Filed under wiki book | Tags: · archive, augmented reality, classification, collecting, cultural heritage, data, database, decolonization, interface, intersectionality, queer, software
“DiVersions experiments with online collections of cultural institutions as sites for decolonial and intersectional practice. Inspired by the way versioning functions in networked software tools, seven interactive media installations and this publication explore how online collections can accommodate radically different, and sometimes opposing perspectives.”
With contributions from: Rahel Aima, Anaïs Berck, Ž. Blaće, Cristina Cochior, Sarah Kaerts, Phil Langley, Marie Lécrivain, Nicolas Malevé, Elodie Mugrefya, Zoumana Meïté, Mia Melvær, Martino Morandi, Michael Murtaugh, Colm o’Neill, Kris Rutten, Amir Sarabadani, Femke Snelting, Saskia Willaert.
Edited by Constant (Elodie Mugrefya, Femke Snelting)
Publisher Constant, Brussels, October 2019
Free Art License 1.3
Filed under book | Tags: · capitalism, data, information, labour, marxism, nature, neoliberalism, production, theory
“It’s not capitalism, it’s not neoliberalism—what if it’s something worse?
In this radical and visionary new book, McKenzie Wark argues that information has empowered a new kind of ruling class. Through the ownership and control of information, this emergent class dominates not only labour but capital as traditionally understood as well. And it’s not just tech companies like Amazon and Google. Even Walmart and Nike can now dominate the entire production chain through the ownership of not much more than brands, patents, copyrights, and logistical systems.
While techno-utopian apologists still celebrate these innovations as an improvement on capitalism, for workers—and the planet—it’s worse. The new ruling class uses the powers of information to route around any obstacle labor and social movements put up. So how do we find a way out? Capital Is Dead offers not only the theoretical tools to analyze this new world, but ways to change it. Drawing on the writings of a surprising range of classic and contemporary theorists, Wark offers an illuminating overview of the contemporary condition and the emerging class forces that control—and contest—it.”
Publisher Verso, London, 2019
ISBN 9781788735308, 1788735307
Filed under book | Tags: · city, data, governance, infrastructure, internet of things, urbanism
“The Internet of Things (IoT), smart city initiatives, and smart home technology are marketed to us as sleek and glamorous 3D renderings promising a convenient and sustainable technology that will save us and our planet from a future of environmental distress. Yet the buzzword bingo of smart city rhetoric, the polished advertisements for networked devices, and the glossy packaging of smart home devices are in stark contrast to the news and research which investigates the vulnerabilities of our connected lives. The expansion of the IoT and the proliferation of virtually-connected data points are providing ever increasing amounts of information for those keen on use or abuse. The massive implementation of IoT in hyper-connected urban environments, paths the way to technocratic governance and urban development, corporatizing our living spaces into lock-in, hack-able, “pan optic” smart cities. The IoT seems to develop towards an Internet of Other People’s Things (IoOPT), where users do not own their data, agree to Terms of services that mean their data are then shared by default to third parties, and the risks that citizens rights are managed by technocratic governance or cyber criminals attacking critical infrastructures are always present.
In this cyberwar of ideas, an asymmetric battle for power and influence, systems will have to be more robust and people will have to be more vigilant. Therefore we turned to the community of artists, designers, activists, hackers and researchers with an open call for new critical perspectives on ubiquitous technology and its impact on our lifestyle. We were looking for projects that abuse to expose; artistic research and tacit knowledge that is produced through cultures of making, hacking, and reverse engineering. Our aim was to collect artworks, projects, essays, and interviews discussing questions such as: What does privacy look like in a smart home of connected objects? How are citizens involved in co-design collaborations with private corporations and the public sector to build better cities? How can we enable a secure and trustworthy Internet communication so that business, personal, and machine-to-machine interactions can be conducted safely and without interference?”
Publisher servus.at, Linz, 2018
Creative Commons BY-SA 4.0 International License