Martin Hägglund: This Life: Secular Faith and Spiritual Freedom (2019)

29 October 2020, dusan

This Life offers a profoundly inspiring basis for transforming our lives, demonstrating that our commitment to freedom and democracy should lead us beyond both religion and capitalism. Philosopher Martin Hägglund argues that we need to cultivate not a religious faith in eternity but a secular faith devoted to our finite life together. He shows that all spiritual questions of freedom are inseparable from economic and material conditions: what matters is how we treat one another in this life and what we do with our time.

Engaging with great philosophers from Aristotle to Hegel and Marx, literary writers from Dante to Proust and Knausgaard, political economists from Mill to Keynes and Hayek, and religious thinkers from Augustine to Kierkegaard and Martin Luther King, Jr., Hägglund points the way to an emancipated life.”

Publisher Pantheon Books, New York, 2019
ISBN 9781101870402, 1101870400
450 pages

Interviews with author: Meagan Day (Jacobin, 2019), Adam Kelly (University of York, 2019, video).

Debates: Brandon M. Terry, Walter Benn Michaels, Benjamin Kunkel, Michael W. Clune, Jodi Dean, William Clare Roberts (Los Angeles Review of Books, 2020, with Hägglund’s response), Frederick Neuhouser, Lea Ypi, Jensen Suther (The Philosopher, 2020, with Hägglund’s introductory essay), Robert Pippin (The Point, 2019, Hägglund’s response).

Reviews: Samuel Moyn (Jacobin, 2019), Michael A. McCarthy (Jacobin, 2019), Nathan Brown (Radical Philosophy, 2019), Tyler M. Williams (Critical Inquiry, 2020), Jedediah Britton-Purdy (The New Republic, 2019), Mathew Abbott (Marx & Philosophy, 2020), Martin Rayburn (Parrhesia, 2020), Conall Cash (boundary2, 2019), Oliver Burkeman (The Guardian, 2019), James Wood (New Yorker, 2019), Adam Kirsch (Wall Street Journal, 2019), Matt McManus (Areo, 2020), Daniel Steinmetz-Jenkins and Daniel Zamora (Dissent, 2019), William Egginton (Believer, 2020), Anton Jansson (Ord & Bild, 2020, SW), Matthew Engelke (Public Books, 2019), Kevin Schilbrack (Sophia, 2020), Knox Peden (Sydney Review of Books, 2020).

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James Mark, Bogdan C. Iacob, Tobias Rupprecht, Ljubica Spaskovska: 1989: A Global History of Eastern Europe (2019)

6 October 2020, dusan

“The collapse of the Berlin Wall has come to represent the entry of an isolated region onto the global stage. On the contrary, this study argues that communist states had in fact long been shapers of an interconnecting world, with ‘1989’ instead marking a choice by local elites about the form that globalisation should take. Published to coincide with the thirtieth anniversary of the 1989 revolutions, this work draws on material from local archives to international institutions to explore the place of Eastern Europe in the emergence, since the 1970s, of a new world order that combined neoliberal economics and liberal democracy with increasingly bordered civilisational, racial and religious identities. An original and wide-ranging history, it explores the importance of the region’s links to the West, East Asia, Africa, and Latin America in this global transformation, reclaiming the era’s other visions such as socialist democracy or authoritarian modernisation which had been lost in triumphalist histories of market liberalism.”

Publisher Cambridge University Press, Cambridge, UK, 2019
New Approaches to European History series, 59
ISBN 9781108427005, 1108427006
vii+372 pages

Reviews: Árpád von Klimo (H-Diplo, 2020), Tilmann Siebeneichner (German History, 2020), Nick Ostrum (Europe Now, 2020),

Interviews with co-author (James Mark): Ondřej Bělíček (A2larm, CZ, 2019), Ondřej Bělíček (Jacobin, 2020), Ronaldas Galinis (LRT.lt, 2020), Rūta Miškinytė (15min.lt, 2020, LT), Zoltán Ginelli (LeftEast, 2020, Part 2, Part 3).

Book summary (Eurozine, 2019).

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John Beck, Ryan Bishop: Technocrats of the Imagination: Art, Technology, and the Military-Industrial Avant-Garde (2020)

1 August 2020, dusan

“In Technocrats of the Imagination John Beck and Ryan Bishop explore the collaborations between the American avant-garde art world and the military-industrial complex during the 1960s, in which artists worked with scientists and engineers in universities, private labs, and museums. For artists, designers, and educators working with the likes of Bell Labs, the RAND Corporation, and the Los Angeles County Museum of Art, experiments in art and technology presaged not only a new aesthetic but a new utopian social order based on collective experimentation. In examining these projects’ promises and pitfalls and how they have inspired a new generation of collaborative labs populated by artists, engineers, and scientists, Beck and Bishop reveal the connections between the contemporary art world and the militarized lab model of research that has dominated the sciences since the 1950s.”

Publisher Duke University Press, Durham, 2020
Cultural Politics series
ISBN 9781478005957, 1478005955
viii+229 pages

Review: Lindsay Caplan (Art in America, 2020).

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