Filed under book | Tags: · 1920s, art history, avant-garde, communism, constructivism, dada, expressionism, left, politics, surrealism, yugoslavia
“Red Horizon is the first study to focus on the Yugoslav avant-gardes from the perspective of the history of left-wing political ideas. Bearing in mind that the Yugoslav avant-gardes were politically oriented towards the radical left, and considered the aesthetic revolution an integral part of the social revolution, the book explores the modes of manifestation of the ideas of Marxism and anarchism in the programmes and activities of the avant-gardes, ranging from Expressionism, through Zenitism, Dada, Hipnism, Constructivism to Surrealism. The policies of the Yugoslav avant-gardes are considered in the context of European avant-garde currents and ideational struggles on the left cultural front, as well as in the light of the development of Marxist aesthetics and the attitudes organised Communism assumed towards modern art. The book is structured in the form of a historical-theoretical narrative, starting from the interpretation of the avant-garde and Communism as the two great epic narratives of the 20th century, and telling of the rebellions, dreams, conflicts, victories and defeats of those who wanted to radically change the society and art of their epoch.”
Publisher kuda.org, Novi Sad, 2021
Red Publications series
Translated by Katarina Radović
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Margit Rosen, et al. (eds.): A Little-Known Story About a Movement, a Magazine, and The Computer’s Arrival in Art: New Tendencies and Bit International, 1961-1973 (2011)
Filed under book, catalogue | Tags: · 1960s, 1970s, art and science, art history, artistic research, computer art, computing, conceptual art, concrete art, constructivism, cybernetics, design, kinetic art, media art, new tendencies, op art, yugoslavia
“When Zagreb was the epicenter of explorations into the aesthetic potential of the new “thinking machines.”
This book documents a short but intense artistic experiment that took place in Yugoslavia in the 1960s and 1970s but has been influential far beyond that time and place: the “little-known story” of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the “thinking machine” was adopted as an artistic tool and medium. Pursuing the idea of “art as visual research,” the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture.
With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb—already one of the most vibrant artistic centers in Yugoslavia—into an international meeting place where artists, engineers, and scientists from both sides of the Iron Curtain gathered around the then-new technology. For a brief moment in time, Zagreb was the epicenter of explorations of the aesthetic, scientific, and political potential of the computer.
This volume documents that exhilarating period. It includes new essays by Jerko Denegri, Darko Fritz, Margit Rosen, and Peter Weibel; many texts that were first published in New Tendencies exhibition catalogs and Bit International magazine; and historic documents. More than 650 black-and-white and color illustrations testify to the astonishing diversity of the exhibited artworks and introduce the movement’s protagonists. Many of the historic photographs, translations, and documents are published here for the first time. Taken together, the images and texts offer the long overdue history of the New Tendencies experiment and its impact on the art of the twentieth century.”
Edited by Margit Rosen in collaboration with Peter Weibel, Darko Fritz, and Marija Gattin
Publisher ZKM Center for Art and Media, Karlsruhe, and MIT Press, Cambridge, MA, 2011
ISBN 9780262515818, 0262515814
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Filed under book | Tags: · avant-garde, cinema, constructivism, film, film criticism, film history, film theory
“Lines of Resistance is a major collection of writings by and about Dziga Vertov. The book follows the development of his work and opinions from 1917 to 1930, and chronicles contemporary reactions to them, including such personalities as fellow directors Lev Kuleshov and Sergei Eisenstein, artists Aleksandr Rodchenko and Kazimir Malevich, and theorists Walter Benjamin and Siegfried Kracauer.”
Published on the occasion of the first comprehensive retrospective of the films of Dziga Vertov, presented at the 23rd edition of Le Giornate del cinema muto, Sacile, 2004.
Edited and with an Introduction by Yuri Tsivian
Translated by Julian Graffy
Publisher Le Giornate del Cinema Muto, Gemona (Udine), 2004
ISBN 8886155158 9788886155151
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