains a space for various approaches and understandings of who and what is being foregrounded. Centralized in Beijing but held online with invited speakers from four different continents, the workshop was organized around a series of provocations, most of which are included in this issue.”
Contributors: Loïc Aloisio and Gwennaël Gaffric, Virginia L. Conn, Gabriele de Seta, Margaret A. Fisher, Carmen Herold, Amy Ireland, Lyu Guangzhao, Astrid Møller-Olsen, Yen Ooi, Frederike Schneider-Vielsäcker, Molly Silk, Mitchell van Vuren, Dino Ge Zhang.
Edited by Virginia L. Conn
Publisher Science Fiction Research Association, Spring-Summer 2020
Creative Commons BY-NC-ND 4.0 License
Marjorie Perloff: The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture (1986)
Filed under book | Tags: · futurism, history of literature, language, literary criticism, poetry
“Marjorie Perloff’s stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals the Moment’s impulses and operations, tracing its echoes through the years to the work of “postmodern” figures like Roland Barthes.”
Publisher University of Chicago Press, 1986
ISBN 0226657310, 9780226657318
Reviews: Gregory L. Ulmer (Criticism, 1988), Hank Lazer (South Atlantic Review, 1988), Timothy Materer (Journal of English and Germanic Philology, 1988), Patricia Hopkins (Rocky Mountain Review of Language and Literature, 1988), Willard Bohn (Comparative Literature, 1989), Jean-Michel Rabaté (Jacket2, 2012).
Interview with author (Harriet, 2013)
PDF (18 MB)Comment (0)