Georgina Born: Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde (1995)

16 December 2019, dusan

“Anthropologist Georgina Born presents an ethnography of the renowned Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) in Paris. As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM’s composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.

Born depicts a major artistic institution trying to maintain its status and legitimacy in an era increasingly dominated by market forces, and in a volatile political and cultural climate. She illuminates the erosion of the legitimacy of art and science in the face of growing commercial and political pressures. By tracing how IRCAM has tried to accomodate these pressures while preserving its autonomy, Born reveals the contradictory effects of institutionalizing an avant-garde.”

Publisher University of California Press, Berkeley, CA, 1995
ISBN 0520202163, 9780520202160
xvi+390 pages

Reviews: Tia DeNora (Am J of Sociology, 1996), Eduardo de la Fuente (Culture and Policy, 1996), Simon Emmerson (Review: J Royal Musical Association, 1997), Timothy Dowd (Contemporary Sociology, 1997), Paul D. Lopes (American Ethnologist, 1998), Elizabeth Hinkle-Turner (Computer Music J, 1999).

Publisher
WorldCat

PDF (17 MB)

Eduardo Viveiros de Castro: The Relative Native: Essays on Indigenous Conceptual Worlds (2015)

21 June 2019, dusan

“This volume is the first to collect the most influential essays and lectures of Eduardo Viveiros de Castro. Published in a wide variety of venues, and often difficult to find, the pieces are brought together here for the first time in one major volume, which includes his momentous 1998 Cambridge University Lectures, “Cosmological Perspectivism in Amazonia and Elsewhere.”

Rounded out with new English translations of previous works, the resulting book is a wide-ranging portrait of one of the towering figures of contemporary thought—philosopher, anthropologist, ethnographer, ethnologist, and more. With a characteristic afterword by Roy Wagner, elucidating Viveiros de Castro’s influence and engaging with his arguments, The Relative Native further cements Viveiros de Castro’s position at the center of contemporary anthropological inquiry.”

Afterword by Roy Wagner
Publisher HAU Books, Chicago, 2015
ISBN 9780990505037, 0990505030
vi+355 pages

Review: Eugene N. Anderson (Ethnobiology Letters, 2016).

Publisher
WorldCat

PDF (11 MB, updated via esco_bar on 2019-6-23)

Eyal Weizman: Forensic Architecture: Violence at the Threshold of Detectability (2017)

6 December 2018, dusan

“In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN.

Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing.

In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed.

Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere.

Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.”

Publisher Zone Books, New York, 2017
ISBN 9781935408864, 1935408860
355 pages

Reviews: Regine Debatty (We Make Money Not Art, 2017), Adam Rothstein (New Scientist, 2017), Sława Harasymowicz (Journal of Visual Culture, 2017), David Huber (Artforum, 2017), Joseph Confavreux (Mediapart, 2017, FR), Felix Bazalgette (New York Review of Books, 2018), Martina Tazzioli (Radical Philosophy, 2018), Noah Chasin (Springerin, 2018), Bernard Hay (Review 31, 2018), Anna Altman (n+1, 2018), Viktoriya Yeretska (BauNetz, 2017, DE), Erick Villagomez (Spacing, 2017), Andreas Petrossiants (Brooklyn Rail, 2018).

Author
Publisher
WorldCat

PDF (31 MB)