Post Office Press (ed.): The Poethics of Scholarship (2018)

6 June 2019, dusan

“This pamphlet explores ways in which to engage scholars to further elaborate the poethics of their scholarship. Following Joan Retallack, who has written extensively about the responsibility that comes with formulating and performing a poetics, which she has captured in her concept of poethics (with an added h), this pamphlet examines what connects the ‘doing’ of scholarship with the ethical components of research. Here, in order to remain ethical we are not able to determine in advance what being ethical would look like, yet, at the same time, ethical decisions need to be made and are being made as part of our publishing practices: where we publish and with whom, in an open way or not, in what form and shape and in which formats. Should we then consider the poethics of scholarship as a poetics of/as change, or as Retallack calls it, a poetics of the swerve (clinamen), which continuously unsettles our familiar notions?

This pamphlet considers how, along with discussions about the contents of our scholarship, and about the different methodologies, theories and politics that we use to give meaning and structure to our research, we should have similar deliberations about the way we do research. This involves paying more attention to the crafting of our own aesthetics and poetics as scholars, including a focus on the medial forms, the formats, and the graphic spaces in and through which we communicate and perform scholarship (and the discourses that surround these), as well as the structures and institutions that shape and determine our scholarly practices.”

Contributions by Janneke Adema, Kaja Marczewska, Frances McDonald and Whitney Trettien.

Publisher Post Office Press & Rope Press, Coventry, 2018
Creative Commons BY 4.0 License
34 pages

Publisher
HCommons

PDF, PDF

Contemporary And (C&): Platform for International Art from African Perspectives, 1-9 (2014-2018)

6 June 2019, dusan

Contemporary And (C&) is an online art magazine and a dynamic space for the reflection on and linking together of ideas, discourse and information on contemporary art practice from diverse African perspectives.”

Edited by Julia Grosse, Yvette Mutumba, Will Furtado, a.o.
Publisher Contemporary And (C&) & Institut für Auslandsbeziehungen (ifa), Stuttgart
Open Access

Publisher

HTML (online platform)
PDFs (print issues):
Issue 1: Dak’Art 14 (Dakar Biennale Special) (Apr 2014)
Issue 2: Kampala Focus (Sep 2014)
Issue 3: Focus Migration (Jun 2015)
Issue 4: Focus Bamako (10th Bamako Encounters – African Biennale of Photography Special) (English/French, Sep 2015)
Issue 5: The Interview Issue (Feb 2016)
Issue 6: Afro-Brazilian Perspectives (32nd Bienal de São Paulo Special) (Sep 2016)
Issue 7: Curriculum of Connections (documenta 14 Special) (Jun 2017)
Special Edition: #Nairobi (Sep 2017)
Issue 8: Conditions (Art Scene Cameroon Special) (Dec 2017)
Issue 9: You Are Already in it: Looking at a Global Diaspora (10th Berlin Biennale Special) (Jun 2018)

Fred Moten, Wu Tang: Who Touched Me? (2016)

6 June 2019, dusan

Who Touched Me? is a compilation of research by Fred Moten and Wu Tsang, who together cohabit the roles of poet and performance artist. The publication traces the development of their sculptural performance Gravitational Feel, which was yet to be realized at the time the book was due to print. This book introduces the reader to this work in its virtual state, while tracing Moten and Tsang’s lived experience of collaboration through a body of text, which is composed of email correspondence, notes, poetry, fragments of essays, and transcriptions of earlier collaborative work. Together these entwined texts create a new socio-poetic form. To quote from the book’s pages, ‘The research/experiment is in how to sense entanglement.'”

Introduction by Frédérique Bergholtz and Susan Gibb
Publisher If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Amsterdam, 2016
Performance in Residence series
ISBN 9789492139061, 9492139065
61 pages

Publisher
WorldCat

PDF (9 MB)