Monoskop Exhibition Library (2018) [English/Korean]

9 October 2018, dusan

The Exhibition Library reimagines the medium of art exhibition as well as that of art catalogue. Catalogues carry exhibitions through time and space, figuring as tropes for imagining arrangements and the course of works and settings they describe. However, they rarely give us a clue about what really happened, since they are often made before the show opens. Rather than documenting it, they often stand on their own, almost as if another work on display, truly as an artistic medium on its own. For this work, artists, designers, curators, poets and collectives created thirty catalogues of imaginary exhibitions. Exploring both the potential and impossible in art, the resulting exhibition library also serves as a “library of exhibitions.”

With works by the Archive of the Museum of American Art-Berlin, Joana Chicau, Vuk Ćosić, Annet Dekker, Leslie Drost-Robbins, Espen Sommer Eide, Kenneth Goldsmith, Sarah Hamerman and Sam Hart, Seewon Hyun, Václav Janoščík and Eva Skopalová, Geraldine Juárez, Josefina Björk and Bhavisha Panchia, Mara Karagianni and John Colenbrander, Richard Kitta and Michal Murin, Jungmin Lee, Signe Lidén, Silvio Lorusso and Sebastian Schmieg, Ilan Manouach, Darija Medić, Multimedia Institute Zagreb (Tomislav Medak, Marcell Mars, et al.), Michal Murin, Possible Bodies (Femke Snelting and Jara Rocha), Purple Noise, Jürgen Rendl, Danny Snelson, Supermuch, Technopolitics Working Group (John Barker, Sylvia Eckermann, Doron Goldfarb, Armin Medosch, Gerald Nestler, Felix Stalder, Axel Stockburger, Matthias Tarasiewicz, Thomas Thaler, Ina Zwerger, et al.), Charles Turner, Takuma Uematsu, Yuki Hayashi, Tadashi Kobayashi and Tetsuya Goto, Marina Valle Noronha, and Amy Suo Wu.

Presented as part of Seoul Mediacity Biennale, Seoul Museum of Art, Korea, 5 September – 18 November 2018.

Edited by Dušan Barok
Publisher Monoskop, Amsterdam, with The Book Society, Seoul, 2018
47 pages

Exhibition

HTML (includes PDFs of several contributed works)
PDF
Internet Archive
Humanities Commons
ARG
Issuu
Scribd

Elizabeth L. Eisenstein: The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979)

12 June 2014, dusan

“A key text to understand the role of print on social change and the arts. Professor Eisenstein begins by examining the general implications of the shift from script to print, and goes on to examine its part in three of the major movements of early modern times – the Renaissance, the Reformation, and the rise of modern science. Her masterful and well researched text sets a standard for understanding the social impact of printing.”

Publisher Cambridge University Press, 1979
11th printing, 2005
ISBN 052129951, 9780521299558
794 pages
HT Didgebaba

Review (Carolyn Marvin, Technology and Culture, 1979)
Review (Anthony T. Grafton, Journal of Interdisciplinary History, 1980)
Review (Eric J. Freeman, Medical History, 1981)
Review (Eric J. Leed, American Journal of Sociology, 1982)
Review (History of European Ideas, Richard Teichgraeber, 1984)

Publisher
Wikipedia

PDF (16 MB)