Filed under magazine | Tags: · anthropocene, art, climate, climate change, earth, environment
“The Distance Plan is a project founded by Abby Cunnane and Amy Howden-Chapman that brings together artists, writers and designers to promote discussion of climate change within the arts. The Distance Plan works through exhibitions, public forums and the Distance Plan Press which produces publications, including an annual journal.”
“The issue 4 features artist pages by Louise Menzies and Michala Paludan, an essay by Lina Moe on the closure of New York’s L Line, and, through our ongoing Climate Change & Art: A Lexicon, surveys the language currently surrounding anthropogenic climate change. Through proposing neologisms and promoting less well-known terms, we wish to propel interdisciplinary discussion, and by extension accelerate the pace of action.
Through this lexicon we propose that the science around climate change is developing so rapidly that we need new language to articulate its processes and effects. The lexicon is also based on the recognition that evolving science produces evolving policy, and politics must be commensurate with this. The first set of lexicon terms were collected in the Reading Room journal in 2015.”
Edited by Amy Howden-Chapman and Abby Cunnane
Publisher Distance Plan Press, Auckland, New Zealand
Creative Commons BY-NC-SA 4.0 International Licence
127 pages (Issues 2 & 4), 135 pages (Issue 3)
Filed under magazine | Tags: · activism, art, cultural resistance, labour, politics, power, protest, strike, work
“ArtLeaks is a collective platform initiated by an international group of artists, curators, art historians and intellectuals in response to the abuse of their professional integrity and the open infraction of their labor rights. In the art world, such abuses usually disappear, but some events bring them into sharp focus and therefore deserve public scrutiny. Only by drawing attention to concrete abuses can we underscore the precarious condition of cultural workers and the necessity for sustained protest against the appropriation of politically engaged art, culture and theory by institutions embedded in a tight mesh of capital and power.”
Edited by Corina L. Apostol (1-4), Vladan Jeremić (1-4), David Riff (1), Dmitry Vilensky (1), Vlad Morariu (1), Raluca Voinea (2), Brett Alton Bloom (3), and Rena Rädle (4)
Creative Commons BY-NC-SA License
Filed under book | Tags: · artificial intelligence, biography, computing, cyberpunk, cyberspace, science fiction, virtual reality
“The leading figure in the development of cyberpunk, William Gibson (born in 1948) crafted works in which isolated humans explored near-future worlds of ubiquitous and intrusive computer technology and cybernetics. This volume is the first comprehensive examination of the author of the seminal novel Neuromancer (and the other books in the Sprawl trilogy, Count Zero and Mona Lisa Overdrive), as well as other acclaimed novels including Pattern Recognition, Spook Country, and Zero History. Gary Westfahl draws upon extensive research to provide a compelling account of Gibson’s writing career and his lasting influence in the science fiction world.
Delving into numerous science fiction fanzines that the young Gibson contributed to and edited, Westfahl delivers new information about Gibson’s childhood and adolescence. He describes for the first time more than eighty virtually unknown Gibson publications from his early years, including articles, reviews, poems, cartoons, letters, and a collaborative story. The book also documents the poems, articles, and introductions that Gibson has written for various books, and its discussions are enriched by illuminating comments from various print and online interviews. The works that made Gibson famous are also featured, as Westfahl performs extended analyses of Gibson’s ten novels and nineteen short stories. Lastly, the book presents a new interview with Gibson in which the author discusses his correspondence with author Fritz Leiber, his relationship with the late scholar Susan Wood, his attitudes toward critics, his overall impact on the field of science fiction, and his recently completed screenplay and forthcoming novel.”
Publisher University of Illinois Press, Urbana, IL 2013
Modern Masters of Science Fiction series
ISBN 9780252037801, 0252037804
Reviews: Benjamin Gabriel (Strange Horizons, 2013), D. Harlan Wilson (Extrapolation, 2013), Michael M. Levy (Science Fiction Studies, 2014), Lars Schmeink (Journal for the Fantastic in the Arts, 2014).
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