Pauline Oliveros: Sonic Meditations (1974)

21 December 2017, dusan

“25 meditations for musicians of all ages and skill levels, to help them learn how to focus on, listen to, and produce sound naturally. An important work in the development of Oliveros’ Deep Listening.”

Publisher Smith Publications, Baltimore, MD, [1974]
[33] pages

Commentary: Pauline Oliveros (Painted Bride Quarterly, 1976), William Osborne (2000), Kerry O’Brien (New Yorker, 2016), Bradford Bailey (The Hum, 2016), Emma Warren (Bowers & Wilkins, 2017).

Author
WorldCat

PDF

See also Oliveros in UbuWeb Sound and UbuWeb Film.

David Novak: Japanoise: Music at the Edge of Circulation (2013)

12 November 2017, dusan

Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.

For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called ‘Japanoise.’ But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?

In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the ‘cultural feedback’ that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.”

Publisher Duke University Press, Durham, 2013
Sign, Storage, Transmission series
Creative Commons BY-NC-ND 3.0 License
ISBN 9780822353799, 0822353792
x+292 pages
via author

Reviews: Shaun McKenna (Japan Times, 2013), Scott McLemee (Inside Higher Ed, 2013), Nana Kaneko (Ethnomusicology Rev, 2014), Andrés García Molina (Current Musicology, 2014), Max Ritts (Society+Space, 2014), Jonathan Service (Japan Forum, 2014), Rosemary Overell (Perfect Beat, 2014), Patrick Valiquet (Popular Musicology, 2014), Owen Coggins (Harts & Minds, 2014), Seth Mulliken (Sounding Out!, 2014), E. Taylor Atkins (Asian Music, 2015), Shelina Brown (Notes, 2015), Jennifer Milioto Matsue (Am Anthropologist, 2015), Carolyn S. Stevens (Am Ethnologist, 2015), Christopher Tonelli (Sound Studies, 2016), Benjamin Harley (Enculturation, 2016), Etienne RP (2017).

Book website, with supplemental media
Publisher
WorldCat

PDF, PDF (4 MB)

Reductive, 1-4 (2014-15)

2 February 2017, dusan

“Experimental reflections on listening / reading practices.

Founded in 2013, Reductive Journal explores diverse approaches to text-sound compositions, examining how text and sound are related, defined and inter-permeated in various levels of experiences: listening, reading, perceiving, receiving and performing.

Each Journal is a collaboration between the editors, designers and contributing artists.”

Editors: Ryoko Akama, Heather Frasch and Daniel del Rio
Publisher Mumei, 2014-15
ISBN 97809934337

Publisher (archived)

Issue 1 (July 2014, 1 MB)
Issue 2 (January 2015, 4 MB)
Issue 3 (June 2015, 23 MB)
Issue 4 (November 2015, 38 MB)