Filed under book | Tags: · agency, artificial intelligence, cognition, computation, computing, epistemology, ethnicity, imagination, interface, meaning, media, metaphor, narrative, new media art, poetics, power, race, self, semiotics, subjectivity, technology, theory, video games
“An argument that great expressive power of computational media arises from the construction of phantasms—blends of cultural ideas and sensory imagination.
In Phantasmal Media, D. Fox Harrell considers the expressive power of computational media. He argues, forcefully and persuasively, that the great expressive potential of computational media comes from the ability to construct and reveal phantasms—blends of cultural ideas and sensory imagination. These ubiquitous and often-unseen phantasms—cognitive phenomena that include sense of self, metaphors, social categories, narrative, and poetic thinking—influence almost all our everyday experiences. Harrell offers an approach for understanding and designing computational systems that have the power to evoke these phantasms, paying special attention to the exposure of oppressive phantasms and the creation of empowering ones. He argues for the importance of cultural content, diverse worldviews, and social values in computing. The expressive power of phantasms is not purely aesthetic, he contends; phantasmal media can express and construct the types of meaning central to the human condition.
Harrell discusses, among other topics, the phantasm as an orienting perspective for developers; expressive epistemologies, or data structures based on subjective human worldviews; morphic semiotics (building on the computer scientist Joseph Goguen’s theory of algebraic semiotics); cultural phantasms that influence consensus and reveal other perspectives; computing systems based on cultural models; interaction and expression; and the ways that real-world information is mapped onto, and instantiated by, computational data structures.
The concept of phantasmal media, Harrell argues, offers new possibilities for using the computer to understand and improve the human condition through the human capacity to imagine.”
Publisher MIT Press, 2013
ISBN 9780262019330, 0262019337
Filed under catalogue | Tags: · anonymity, art, body art, narrative, performance, subjectivity
Features the work of nine artists who, in making or presenting their work, assume specific alter-egos or personae (human or animal, fictitious or historical) that serve as vehicles for greater freedom of expression. With essay by the curators Lynn Gumpert and Ned Rifkin, and artists’ statements.
Artists: Eleanor Antin, Mr. Apology, Colin Campbell, Bruce Charlesworth, Colette, Redd Ekks, Lynn Hershman, James Hill, Martial Westburg.
Preface by Marcia Tucker
Publisher The New Museum, New York, 1981
via New Museum
Filed under living book | Tags: · discourse, genre, literary theory, literature, narrative, narratology, text, theory
“The living handbook of narratology (LHN) is based on the Handbook of Narratology, first published by Walter de Gruyter in 2009. As an open access publication, it makes available all of the 32 articles contained in the original print version—and more: the LHN offers the additional functionality of electronic publishing including full text search facility, one-click-export of reference data and digital humanities tools for text analysis.
The LHN continuously expands its original content base by adding new articles on concepts and theories fundamental to narratology and to the study of narrative in general. It offers registered narratologists the opportunity to comment on existing articles, suggest additions or corrections, and submit new articles to the editors.”
Edited by Peter Hühn, John Pier, Wolf Schmid and Jörg Schönert
Publisher Hamburg University Press, 2009
HT Dennis Tenen