Filed under book | Tags: · 1968, everyday, life, protest, situationists, social movements, spectacle
“This anthology comprises 3 pamphlets—The Poverty of Student Life; Totality for Kids; and The Decline and Fall of the Spectacular Commodity Economy plus eyewitness accounts of the Paris May ’68 events. Much of the Situationist creed was produced in pamphlet form and these three were crucial in creating the Situationist legend. They provide both an introduction to the ideas of the Situs and a provocatively seductive invitation to a life of freedom & revolt which prefigues many of the themes of today’s mass protestors. Illustrated throughout with photos of the May ’68 events and the graffiti that played such a famous role. The 7″ x 7″ size replicates size of the Parisian cobblestones used by the protestors.”
Collected by Dark Star
Publisher AK Press, Edinburgh and San Francisco / Dark Star, 2001
ISBN 1902593383, 9781902593388
Review: Charlie Bertsch (Bad Subjects 2001).
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Filed under book | Tags: · advertising, capitalism, politics, revolution, spectacle
“Théorie de la revolution mondiale immediate was part of a triple issue of Marïen’s journal Les lèvres nues and ends its first series. It was later published as a stand-alone book. Its avowed purpose was “a sketch of an imaginary program for the overthrow of capitalism in every part of the world it controls, to be completed within a year, with a program applicable at any moment and everywhere at the same time.” (45)
The first half of the text is an analysis of contemporary capitalism under the shadow of nuclear annihilation. These days one might worry more about the Anthropocene, but rhetorically, the problem is similar: how to think a revolution at a time when it appears both absolutely necessary and extremely unlikely.
The first part is a sound analysis of the stage commodification had reached by the late fifties, And bears comparison with the better remembered texts of the time. The very success of the worker’s movement in its reformist form had produced a leisure culture. Workers were becoming petit-bourgeois in outlook. Technical change had raised up a cadre of educated workers. Communist propaganda no longer worked very well, whereas capitalist propaganda was making inroads into the unconscious of the working class.
The second part is more surrealist science fiction than social science. For the project there is to use the spectacle itself for revolutionary ends. The form of revolutionary organization is the advertising agency. It is to be called the Leisure Club. It creates advertising and popular media addressed to every diverse pastime, hobby or consumer preference – all to be worked out using the latest social science techniques. […]
While there are charming features of the book that date it, there are also many ways in which it is strikingly contemporary. As Sven Lütticken has pointed out, it is quite likely that former Tiqqun people borrowed the rhetoric of the Invisible Committee and the Imaginary Party from Mariën. One might also think it an anticipation of Adbusters, or even the strategies of Podemos in Spain, which seems to retain a model of the party of the interior while using contemporary marketing techniques.” (taken from McKenzie Wark’s 2016 essay)
Publisher Les Lèvres nues, 1958
via Marcell via Ken
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Filed under magazine | Tags: · art, politics, situationists, spectacle
“The Situationist Times was an international, English-language periodical created and edited by Jacqueline de Jong, of which six issues were published between 1962 and 1967. A radical compendium using such Situationist tactics as détournement and a printed form of dérive, the journal included essays, artwork, found images, and quotations concerned with such issues as topology, politics, and spectacle culture.” (Beinecke’s Postwar Culture)
“In 1959 Jacqueline de Jong became involved with Danish artist Asger Jorn. Through him she became involved with the Gruppe Spur, the German section of the Internationale Situationniste. Meeting Guy Debord in 1960 in Amsterdam.
Jacqueline de Jong had in 1958 become acquainted with the artist Constant and other Dutch members of the Situationist International – Armando and the architect Har Oudejans – while working for the Stedelijk Museum in Amsterdam. From 1957 until 1962 the role of the artists in the S.I. was of great significance, particularly Jorn and Constant, the Belgian Maurice Wijckaert, the Italian Pinot Gallizio, German “Gruppe Spur”, Jacqueline de Jong, the Brits Ralph Romney and Gordon Fazekerly, and the Scandinaians Ansgar Eelde, J.J. Thorsen, Jørgen Nash.
In 1960, there was a conflict between Debord and the Dutch section after being expelled, Debord to write to her: “La Hollande est à vous”.
In Paris, in February 1962, Jacqueline de Jong was herself expelled after defending the Gruppe Spur. Who had been expelled earlier. In May that year she launched the magazine The Situationist Times. The first two issues were edited with Noel Arnaud. The launch of the Magazine had been announced and agreed upon at a meeting of the S.I. in Brussels the previous year. The students uprising in Paris May 1968 was supported by Jacqueline de Jong with posters.” (CCIndex)
Number 4 deals with labyrinths and Number 5 takes up the theme of rings and chains.
Edited and published by Jacqueline de Jong, Paris, Oct 1963 & Dec 1964
Printed in Copenhagen
184 & 219 pages