Filed under journal | Tags: · aesthetics, affect, feeling, machine, machine learning, sensation, subjectivation, technology
“Digital culture has become instrumental for capturing and managing what Raymond Williams would once have called “structures of feeling”. The journal issue A Peer-Reviewed Journal About Machine Feeling alludes to this, and points to a material analysis of aesthetics and culture, including its technical and social forms, and in the way that this concept was originally employed as an acknowledgment of the importance of the hard to capture dimensions of everyday life. What potential new sensibilities and structures of feeling may arise in such normalized registers of our habits? What new cultural and social forms and practices emerge in the coming together of machine learning and structures of feeling? In each their own way, the authors in this journal explore these questions.”
Edited by Christian Ulrik Andersen and Geoff Cox
Publisher Digital Aesthetics Research Centre, Aarhus University, Aarhus, 15 August 2019
Creative Commons BY-NC-SA License
With contributions by Mitra Azar, Daniel Chávez Heras, Michela De Carlo, Iain Emsley, Malthe Stavning Erslev, Tomas Hollanek, Rosemary Lee, Carleigh Morgan, Carman Ng, Irina Raskin, Tiara Roxanne, Rebecca Uliasz, Maria Dada, Tanja Wiehn, and Brett Zehner.Comment (0)
Filed under book | Tags: · anthropology, body, cinema, ethnography, film, image, knowledge, language, life, movement, philology, philosophy, rhythm, sensation, sensory ethnography
“Both a vital theoretical work and a fine illustration of the principles and practice of sensory ethnography, this much anticipated translation is destined to figure as a major catalyst in the expanding field of sensory studies.
Drawing on his own fieldwork in Brazil and Japan and a wide range of philosophical, literary and cinematic sources, the author outlines his vision for a ‘modal anthropology’. François Laplantine challenges the primacy accorded to ‘sign’ and ‘structure’ in conventional social science research, and redirects attention to the tonalities and rhythmic intensities of different ways of living. Arguing that meaning, sensation and sociality cannot be considered separately, he calls for a ‘politics of the sensible’ and a complete reorientation of our habitual ways of understanding reality.”
First published as Le social et le sensible: introduction à une anthropologie modale, Téraèdre, Paris, 2005.
Translated by Jamie Furniss
With an Introduction by David Howes
Publisher Bloomsbury, London, 2015
Sensory Studies series, 1
ISBN 1472534808, 9781472534804
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Filed under book | Tags: · abstraction, aesthetics, affect, algorithm, body, choreography, code, composition, computation, computing, dance, digital, geometry, image, infinity, mathematics, mind, movement, number, object, philosophy, sensation, virtual
“Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software’s capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become.
Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.”
Publisher MIT Press, 2013
Technologies of Lived Abstraction series
ISBN 0262018926, 9780262018920
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