Jeremy Matthew Glick: The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution (2016)
Filed under book | Tags: · aesthetics, black culture, caribbean, history of literature, performance, revolution, tragedy
“As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.
In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.”
Publisher New York University Press, New York, 2016
America and the Long 19th Century series
ISBN 9781479844425, 147984442X
Marjorie Perloff: The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture (1986)
Filed under book | Tags: · futurism, history of literature, language, literary criticism, poetry
“Marjorie Perloff’s stunning book was one of the first to offer a serious and far-reaching examination of the momentous flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Offering penetrating considerations of the prose, visual art, poetry, and carefully crafted manifestos of Futurists from Russia to Italy, Perloff reveals the Moment’s impulses and operations, tracing its echoes through the years to the work of “postmodern” figures like Roland Barthes.”
Publisher University of Chicago Press, 1986
ISBN 0226657310, 9780226657318
Reviews: Gregory L. Ulmer (Criticism, 1988), Hank Lazer (South Atlantic Review, 1988), Timothy Materer (Journal of English and Germanic Philology, 1988), Patricia Hopkins (Rocky Mountain Review of Language and Literature, 1988), Willard Bohn (Comparative Literature, 1989), Jean-Michel Rabaté (Jacket2, 2012).
Interview with author (Harriet, 2013)
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Filed under book | Tags: · history of literature, poetry, sound, sound art, sound poetry, visual poetry
“This is a (now) historical appraisal of Poésie sonore (Sound Poetry) by Henri Chopin, a central figure in the art form. The sonic qualities of voice and abstract sound was celebrated where poets from across the globe contributed to this phenomenal shift from the purely literal expression of text and voice. Chopin references key artists in the movement, significant works and examples of what were also often visually arresting artworks where wit, design and seriality are evident in typewriter art, collage, text art.”
The book is in French with the exception of the Introduction which is translated into English and the English section ‘A History of Recorded Sound’ (pp 13-40).
With an Introduction by William Burroughs
Publisher J.-M. Place, Paris, 1979
Trajectoires series, 1
ISBN 2858930325, 9782858930326