Filed under book | Tags: · activism, art, participation, participatory art, political art, politics, protest, social movements, tactics, useful art
“How does art play a role in social and political struggles all over the world? Can art be a tool with which to shape the world, rather than just reflect it?
Truth Is Concrete: A Handbook for Artistic Strategies in Real Politics takes the possibility of concrete truth as a working hypothesis and looks for direct action and concrete knowledge: for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that not only acts for the sake of acting but searches for intelligent, creative means of self-empowerment. This book is the second manifestation under this title; the first materialized as a twenty-four-hour, seven-day marathon camp that took place in the frame of the steirischer herbst festival in Graz, Austria, in September 2012.
This handbook is a stand-alone publication, emphasizing the “usefulness” of the different artistic approaches collected. It is a toolbox and a manual with contributions by key protagonists in this field. One hundred texts describe very different strategies and tactics, written by their inventors and/or practitioners from all over the world, mapping the broad field of engaged art and artistic activism today. Additional essays focus on the philosophy, structures, and modalities behind the many battles to make this world a better place.”
Essays by Stephen Duncombe and Steve Lambert, Alanna Lockward, Florian Malzacher, Chantal Mouffe, Gerald Raunig, Jonas Staal; a conversation with etcetera, Nato Thompson, WHW; and drawings by Dan Perjovschi.
With further contributions by Jonathan Allen, Udi Aloni, Corina L. Apostol / Artleaks, Hector Aristizábal, Saki Bailey / Teatro Valle, Artúr van Balen / Tools for Action, Katherine Ball, Andy Bichlbaum / The Yes Men, Reverend Billy & The Church of Stop Shopping, Leah Borromeo, Andrew Boyd, Tania Bruguera, Santiago Cirugeda / Recetas Urbanas, Collective Authorship, Corrupt Tour, Gabriella Csoszó / FreeDoc, Minerva Cuevas, Neil Cummings, Diedrich Diederichsen, Charles Esche, Noah Fischer, Benjamin Foerster-Baldenius / raumlaborberlin, Sérgio Miguel Franco / Pixadores, Andrea Fraser, Isabelle Fremeaux, Christine Gaigg, Ganzeer, Federico Geller, Guillermo Gómez-Peña / La Pocha Nostra, Marina Gržinić, Núria Güell, Erdem Gündüz, Hans Haacke, The Haircut Before The Party, Stefano Harney, Carl Hegemann, Justin Hoffmann, Khaled Hourani, Iconoclasistas, The Institute for Human Activities, International Institute of Political Murder, Janez Janša, Khaled Jarrar, Jeudi Noir, Anna Jermolaeva, John Jordan, Janice Kerbel, Jisun Kim, Omer Krieger, the laboratory of insurrectionary imagination, Kalle Lasn / Adbusters, André Lepecki, Lexxus Légal, Lawrence Liang, Liberate Tate, Geert Lovink, Matteo Lucchetti, Lucifer / Church of Kopimism, Oliver Marchart, Leónidas Martín, Joana Mazza / Observatório de Favelas, Tomislav Medak, Thomas Meinecke, Jasmina Metwaly / Mosireen Collective, Antanas Mockus, Jean-Luc Moulène, Rabih Mroué, Michal Murin, Marina Naprushkina / Office for Anti-Propaganda, Neue Slowenische Kunst, Occuprint, Robyn Orlin, Ahmet Öğüt / The Silent University, Sibylle Peters, The Pinky Show, Srđa Popović / CANVAS, Public Movement, Raivo Puusemp, Richard Reynolds, Irit Rogoff, Ned Rossiter, Philipp Ruch / Center for Political Beauty, Yekaterina Samutsevich / Pussy Riot, Florian Schneider, Frank Apunkt Schneider / monochrom, Susan Schuppli / Forensic Architecture, Shared Inc., Inna Shevchenko / Femen, Gregory Sholette, Stevphen Shukaitis, Toma Sik, Kostis Stafylakis / Kavecs, Mladen Stilinović, Kuba Szreder, Claire Tancons, Mierle Laderman Ukeles, Ultra-red, the vacuum cleaner, Dmitry Vilensky / Chto Delat?, Marina Vishmidt, Joanna Warsza, WochenKlausur, Krzysztof Wodiczko, Jacob Wren, Stephen Wright, Kàddu Yaraax, Wu Yuren, Salam Yousry, and Slavoj Žižek.
Edited by steirischer herbst and Florian Malzacher
Co-edited by Anne Faucheret, Veronica Kaup-Hasler, Kira Kirsch, Andreas R. Peternell, Johanna Rainer
Publisher Sternberg Press, Berlin, and steirischer herbst, Graz, 2014
ISBN 9783943365849, 3943365840
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Filed under book | Tags: · activism, assembly, autonomy, colonialism, commons, democracy, entrepreneurship, finance, labour, multitude, neoliberalism, organization, politics, protest, social movements, subjectivity
“In recent years ‘leaderless’ social movements have proliferated around the globe, from North Africa and the Middle East to Europe, the Americas, and East Asia. Some of these movements have led to impressive gains: the toppling of authoritarian leaders, the furthering of progressive policy, and checks on repressive state forces. They have also been, at times, derided by journalists and political analysts as disorganized and ineffectual, or suppressed by disoriented and perplexed police forces and governments who fail to effectively engage them. Activists, too, struggle to harness the potential of these horizontal movements. Why have the movements, which address the needs and desires of so many, not been able to achieve lasting change and create a new, more democratic and just society? Some people assume that if only social movements could find new leaders they would return to their earlier glory. Where, they ask, are the new Martin Luther Kings, Rudi Dutschkes, and Stephen Bikos?
With the rise of right-wing political parties in many countries, the question of how to organize democratically and effectively has become increasingly urgent. Although today’s leaderless political organizations are not sufficient, a return to traditional, centralized forms of political leadership is neither desirable nor possible. Instead, as Michael Hardt and Antonio Negri argue, familiar roles must be reversed: leaders should be responsible for short-term, tactical action, but it is the multitude that must drive strategy. In other words, if these new social movements are to achieve meaningful revolution, they must invent effective modes of assembly and decision-making structures that rely on the broadest democratic base. Drawing on ideas developed through their well-known Empire trilogy, Hardt and Negri have produced, in Assembly, a timely proposal for how current large-scale horizontal movements can develop the capacities for political strategy and decision-making to effect lasting and democratic change. We have not yet seen what is possible when the multitude assembles.”
Publisher Oxford University Press, 2017
Heretical Thought series
ISBN 9780190677961, 0190677961
Filed under book | Tags: · activism, art, artivism, performance, performance art, protest, russia, social movements, tactical media
Catalogue of the international festival of activist art МедиаУдар (MediaImpact), held in autumn 2011 in Moscow. Includes descriptions of 68 recent works; texts by Tatiana Volkova, Arseny Sergeev, Oksana Sarkisyan, Anton Nikolayev, Pablo Hermann, Kostis Stafylakis, Oleg Genisaretskiy, and Peter Weibel; and interviews with Mike Bonnano, Nina Felshin, and Andrew Boyd.
Editing: Tatiana Volkova
Coordination: Joulia Strauss
Publisher MediaImpact, Moscow, with ZKM, Karlsruhe, 2012