Jens Eder, Charlotte Klonk (eds.): Image Operations: Visual Media and Political Conflict (2016)

27 September 2020, dusan

“Still and moving images are crucial factors in contemporary political conflicts. They not only have representational, expressive or illustrative functions, but also augment and create significant events. Beyond altering states of mind, they affect bodies and often life or death is at stake. Various forms of image operations are currently performed in the contexts of war, insurgency and activism. Photographs, videos, interactive simulations and other kinds of images steer drones to their targets, train soldiers, terrorise the public, celebrate protest icons, uncover injustices, or call for help. They are often parts of complex agential networks and move across different media and cultural environments. This book is a pioneering interdisciplinary study of the role and function of images in political life. Balancing theoretical reflections with in-depth case studies, it brings together renowned scholars and activists from different fields to offer a multifaceted critical perspective on a crucial aspect of contemporary visual culture.”

Publisher Manchester University Press, Manchester, 2016
ISBN 9781526107213, 152610721X
xv+232+[24] pages

Review: Zoya Brumberg (Journal of Visual Culture, 2018).

Publisher
WorldCat

PDF (21 MB)

Defiant Muses: Delphine Seyrig and the Feminist Video Collectives in France, 1970s-1980s (2019) [English, Spanish]

25 March 2020, dusan

“This publication explores the intersection between the histories of cinema, video and feminism in France. Focusing on the emergence of video collectives in the 1970s, the exhibition proposes to reconsider the history of the feminist movement in France through a set of media practices and looks at a network of creative alliances that emerged in a time of political turmoil.”

Contributors: Nataša Petrešin-Bachelez, Giovanna Zapperi, Alexandre Moussa, Ros Murray, François Vergès, Élisabeth Lebovici, Nicole Fernández Ferrer.

Introduction by Nataša Petrešin-Bachelez and Giovanna Zapperi
Publisher Museo Nacional Centro de Arte Reina Sofía (MACBA), Barcelona, 2019
Creative Commons BY-NC-ND 4.0 International License
ISBN 9788480266000, 8480266007 (EN)
231 pages

Exhibition
Publisher (EN)
WorldCat (EN)

English: PDF, PDF (20 MB)
Spanish: PDF, PDF (20 MB)

Kodwo Eshun, Anjalika Sagar (eds.): The Ghosts of Songs: The Film Art of the Black Audio Film Collective, 1982-1998 (2007)

13 September 2019, dusan

The Ghosts of Songs is the first book-length exploration of the work of the Black Audio Film Collective. The collective, founded in 1982 and dissolved in 1998, comprised John Akomfrah, Lina Gopaul, Reece Auguiste, Avril Johnson, Trevor Mathison, Edward George and David Lawson, and for sixteen years their films addressed the social, political and racial crises of Thatcher’s Britain and beyond. However, it would be limiting their achievement to see them either as merely challenging the hegemonic forms of mass media, or conversely as polemicist film activists. In films such as Expeditions, Handsworth Songs, Seven Songs for Malcolm X and Twilight City, the collective explored and developed a black film aesthetic. The essays in this volume, contributed by Jean Fisher, Kodwo Eshun, Kobena Mercer and Okwui Enwezor, argue that they inaugurated themselves as an artist-group, laying claim to the right to reconfigure the space of cinema around the Afrodiasporic subject, reconceptualizing lighting, film stock, developing and printing, and inventing the forms that black cinema might take.”

Publisher Liverpool University Press, and FACT, Liverpool, 2007
Changing Media, Changing Europe series
ISBN 1846310148, 9781846310140
239 pages

Exh. review: Josephine Berry Slater (Mute, 2007).
Review: Alexandra M. Kokoli (The Art Book, 2008).

WorldCat

PDF (62 MB)