Mary Ann Caws (ed.): Manifesto: A Century of Isms (2001)

16 November 2017, dusan

“An anthology featuring over 200 artistic and cultural manifestos from a wide range of countries. It includes texts ranging from Kurt Schwitters’ ‘Cow Manifesto’ to those written in the name of well-known movements – imagism, cubism, surrealism, symbolism, and projectivism – and less well-known ones – lettrism, acmeism, concretism, and rayonism.”

Publisher University of Nebraska Press, Lincoln, 2001
ISBN 0803264070, 9780803264076
xxxiv+713 pages

Reviews: Greil Marcus (Artforum, 2001), Publishers Weekly (2001), Gail McDonald (symploke, 2003), Cynthia Ellen Patton (College Literature, 2003).

WorldCat

PDF (14 MB, updated on 2017-11-21)

Rudolf E. Kuenzli (ed.): Dada and Surrealist Film (1987)

15 November 2017, dusan

“This collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements. The essays, which comment on specific films and deal with theoretical and topical questions, are framed by a documentary section that includes a photographic reproduction of the manuscript scenario for Robert Desnos’s and Man Ray’s L’Etoile de mer, and an introduction by the editor that provides a cogent working model for the difference between Dada and Surrealist perspectives.” (back cover)

Publisher Willis Locker & Owens, New York, 1987
This edition by MIT Press, 1996
ISBN 026261121X, 9780262611213
254 pages

Reviews: Andrew Horton (Film Quarterly, 1990), Bettina L. Knapp (L’Esprit Créateur, 1990).

Publisher
WorldCat

PDF (75 MB, no OCR)

Douglas Kahn, Gregory Whitehead (eds.): Wireless Imagination: Sound, Radio, and the Avant-Garde (1992)

13 November 2017, dusan

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the ‘deaf century,’ conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, André Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs.

From the late nineteenth century to the 1960s, the essays uncover the fantastic acoustic scenarios projected through the writings of Raymond Roussel; the aural objects of Marcel Duchamp; Dziga Vertov’s proposal for a phonographic ‘laboratory of hearing’; the ZAUM language and Radio Sorcery conjured by Velimir Khlebnikov; the iconoclastic castaways of F.T. Marinetti’s La Radia; the destroyed musics of the Surrealists; the noise bands of Russolo, Foregger, Varèse, and Cage; the contorted radio talk show delivered by Antonin Artaud; the labyrinthine inner journeys invoked by German Hörspiel; and the razor contamination and cut-up ventriloquism of William S. Burroughs.”

With essays by Douglas Kahn, Charles Grivel, Craig Adcock, Christopher Schiff, Mel Gordon, Gregory Whitehead, Allen S. Weiss, Mark E. Cory, Frances Dyson, and Robin Lydenberg.

Publisher MIT Press, 1992
ISBN 0262111683, 9780262111683
xi+452 pages

Reviews: Timothy Dean Taylor (Postmodern Cult, 1993), David L. Austin (Art Doc, 1993), Gerald Hartnett (Leonardo Music J, 1994), Stephen Miles (Notes, 1994), Ágnes Ivacs (Artpool, n.d.).

Publisher
WorldCat

PDF (98 MB, no OCR)