Filed under book | Tags: · activism, democracy, introversion, politics
“Drawing together communiqués, covert interviews, oral and underground history of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people.
Radicalised against the imperial domination of globalised PR projectionism, extrovert poise and loudness, the Shy Radicals and their guerrilla wing the Shy Underground are a vanguard movement intent on trans-rupting consensus extrovert-supremacist politics and assertiveness culture of the twenty first century. The movement aims to establish an independent homeland – Aspergistan, a utopian state for introverted people, run according to Shyria Law and underpinned by Pan-Shyist ideology, protecting the rights of the oppressed quiet and shy people.
Shy Radicals are the Black Panther Party of the introvert class, and this anti-systemic manifesto is a quiet and thoughtful polemic, a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia.”
With a Preface by Nina Power
Publisher Book Works, London, 2017
Common Objectives series
ISBN 9781906012571, 1906012571
Reviews: Dominic Fox (Review 31, n.d.), Hsiao-Hung Pai (OpenDemocracy, 2017), Carmina Masoliver (Norwich Radical, 2017), Rachel Seoighe (Ceasefire, 2017), Nicki Jameson (Revolutionary Communist, 2017).
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Filed under book, thesis | Tags: · art history, artistic research, avant-garde, democracy, modernism, performance, politics, power, propaganda, totalitarianism, war on terror
“This study by artist Jonas Staal explores the development of propaganda art from the 20th to the 21st century. Staal defines propaganda as the performance of power by means of the equation propaganda = power + performance. Through his work as a propaganda researcher and practice as a propaganda artist, he argues that different structures of power generate different forms of propaganda and therefore different forms of propaganda art. Whereas in the context of the 20th century Staal discusses the differences between avant-garde, totalitarian, and modernist propaganda art, in the 21st century he proposes the categories of War on Terror Propaganda Art, Popular Propaganda Art, and Stateless Propaganda Art. By means of concrete examples of artists and artworks within each of these categories, he attempts to show how the performance of power in the 21st century translates into different visual forms, and how they shape and direct our reality. Staal’s study shows that power and art exist in continuous interaction. Propaganda and propaganda art are not terms that only refer to the past, but concepts and practices through which we can understand the construction of reality in the present.”
PhD Dissertation, Faculty of Humanities, University of Leiden
Filed under journal | Tags: · anthropology, central europe, conspiracy, democracy, east-central europe, eastern europe, fake news, geopolitics, illiberalism, liberalism, politics, populism
“The cumulative effects of Brexit, the resurgence of populist politics in Europe, and the election of Donald Trump as president of the United States have given rise to the perception that Western liberal democracies are undergoing profound change, if not a bona fide crisis. Moreover, there is a sense that it is the political liberalism of the post–Cold War period—rather than its far less popular companion ideology of neoliberalism—that finds itself in disarray. As scholars and commentators rummage through their intellectual toolboxes for explanatory frameworks, many are turning to (post)socialist histories and experiences as heuristic devices for making sense of the upheavals in Western politics. In this Hot Spots series, we suggest that the postsocialist transition, as both discursive space and set of practices that attempted to make capitalists out of socialists and liberals out of totalitarians, renders the former socialist world a rich site for understanding the current shifts in the Western political landscape. We aim to make sense of this landscape in a way that is attuned to both long-term processes and to the state of emergency reinforced with each new wave of current events. Even though the ground appears to be constantly shifting beneath our feet, these essays insist that detailed, historically and geopolitically sensitive analysis of actually existing post–Cold War liberalisms is one key approach for making sense of the present.”
Edited by Dace Dzenovska and Larisa Kurtović
Publisher Society for Cultural Anthropology, Apr 2018
Hot Spots series