Filed under magazine | Tags: · computer graphics, graphic design, typography
“Emigre magazine’s eleventh issue, ‘Ambition/Fear: Graphic Designers and the Macintosh Computer’, contains vivid artifacts of a discipline’s first encounter with digital tools. From the aesthetics of bitmaps to the expressive interventions made possible by new access to typesetting controls, not to mention the self-publishing venture of the magazine itself, this issue combines modernist and postmodern agendas in a model construction of text-based community.”
Release of the digitized issue “coincides with the publication of “Inflection Point” a rigorously researched essay about Emigre #11 by writer/designer Emily McVarish. The essay takes a close look at Emigre #11, analyzing the technical, critical, and cultural production that would shape Emigre as a medium for typographic demonstration and discussion among peers.”
Design and production: Rudy VanderLans
Typeface designs: Zuzana Licko
Publisher Emigre Graphics, Berkeley, CA, 1989
32 pages, 11.25 x 16.75 in
via Letterform Archive
Commentary: Emily McVarnish (2017, 59 pp).Comment (0)
Filed under online resource | Tags: · architecture, critical design, design, fashion design, graphic design, industrial design, theory, urbanism
“Reading Design is an online archive of critical writing about design. The idea is to embrace the whole of design, from architecture and urbanism to product, fashion, graphics and beyond. The texts featured here date from the nineteenth century right up to the present moment but each one contains something which remains relevant, surprising or interesting to us today.
Reading Design is not a magazine or a journal and many or most of the texts here will have been published before. They might be papers, transcriptions of lectures, articles, essays, academic texts, photo essays, sketches or blog posts but the aim is to collate these texts in one place to build a resource which we hope will become invaluable to designers, academics, researchers, professionals and all those with any interest in design at all. It is a library of design which we hope is able to use the enormous capacity of the internet in a way in which it is not currently being used.
Reading Design is a non-profit making venture aiming to make pivotal texts available to all and to provoke, delight, enlighten, inspire, inform and occasionally infuriate.”
Editor-in-chief: Edwin Heathcote
Associate editor: Krisztina Heathcote
Filed under catalogue | Tags: · artists book, avant-garde, book, design, futurism, graphic design, photography, photomontage, propaganda, russia, soviet union
“Russian avant-garde books made between 1900s-30s reflect a vivid and tumultuous period in that nation’s history that had ramifications for art, society, and politics. The early books, with their variously sized pages of coarse paper, illustrations entwined with printed, hand-written, and stamped texts, and provocative covers, were intended to shock academic conventions and bourgeois sensibilities. After the 1917 Revolution, books appeared with optimistic designs and photomontage meant to reach the masses and symbolize a rational, machine-led future. Later books showcased modern Soviet architecture and industry in the service of the government’s agenda.
Major artists adopted the book format during these two decades. They include Natalia Goncharova, El Lissitzky, Kazimir Malevich, Aleksandr Rodchenko, Olga Rozanova, the Stenberg brothers, Varvara Stepanova, and others. These artists often collaborated with poets, who created their own transrational language to accompany the imaginative illustrations. Three major artistic movements, Futurism, Suprematism, and Constructivism, that developed during this period in painting and sculpture also found their echo in the book format.
This publication accompanied an exhibition of Russian avant-garde books at The Museum of Modern Art, New York. Featuring some 300 books, this was the most comprehensive exhibition ever devoted exclusively to the illustrated books made during this period. It was prompted by a gift to MoMA of more than 1,000 Russian avant-garde illustrated books from The Judith Rothschild Foundation, New York.”
With essays by Deborah Wye, Nina Gurianova, Jared Ash, Gerald Janecek, and Margit Rowell.
Publisher Museum of Modern Art, New York, 2002
ISBN 0870700073, 9780870700071