Martin Hägglund: This Life: Secular Faith and Spiritual Freedom (2019)

29 October 2020, dusan

This Life offers a profoundly inspiring basis for transforming our lives, demonstrating that our commitment to freedom and democracy should lead us beyond both religion and capitalism. Philosopher Martin Hägglund argues that we need to cultivate not a religious faith in eternity but a secular faith devoted to our finite life together. He shows that all spiritual questions of freedom are inseparable from economic and material conditions: what matters is how we treat one another in this life and what we do with our time.

Engaging with great philosophers from Aristotle to Hegel and Marx, literary writers from Dante to Proust and Knausgaard, political economists from Mill to Keynes and Hayek, and religious thinkers from Augustine to Kierkegaard and Martin Luther King, Jr., Hägglund points the way to an emancipated life.”

Publisher Pantheon Books, New York, 2019
ISBN 9781101870402, 1101870400
450 pages

Interviews with author: Meagan Day (Jacobin, 2019), Adam Kelly (University of York, 2019, video).

Debates: Brandon M. Terry, Walter Benn Michaels, Benjamin Kunkel, Michael W. Clune, Jodi Dean, William Clare Roberts (Los Angeles Review of Books, 2020, with Hägglund’s response), Frederick Neuhouser, Lea Ypi, Jensen Suther (The Philosopher, 2020, with Hägglund’s introductory essay), Robert Pippin (The Point, 2019, Hägglund’s response).

Reviews: Samuel Moyn (Jacobin, 2019), Michael A. McCarthy (Jacobin, 2019), Nathan Brown (Radical Philosophy, 2019), Tyler M. Williams (Critical Inquiry, 2020), Jedediah Britton-Purdy (The New Republic, 2019), Mathew Abbott (Marx & Philosophy, 2020), Martin Rayburn (Parrhesia, 2020), Conall Cash (boundary2, 2019), Oliver Burkeman (The Guardian, 2019), James Wood (New Yorker, 2019), Adam Kirsch (Wall Street Journal, 2019), Matt McManus (Areo, 2020), Daniel Steinmetz-Jenkins and Daniel Zamora (Dissent, 2019), William Egginton (Believer, 2020), Anton Jansson (Ord & Bild, 2020, SW), Matthew Engelke (Public Books, 2019), Kevin Schilbrack (Sophia, 2020), Knox Peden (Sydney Review of Books, 2020).

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Masha Tupitsyn: Love Sounds (2015)

2 January 2020, dusan

“Cinema remains the last medium for speaking and performing love culturally. While much emphasis has been placed on the visual iconography of love, with the exception of music very little attention has been given to love as an aural phenomenon since the tradition and practice of amour courtois. Partly inspired by Christian Marclay’s ontology of time in cinema, The Clock, and René Magritte’s word paintings, which textualized the visual tropes of painting with “written” images, Love Sounds, a 24-hour sound poem and montage, dematerializes cinema’s visual legacy and reconstitutes it as an all-tonal history of critical listening.

Love Sounds, a 24 hour audio history and essay of love in cinema, concludes Tupitsyn’s immaterial trilogy. The film is accompanied by a catalogue published by Penny-Ante, featuring written works by Masha Tupitsyn and contributors McKenzie Wark, Berit Fischer, Isiah Medina, C. Spencer Yeh, and Yaniya Lee.”

Publisher Penny-Ante Editions, Los Angeles, 2015
Success and Failure series
Open access
ISBN 9780978556440
62 pages

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Glass Bead, 3: Site 2: Dark Room: Somatic Reason and Synthetic Eros (2019) [EN, FR, JP]

26 September 2019, dusan

“This issue, produced in the framework of Okayama Art Summit 2019 (‘IF THE SNAKE’, curated by Pierre Huyghe, September 27 – November 24 2019, Japan), focuses on the concrete conditions of embodied thought. From the assessment of historical attempts at grounding critique in the body to the exploration of contemporary issues surrounding situated knowledge, from the analysis of the aesthetic and political economy at play in the encounter with advanced human-like sex robotics to the ways in which algorithms are transforming our sense of intimate relationships, and from the ways in which cruising practices subvert dominant discourses on architecture and the city to the libidinal economy at work in specific art forms, the contributions gathered in this issue navigate the fault line that articulates erotics and rationality.

‘Site 2. Dark Room: Somatic Reason and Synthetic Eros’ contends that contemporary upheavals concerning love, sex and reproduction are not mere side issues that can be safely dealt with in various already existing discursive regimes (e.g. biology, psychology, identity politics) but crucial transformative vectors for developing a renewed understanding of transdisciplinary reason.

The publication of this issue will be spanned across the duration of the triennial, with one new contribution uploaded every week.

With contributions by Adam Berg (artist, writer), Louis Chude-Sokei (writer), Cruising Pavilion (curatorial collective), Sally Haslanger (philosopher), Anna Longo (philosopher), Alexandra Hedako Mason (researcher), Matthew Poole (writer), Patricia Reed​ (artist, writer), Oli Surel (writer), and Three Billions of Perverts (archival material).”

Publisher Glass Bead, September-November 2019

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PDFs (Japanese, added on 2020-1-15)
See also Issue 2