Filed under book | Tags: · aesthetics, anarchism, art, art system, black lives matter, commons, contemporary art, debt, direct action, gentrification, housing, new york, occupy movement, precarity, protest, situationists, social movements, spectacle
“The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond
What is the relation of art to the practice of radical politics today? Strike Art explores this question through the historical lens of Occupy, an event that had artists at its core. Precarious, indebted, and radicalized, artists redirected their creativity from servicing the artworld into an expanded field of organizing in order to construct of a new—if internally fraught—political imaginary set off against the common enemy of the 1%. In the process, they called the bluff of a contemporary art system torn between ideals of radical critique, on the one hand, and an increasing proximity to Wall Street on the other—oftentimes directly targeting major art institutions themselves as sites of action.
Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how Occupy ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement.
Art after Occupy, McKee suggests, contains great potentials of imagination and action for a renewed left project that are still only beginning to ripen, at once shaking up and taking flight from the art system as we know it.”
Publisher Verso Books, London and New York, 2016
ISBN 9781784781880, 1784781886
Reviews: Marc James Léger (Marx & Philosophy, 2016), Philipp Kleinmichel (Radical Philosophy, 2018), Paloma Checa-Gismero (Field, 2016), John Ayscough (Visual Culture in Britain, 2017), Kristin Gecan (Chicago Review, 2016).
Discussion: Gregory Sholette, a.o. (e-flux supercommunity, 2016).
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Filed under book | Tags: · activism, art, city, gentrification, home, housing, new york, public space, theory
“This volume documents the present crisis in American urban housing policies and portrays how artists within the context of neighborhood organizations, have fought against government neglect, shortsighted housing policies and unfettered real estate speculation. Through essays, photographs, symposiums, architectural plans and the reproduction of works from the series of exhibitions organized by Martha Rosler, the book serves a number of functions: it’s a practical manual for community organizing; a history of housing and homelessness in New York City and around the country; and an outline of what a humane housing policy might encompass for the American city.” (from the back cover)
With contributions by Christine Benglia Bevington, Marie Annick Brown, Andrew Byard, Cenén, The Chinatown History Project, Clinton Coalition of Concern, Rosalyn Deutsche, Dan Graham and Robin Hurst, Alexander Kluge, The Mad Housers, Tony Masso, The Nation, Richard Plunz, William Price, Yvonne Rainer, Mel Rosenthal, Allan Sekula, Camilo José Vergara, and Dan Wiley.
Edited by Brian Wallis
First published by Bay Press, Seattle, 1991
First New Press printing, 1999
Discussions in Contemporary Culture series, 6
ISBN 156584498X, 9781565844988
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Reinhold Martin, Jacob Moore, Susanne Schindler (eds.): The Art of Inequality: Architecture, Housing, and Real Estate. A Provisional Report (2015)
Filed under book | Tags: · architecture, city, economics, housing, real estate, urbanism
This book builds on the research of the House Housing exhibitions, putting the historical relationship of architecture and real estate in the context of the contemporary debate about dramatically rising rates of inequality.
“In 2013, in the United States, the median-income white household’s net worth was thirteen times that of the median-income black household. In 2014, the world’s eighty-five richest individuals held as much wealth as the world’s poorest 3.5 billion. In 2015, 88,000 households applied for the chance to live in fifty-five below market-rate apartments, accessible through a “poor door” on New York City’s Upper West Side.
What is inequality? Typically, inequality is defined by a combination of economic measures referring to income and wealth. Entire populations, in the language of statistics, are measured and managed according to their place on the inequality spectrum: patronage for the 1%, morality for the ambiguous “middle class,” and austerity for the rest. This economic inequality is, however, inseparable from social disparities of other kinds—particularly in the provision of housing. More than just a building type or a market sector, housing is a primary architectural act—where architecture is understood as that which makes real estate real. It begins when a line is drawn that separates inside from outside, and ultimately, one house from another. The relation that results under the rule of real estate development is—by its very structure—unequal.
This is the art of inequality. Its geographies are local and global. Its histories are distant and present. Its design is ongoing. Its future is anything but certain.” (from the back cover)
With contributions by Manuel Shvartzberg Carrió, Erik Carver, Cezar Nicolescu, Pollyanna Rhee, and Sonya Ursell.
Publisher Buell Center, Columbia University, New York, September 2015
HT Dubravka Sekulić