Henri Chopin: Poésie sonore internationale (1979) [French]

28 October 2018, dusan

“This is a (now) historical appraisal of Poésie sonore (Sound Poetry) by Henri Chopin, a central figure in the art form. The sonic qualities of voice and abstract sound was celebrated where poets from across the globe contributed to this phenomenal shift from the purely literal expression of text and voice. Chopin references key artists in the movement, significant works and examples of what were also often visually arresting artworks where wit, design and seriality are evident in typewriter art, collage, text art.”

The book is in French with the exception of the Introduction which is translated into English and the English section ‘A History of Recorded Sound’ (pp 13-40).

With an Introduction by William Burroughs
Publisher J.-M. Place, Paris, 1979
Trajectoires series, 1
ISBN 2858930325, 9782858930326
309 pages

WorldCat

PDF (63 MB)
MP3 (ZIP) (2 accompanying cassettes, 161 MB, via David, added on 2019-1-26)
MP3 (first of the two accompanying cassettes, via UbuWeb, added on 2019-1-22)

Mary Ann Caws (ed.): Manifesto: A Century of Isms (2001)

16 November 2017, dusan

“An anthology featuring over 200 artistic and cultural manifestos from a wide range of countries. It includes texts ranging from Kurt Schwitters’ ‘Cow Manifesto’ to those written in the name of well-known movements – imagism, cubism, surrealism, symbolism, and projectivism – and less well-known ones – lettrism, acmeism, concretism, and rayonism.”

Publisher University of Nebraska Press, Lincoln, 2001
ISBN 0803264070, 9780803264076
xxxiv+713 pages

Reviews: Greil Marcus (Artforum, 2001), Publishers Weekly (2001), Gail McDonald (symploke, 2003), Cynthia Ellen Patton (College Literature, 2003).

WorldCat

PDF (14 MB, updated on 2017-11-21)

Francis D. Klingender: Art and the Industrial Revolution (1947–) [EN, IT, ES]

17 August 2017, dusan

A classic of Marxist art history.

“Drawing on his unique command of the contemporary visual and literary record, Francis Klingender analyzes and documents the inter-reaction between the sociological, scientific and cultural changes that moulded the 19th century. His subjects range from the development of the railways to the poetry of Erasmus Darwin, from the construction of bridges and aqueducts to the aesthetic concepts of the Sublime and the Pictoresque, from the Luddite riots and the English ‘navvy’ to those artists most profoundly affected by the climate of the Industrial Revolution, among them John Martin, Joseph Wright of Derby, J.C. Bourne, and J.M.W. Turner.” (from back cover)

Publisher N. Carrington, London, 1947
Edited and revised by Arthur Elton
Revised and expanded edition by Adams & Dart, 1968
Publisher Paladin, St Albans, 1972
ISBN 0586081224, 9780586081228
xv+272 pages

Review: Fred H. Andrews (J Royal Society of Arts, 1949).

WorldCat

Art and the Industrial Revolution (English, 1947/1968, 60 MB, no OCR)
Arte e rivoluzione industriale (Italian, trans. Elena Einaudi, 1972)
Arte y revolución industrial (Spanish, trans. Pilar Salso, 1983)