Filed under book | Tags: · computation, digital humanities, history of technology, literary history, literary theory, materiality, media archeology, media theory, technology, word processing, writing
“The story of writing in the digital age is every bit as messy as the ink-stained rags that littered the floor of Gutenberg’s print shop or the hot molten lead of the Linotype machine. During the period of the pivotal growth and widespread adoption of word processing as a writing technology, some authors embraced it as a marvel while others decried it as the death of literature. The product of years of archival research and numerous interviews conducted by the author, Track Changes is the first literary history of word processing.
Matthew Kirschenbaum examines how the interests and ideals of creative authorship came to coexist with the computer revolution. Who were the first adopters? What kind of anxieties did they share? Was word processing perceived as just a better typewriter or something more? How did it change our understanding of writing?
Track Changes balances the stories of individual writers with a consideration of how the seemingly ineffable act of writing is always grounded in particular instruments and media, from quills to keyboards. Along the way, we discover the candidates for the first novel written on a word processor, explore the surprisingly varied reasons why writers of both popular and serious literature adopted the technology, trace the spread of new metaphors and ideas from word processing in fiction and poetry, and consider the fate of literary scholarship and memory in an era when the final remnants of authorship may consist of folders on a hard drive or documents in the cloud.”
Publisher Belknap Press of Harvard University Press, 2016
ISBN 9780674417076, 0674417070
Reviews: Brian Dillon (The Guardian, 2016), Jessica Pressman (ALH Online Reviews, 2016), Eric Banks (Bookforum, 2016), Dylan Hicks (LA Review of Books, 2016), Kirkus Reviews (2016), Francis Russell (Hong Kong Review of Books, 2016), A. Bowdoin Van Riper (PopMatters, 2016), Leann Davis Alspaugh (Hedgehog Review, 2016), Thomas Padilla (American Archivist, 2017), Lai-Tze Fan (Papers of The Bibliographical Society of Canada, 2017), Seth Erickson (Interactions, 2017), David Walden (TUGboat, 2017), Grant Wythoff (Revista Hispánica Moderna, 2018), Elena Spadini (Umanistica Digitale, 2018).Comment (0)
Marcello Vitali-Rosati: On Editorialization: Structuring Space and Authority in the Digital Age (2018)
Filed under book | Tags: · algorithm, authority, digital media, editing, editorialization, media, open access, public space, space, web, writing
“In this book Marcello Vitali-Rosati examines how authority changes in the digital era. Authority seems to have vanished in the age of the web, since the spatial relationships that authority depends on are thought to have levelled out: there are no limits or boundaries, no hierarchies or organized structures anymore. Vitali-Rosati claims the opposite to be the case: digital space is well-structured and material and has specific forms of authority. Editorialization is one key process that organizes this space and thus brings into being digital authority. Investigating this process of editorialization, Vitali-Rosati reveals how politics can be reconceived in the digital age.”
Publisher Institute of Network Cultures, Amsterdam, 2018
Theory on Demand series, 26
Creative Commons BY-NC-ND 4.0 International License
ISBN 9492302209, 9789492302205
Filed under book | Tags: · literature, machine, media, media archeology, media technology, technology, theory, writing
“This is a collection of thirteen scholarly essays which explores the mutual determination of forms of writing and forms of technology in modern literature. The essays unfold from a variety of historical and theoretical perspectives the proposition that literature is not less but more mechanical than other forms of writing: a transfigurative ideal machine. The collection unearths representations in literature and film of a whole range of decisive technologies from the stereopticon through census-and slot-machines to the stock ticker, and from the Telex to the manipulation of genetic code and the screens which increasingly mediate our access to the world and to each other. It also investigates concepts which articulate the relation between writing and technology: number, measure, encoding, encryption, the archive, the interface.”
Contributors: Ruth Abbott, John Attridge, Kasia Boddy, Mark Byron, Beci Carver, Steven Connor, Esther Leslie, Robbie Moore, Julian Murphet, James Purdon, Sean Pryor, Paul Sheehan, Kristen Treen.
Publisher Open Humanities Press, 2016
Creative Commons BY-SA 4.0 License