Filed under video | Tags: · art, environment, installation, installation art, kinetic art, media art, op art, video, video art, vision
An electro-opto-mechanical environment by Steina, with instrumentation by Josef Krames, Woody Vasulka, and Bruce Hamilton. First shown at the Vasulkas exhibition at Albright-Knox Art Gallery in Buffalo, NY, 1978.
“When a human being operates the camera, the assumption is that the camera is an extension of the eye. You move the camera the way you move the head and the body. In video, unlike photography or film, the viewfinder is not necessarily an integral part of the camera apparatus. … In the late 1970s, I began a series of environments titled Machine Vision and Allvision, with a mirrored sphere. Another variation has a motorized moving mirror in front of the camera so that depending on the horizontal or vertical positioning of the mirror, the video monitor displays a continuous pan or tilt either back/forth or up/down. A third variation is a continuous rotation through a turning prism, while still another has a zoom lens in continuing motion, in/out. These automatic motions simulate all possible camera movements freeing the human eye from being the central point of the universe.” (Steina)
Recorded at the Palazzo delle Esposizioni, Rome, 1994/1995
Artist statement and documentation (artist’s website archive with restored videos)
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