Filed under catalogue | Tags: · black culture, documentary film, film, postcolonialism, third cinema, video
“Sankofa Film/Video Collective and Black Audio Film Collective are the most celebrated and controversial Black media groups to emerge from the British workshop movement of the 1980s. Their work focuses on the representation of the Black subject in mainstream and alternative media, also touching on such issues as institutionalized racism, sexual politics and national identity in postcolonial Britain. Challenging stylistic conventions of both documentary and fiction film, their work provides a basis for critical reflection on the history of Black film culture, Third Cinema, and their future directions.” (back cover)
Featuring essays “A Black Avant-Garde?” by Coco Fusco (originally published as “Black Filmmaking in Britain’s Workshop Sector” appearing in a 1988 issue of Afterimage Vol 14, No 7); “An Interview with Martina Attille and Isaac Julien of Sankofa Film/Video Collective,” and “An Interview with Black Audio Film Collective: John Akomfrah, Lina Gopaul, Avril Johnson and Reece Auguiste,” both interviews by Coco Fusco.
A publication designed to accompany a touring film exhibition of the same title curated by Coco Fusco and produced by Ada Gay Griffin.
Publisher Hallwalls, Contemporary Arts Center, Buffalo, NY, 1988
ISBN 0936739150, 9780936739151
Filed under catalogue | Tags: · art, art criticism, performance, performance art, video, video art
“Parallel Practices: Joan Jonas & Gina Pane considers the works of two pioneers of performance art. Jonas (born 1936) and Pane (1939-1990) lived and worked in the United States and France respectively. Each artist worked multidisciplinarily, producing sculpture, drawings, installations, film and video in addition to live actions. Notably, Jonas and Pane have been lauded for their foundational work in performance, a field in which both of these artists blazed trails. Published to accompany an exhibition at the Contemporary Arts Museum Houston, Parallel Practices explores the trajectory of these artists’ practices to reveal shared and complementary aspects, as well as to highlight the significant divergences and differences that characterize each artist’s work. It includes texts by curator Dean Daderko, Elisabeth Lebovici and Anne Tronche and Barbara Clausen.”
Edited by Dean Daderko
Publisher Contemporary Arts Museum, Houston, 2013
via CAM Houston
Filed under book, video book | Tags: · online video, surveillance, theory, video
“This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book’.
We hope that different tribes — from DIY hackercamps and medialabs, to unsatisfied academic visionaries, avantgarde-mesh-videographers and independent media collectives, even iTV and home-cinema addicted sofasurfers — will cherish this contribution to an ever more fragmented, ever more colorful spectrum of video-culture, consumption and appropriation…”
Contributions by Clare Birchall + Gary Hall + Peter Woodbridge, Karin + Shane Denson, Serhat Köksal, Rózsa Zita Farkas, Deborah Ligotrio, Lucia Egaña Rojas, Eric Kiuitenberg, Adnan Hadzi, and Andreas Treske.
Edited by Oliver Lerone Schultz, Adnan Hadzi, Pablo de Soto, and Laila Shereen Sakr (VJ Um Amel)
Publisher Open Humanities Press, and Mute, London
MIT & GPL3 License