Filed under journal | Tags: · music, musical instruments
A special issue of the journal of the Institut de recherche et coordination acoustique/musique (IRCAM) based at the Pompidou Centre in Paris.
Edited by Peter Szendy
Publisher Editions Ircam/Centre Georges-Pompidou, Paris, August 1995
PDF (45 MB)Comment (0)
Filed under book | Tags: · activism, capitalism, climate, climate crisis, conspiracy, environment, far right, fascism, immigration, oil, politics, race, racism
“What does the rise of the far right mean for the battle against climate change?
In the first study of the far right’s role in the climate crisis, White Skin, Black Fuel presents an eye-opening sweep of a novel political constellation, revealing its deep historical roots. Fossil-fuelled technologies were born steeped in racism. No one loved them more passionately than the classical fascists. Now right-wing forces have risen to the surface, some professing to have the solution—closing borders to save the nation as the climate breaks down.
Epic and riveting, White Skin, Black Fuel traces a future of political fronts that can only heat up.”
Publisher Verso Books, London, May 2021
ISBN 9781839761744, 1839761741
Interviews with authors: Walid Mebarek w/ Lise Benoist (El Watan, 2020, FR), Wen Stephenson w/ Andreas Malm (The Nation, 2021).
Reviews: Sophie Chapelle (Basta, 2020, FR), Paul Guillibert (Contretemps, 2020, FR), Alex King (Spectre Journal, 2021).
See also Malm’s How to Blow Up a Pipeline (2021).Comment (0)
Filed under book | Tags: · art, art history, collective art, ex-yugoslavia, organization, self-organization, yugoslavia
“The publication Fragments for Studies on Art Organisation is part of the project Art Organisation which has been conceived as an introduction to the research of the ways of (self) organisation, group action and working conditions (collective production and collective generation) of ‘non-institutional’ artistic practices in the Yugoslav and post-Yugoslav space. Our interest in art organisation goes beyond artistic frameworks. What we are really interested in is how to act collectively in society today.
During 2017, our work on the project began with interviewing participants and protagonists of the Contemporary Art Scene in Yugoslavia. This work continued in 2018 and 2019, when the respondents were theoreticians and art historians, as well as artists who realized their practice through group art work.
With texts by Ana Vilenica, Lina Džuverović, Milica Pekić, Stevan Vuković, Andrej Mirčev, Leila Topić, and Ana Peraica.
The book is accompanied by an online archive of interviews and seminars with artists, historians and theoreticians involved in ex-Yugoslav art scenes.
Editorial team: Ana Vilenica, Darija Medić, Stevan Vuković & kuda.org
Publisher kuda.org, Novi Sad, 2021