Jonas Staal: Propaganda Art in the 21st Century (2019)

“Propaganda art—whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon—delivers a message. But, as Jonas Staal argues, propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propagandas.

Staal shows that propaganda is not a relic of a totalitarian past but occurs today even in liberal democracies. He considers different historical forms of propaganda art, from avant-garde to totalitarian and modernist, and he investigates the us versus them dichotomy promoted in War on Terror propaganda art—describing, among other things, a fictional scenario from the Department of Homeland Security, acted out in real time, and military training via videogame. He discusses artistic and cultural productions developed by such popular mass movements of the twenty-first century as the Occupy, activism by and in support of undocumented migrants and refugees, and struggles for liberation in such countries as Mali and Syria.

Staal proposes a new model of emancipatory propaganda art—one that acknowledges the relation between art and power and takes both an aesthetic and a political position in the practice of world-making.”

Publisher MIT Press, September 2019
ISBN 9780262042802, 0262042800
230 pages

Interview with author: Pierre d’Alancaisez (New Books Network, 2021, podcast).

Reviews: Christoph Chwatal (Third Text, 2020), Hailey Maxwell (The Drouth, 2020), Joerg Bader (Critique d’art, 2019, FR).

Publisher
WorldCat

PDF, PDF (12 MB, updated on 2024-4-23)

Jonas Staal: Propaganda Art from the 20th to the 21st Century (2018)

“This study by artist Jonas Staal explores the development of propaganda art from the 20th to the 21st century. Staal defines propaganda as the performance of power by means of the equation propaganda = power + performance. Through his work as a propaganda researcher and practice as a propaganda artist, he argues that different structures of power generate different forms of propaganda and therefore different forms of propaganda art. Whereas in the context of the 20th century Staal discusses the differences between avant-garde, totalitarian, and modernist propaganda art, in the 21st century he proposes the categories of War on Terror Propaganda Art, Popular Propaganda Art, and Stateless Propaganda Art. By means of concrete examples of artists and artworks within each of these categories, he attempts to show how the performance of power in the 21st century translates into different visual forms, and how they shape and direct our reality. Staal’s study shows that power and art exist in continuous interaction. Propaganda and propaganda art are not terms that only refer to the past, but concepts and practices through which we can understand the construction of reality in the present.”

PhD Dissertation, Faculty of Humanities, University of Leiden
Open access
425 pages

Publisher

PDF, PDF (2 MB)
Video (12 min)

Laura Poitras, et al.: Astro Noise: A Survival Guide for Living Under Total Surveillance (2016)

“The filmmaker, artist, and journalist Laura Poitras has explored the themes of mass surveillance, “war on terror,” drone program, Guantánamo, and torture in her work for more than ten years. For this volume, Poitras has invited authors ranging from artists and novelists to technologists and academics to respond to the modern-day state of mass surveillance. Some contributors worked directly with Poitras and the archive of documents leaked by Snowden; others contributed fictional reinterpretations of spycraft. The result is a “how-to” guide for living in a society that collects extraordinary amounts of information on individuals. Questioning the role of surveillance and advocating for collective privacy are central tennets for Poitras, who has long engaged with and supported free-software technologists.”

Contributions by Ai Weiwei, Jacob Appelbaum, Lakhdar Boumediene, Kate Crawford, Alex Danchev, Cory Doctorow, Dave Eggers, Jill Magid, Trevor Paglen, Edward Snowden, and Hito Steyerl.

With an Introduction by Jay Sanders
Publisher Whitney Museum of American Art, New York, 2016
ISBN 9780300217650, 030021765X
241 pages
via i_d_rather_be_no_one

Review: Bernard E. Harcourt (Critical Inquiry).

Exhibition
Publisher
WorldCat

PDF (17 MB)