Filed under artists book, sound recording | Tags: · ecuador, environment, field recording, oil
“The book contains “Ecopolitik”–an introduction as an epilogue by José Luis Espejo, a letter to the Huaorani people, two research texts and one bertso, descriptive texts and photos of recordings, a possible chronology, a glossary, a compilation of several texts with testimonies, reports and declarations from different people, groups, institutions, and publications in reference to the impact—direct or indirect—of the noise from the oil industry during its various phases of development on the people, the environment and the fauna.”
The book is supplemented by a CD containing 34 recordings in one track.
Publisher Gruenrekorder, Frankfurt/M., 2016
Filed under book | Tags: · acoustics, computing, data visualisation, electronic music, field recording, game studies, hip hop, listening, medicine, music, noise, perception, phonograph, radio, science, sonification, sound, sound design, sound recording, sound studies, vision
“Written by the leading scholars and researchers in the emerging field of sound studies, The Oxford Handbook of Sound Studies offers new and fully engaging perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as experienced in such diverse settings as shop floors, laboratories, clinics, design studios, homes, and clubs, across an impressively broad range of historical periods and national and cultural contexts.
Science has traditionally been understood as a visual matter, a study which has historically been undertaken with optical technologies such as slides, graphs, and telescopes. This book questions that notion powerfully by showing how listening has contributed to scientific practice. Sounds have always been a part of human experience, shaping and transforming the world in which we live in ways that often go unnoticed. Sounds and music, the authors argue, are embedded in the fabric of everyday life, art, commerce, and politics in ways which impact our perception of the world. Through an extraordinarily diverse set of case studies, authors illustrate how sounds — from the sounds of industrialization, to the sounds of automobiles, to sounds in underwater music and hip-hop, to the sounds of nanotechnology — give rise to new forms listening practices. In addition, the book discusses the rise of new public problems such as noise pollution, hearing loss, and the “end” of the amateur musician that stem from the spread and appropriation of new sound- and music-related technologies, analog and digital, in many domains of life.”
Publisher Oxford University Press, 2011
ISBN 0199995818, 9780195388947
Filed under journal | Tags: · field recording, music, music theory, sonification, sound, sound art, technology
“Thanks to a variety of contributors, this issue of Organised Sound usefully articulates several definitions of sound art, principally the German Klangkunst vs the US art gallery assumption, the former focusing on the sculptural dimension and site specific, architecture related installations, while the latter deals with more aesthetic and psychological aspects.” (from a Continuo review)
With contributions by Alan Licht, Andreas Engström and Åsa Stjerna, Christoph Cox, Lílian Campesato, Joanna Demers, Dani Iosafat, Claudia Tittel, Julio d’Escriván, Gascia Ouzounian, Owen Chapman, Virginia Madsen, Georg Klein, and a reviews section.
Guest editor Jøran Rudi
Editor Leigh Landy
Publisher Cambridge University Press, April 2009