Filed under book | Tags: · alternative culture, alternative media, anarchism, counterculture, diy, magazine, publishing, zine culture
“In this comprehensive study of zine publishing, Stephen Duncombe explores the history and theory of subterranean cultural production. From their origins in early 20th century science fiction fandom, their more proximate roots in ‘60s counter-culture and their rapid proliferation in the wake of punk rock, Notes from Underground pays full due to the political importance of zines as a vital network of participatory culture, and analyzes how zines measure up to their utopian outlook in achieving fundamental social change. Packed with extracts and illustrations, Duncombe provides a critical overview of the contemporary underground in all its love and rage.”
Publisher Verso, London, 1997
Reprinted by Microcosm Publishing, Bloomington, IN, 2008
ISBN 9781934620373, 1934620378
Filed under booklet | Tags: · diy, history of literature, publishing
“Mixing anecdote and advocacy, the first section of this two-part polemical essay offers an introduction to the concealed history of do-it-yourself publishing—as undertaken by some of the most revered writers in the modern Western literary canon, from Laurence Sterne (1713–1768) to Irma Rombauer (1882–1941) via Virginia Woolf (1871–1922) and Derek Walcott (1930–).
Having looked back at some of the monuments of literary history, the second section takes its charge from the epigraph, ‘Institutions cannot prevent what they cannot imagine’, and looks forward to the political praxis of the 21st-century’s digital future.
The essay was first commissioned by the Foreword for the London Art Book Fair 2011 catalogue.”
Publisher Information as Material, York/UK, 2012
Creative Commons Attribution BY 2.5 Licence
via Electronic Poetry Center
Review: Christina Patterson (The Independent, 2012).Comment (0)
Filed under book | Tags: · activism, anarchism, art, counterculture, cultural production, diy, social movements, squatting
“An anthology of voices from the post-1968 squatting movement in Europe and beyond. It focuses on creative production and cultural innovation driven by squats. Squatting is certainly a tactic which has enabled a tremendous body of collective culture work to be done, and new kinds of lives to be lived. Making Room lays it out in the words of those who did it and study it.
The dark matter undercommons of disobedient culture surveyed in this book begins its roam in a theoretical introduction that includes autonomist theory, ‘monster institutions’ and simple economic justice. It moves from north to south, portraying by country some specific local conditions of an international movement.”
With contributions by Miguel Ángel Martínez López, Alan W. Moore, Stevphen Shukaitis, Universidad Nómada, Tino Buchholz, Vincent Boschma, Geert Lovink, Alan Smart, Aja Waalwijk, Jordan Zinovich, Britta Lillesøe,Tina Steiger, Mikkel Bolt Rasmussen, x-Chris, Kasper Opstrup, Azomozox, Ashley Dawson, Sarah Lewison, Azomozox, Nina Fraeser, Julia Ramírez Blanco, Tobias Morawski, Eliseo Fucolti, Gianni Piazza, Assembly of Teatro Valle, Patrick Nagle, Emanuele Braga, Margot Verdier, Vincent Prieur, Jon Lackman, Jacqueline Feldman, Julia Lledin, Elisabeth Lorenzi, Julia Lledinm, Stephen Luis Vilaseca, La Casa Invisible, Stephen Luis Vilaseca, Yasmin Ramirez, Gregory Lehmann, Sutapa Chattopadhyay, Jasna Babic, Tristan Wibault, Galvao Debelle dos Santos, E.T.C. Dee, Spencer Sunshine, Maxigas, and mujinga.
Co-published by Journal of Aesthetics & Protest and Other Forms, October 2015
Designed by Other Forms
Translation Milena Ruiz Magaldi and Jeannette Petrik