Filed under book | Tags: · book, cultural memory, digitisation, europeana, google, infrapolitics, infrastructure, knowledge, library, media infrastructure, monoskop, networks, shadow library, speed, ubuweb
“A new examination of mass digitization as an emerging sociopolitical and sociotechnical phenomenon that alters the politics of cultural memory.
Today, all of us with internet connections can access millions of digitized cultural artifacts from the comfort of our desks. Institutions and individuals add thousands of new cultural works to the digital sphere every day, creating new central nexuses of knowledge. How does this affect us politically and culturally? In this book, Nanna Bonde Thylstrup approaches mass digitization as an emerging sociopolitical and sociotechnical phenomenon, offering a new understanding of a defining concept of our time.
Arguing that digitization has become a global cultural political project, Thylstrup draws on case studies of different forms of mass digitization—including Google Books, Europeana, and the shadow libraries Monoskop, lib.ru, and Ubuweb—to suggest a different approach to the study of digital cultural memory archives. She constructs a new theoretical framework for understanding mass digitization that focuses on notions of assemblage, infrastructure, and infrapolitics. Mass digitization does not consist merely of neutral technical processes, Thylstrup argues, but of distinct subpolitical processes that give rise to new kinds of archives and new ways of interacting with the artifacts they contain. With this book, she offers important and timely guidance on how mass digitization alters the politics of cultural memory to impact our relationship with the past and with one another.”
Publisher MIT Press, 2018
ISBN 9780262039017, 026203901X
Reviews: Paul Conway (Journal of the Association for Information Science and Technology, 2019), Logan Brown (New Media & Society, 2019), Marc Kosciejew (Information & Culture, 2019).
Commentary: Seb Chan (2019), Bill Caraher (2019).
Filed under book, wiki book | Tags: · architecture, archive, book, classification, data, document, google, internet, knowledge, library, web
“This Radiated Book started three years ago with an e-mail from the Mundaneum archive center in Mons, Belgium. It announced that Elio di Rupo, then prime minister of Belgium, was about to sign a collaboration agreement between the archive center and Google. The newsletter cited an article in the French newspaper Le Monde that coined the Mundaneum as ‘Google on paper’. It was our first encounter with many variations on the same theme.
The former mining area around Mons is also where Google has installed its largest datacenter in Europe, a result of negotiations by the same Di Rupo. Due to the re-branding of Paul Otlet as ‘founding father of the Internet’, Otlet’s oeuvre finally started to receive international attention. Local politicians wanting to transform the industrial heartland into a home for The Internet Age seized the moment and made the Mundaneum a central node in their campaigns. Google — grateful for discovering its posthumous francophone roots — sent chief evangelist Vint Cerf to the Mundaneum. Meanwhile, the archive center allowed the company to publish hundreds of documents on the website of Google Cultural Institute.
While the visual resemblance between a row of index drawers and a server park might not be a coincidence, it is something else to conflate the type of universalist knowledge project imagined by Paul Otlet and Henri Lafontaine with the enterprise of the search giant. The statement ‘Google on paper’ acted as a provocation, evoking other cases in other places where geographically situated histories are turned into advertising slogans, and cultural infrastructures pushed into the hands of global corporations.
An international band of artists, archivists and activists set out to unravel the many layers of this mesh. The direct comparison between the historical Mundaneum project and the mission of Alphabet Inc speaks of manipulative simplification on multiple levels, but to de-tangle its implications was easier said than done. Some of us were drawn in by misrepresentations of the oeuvre of Otlet himself, others felt the need to give an account of its Brussels’ roots, to re-insert the work of maintenance and caretaking into the his/story of founding fathers, or joined out of concern with the future of cultural institutions and libraries in digital times.” (from the Introduction)
Editorial team: André Castro, Sînziana Păltineanu, Dennis Pohl, Dick Reckard, Natacha Roussel, Femke Snelting, Alexia de Visscher
Publisher Constant, Brussels, Sep 2016
Free Art License 1.3
ISBN 9789081145954, 9081145959
Filed under book | Tags: · algorithm, google, internet, memory, search, software, technology, web
Looking up something online is one of the most common applications of the web. Whether with a laptop or smartphone, we search the web from wherever we are, at any given moment. ‘Googling’ has become so entwined in our daily routines that we rarely question it. However, search engines such as Google or Bing determine what part of the web we get to see, shaping our knowledge and perceptions of the world. But there is a world beyond Google – geographically, culturally, and technologically.
The Society of the Query network was founded in 2009 to delve into the larger societal and cultural consequences that are triggered by search technology. In this Reader, which is published after two conferences held in Amsterdam in 2009 and 2013, twenty authors – new media scholars, historians, computer scientists, and artists – try to answer a number of pressing questions about online search. What are the foundations of web search? What ideologies and assumptions are inscribed in search engine algorithms? What solution can be formulated to deal with Google’s monopoly in the future? Are alternatives to Google even thinkable? What influence does online search have on education practices? How do artists use the abundance of data that search engines provide in their creative work? By bringing researchers together from a variety of relevant disciplines, we aim at opening up new perspectives on the Society of the Query.
Contributors: Aharon Amir, Vito Campanelli, Dave Crusoe, Angela Daly, Vicențiu Dîngă, Martin Feuz, Ulrich Gehmann, Olivier Glassey, Richard Graham, Mél Hogan, Ippolita, Kylie Jarrett, Min Jiang, Anna Jobin, Phil Jones, Simon Knight, Dirk Lewandowski, M.E. Luka, Astrid Mager, Martina Mahnke, Andrea Miconi, Jacob Ørmen, Martin Reiche, Amanda Scardamaglia, Anton Tanter, and Emma Uprichard.
Publisher Institute of Network Cultures, Amsterdam, 2014
INC Reader, 9
Creative Commons Attribution NonCommercial ShareAlike 3.0 Unported License