Néstor García Canclini: Hybrid Cultures: Strategies for Entering and Leaving Modernity (1990–) [ES, EN]

13 December 2014, dusan

“When it was originally published, Hybrid Cultures was foundational to Latin American cultural studies. This now-classic work features a new introduction in which Néstor García Canclini calls for a cultural politics to contain the damaging effects of globalization and responds to theoretical developments over the past decade.

García Canclini questions whether Latin America can compete in a global marketplace without losing its cultural identity. He moves with ease from the ideas of Gramsci and Foucault to economic analysis, from appraisals of the exchanges between Octavio Paz and Jorge Luis Borges to Chicano film and graffiti. Hybrid Cultures at once clarifies the development of democratic institutions in Latin America and reveals that the most destructive ideological trends are still going strong.”

Publisher Grijalbo, México, 1990
ISBN 9700505626
391 pages

English edition
Foreword by Renato Rosaldo
Translated by Christopher L. Chiappari and Silvia L. Lopez
University of Minnesota Press, 1995
New edition, with a New Introduction, 2005
ISBN 9780816646685
293 pages

Review (Jesús Martín‐Barbero, Travesia, 1992, EN)
Review (Arnaldo Valero, Actual, 1994, ES)
Review (Ileana Rodríguez, The Journal of the Midwest Modern Language Association, 1997, EN)
Review (Jesús Martín Barbero, Dominical, 2001, ES)
Review (Ivanilton Jose de Oliveira, Redalyc, 2007, ES)
Commentary (Anderson Moebus Retondar, Sociológica, 2008, ES)
Commentary (Luis Pulido Ritter, Cuadernos Inter.c.a.mbio, 2011, ES)
Wikipedia (ES)

Author (ES)
Publisher (EN)
Worldcat (ES)
Worldcat (EN)

Culturas híbridas. Estrategias para entrar y salir de la modernidad (PDF), Scribd (Spanish, 1990, 19 MB)
Hybrid Cultures: Strategies for Entering and Leaving Modernity (PDF), ARG (English, new ed., 1995/2005, 19 MB)

Melissa Gregg, Gregory J. Seigworth (eds.): The Affect Theory Reader (2010)

18 July 2012, dusan

This field-defining collection consolidates and builds momentum in the burgeoning area of affect studies. The contributors include many of the central theorists of affect—those visceral forces beneath, alongside, or generally other than conscious knowing that can serve to drive us toward movement, thought, and ever-changing forms of relation. As Lauren Berlant explores “cruel optimism,” Brian Massumi theorizes the affective logic of public threat, and Elspeth Probyn examines shame, they, along with the other contributors, show how an awareness of affect is opening up exciting new insights in disciplines from anthropology, cultural studies, geography, and psychology to philosophy, queer studies, and sociology. In essays diverse in subject matter, style, and perspective, the contributors demonstrate how affect theory illuminates the intertwined realms of the aesthetic, the ethical, and the political as they play out across bodies (human and non-human) in both mundane and extraordinary ways. They reveal the broad theoretical possibilities opened by an awareness of affect as they reflect on topics including ethics, food, public morale, glamor, snark in the workplace, and mental health regimes. The Affect Theory Reader includes an interview with the cultural theorist Lawrence Grossberg and an afterword by the anthropologist Kathleen Stewart. In the introduction, the editors suggest ways of defining affect, trace the concept’s history, and highlight the role of affect theory in various areas of study.

Contributors: Sara Ahmed, Ben Anderson, Lauren Berlant, Lone Bertelsen, Steven D. Brown, Patricia Ticineto Clough, Anna Gibbs, Melissa Gregg, Lawrence Grossberg, Ben Highmore, Brian Massumi, Andrew Murphie, Elspeth Probyn, Gregory J. Seigworth, Kathleen Stewart, Nigel Thrift, Ian Tucker, Megan Watkins

Publisher Duke University Press, 2010
ISBN 0822347768, 9780822347767
416 pages

publisher
google books

PDF (no OCR, updated on 2013-1-23)

Georges Didi-Huberman: Invention of Hysteria: Charcot and the Photographic Iconography of the Salpetriere (1982/2003)

28 October 2011, dusan

In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria’s specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere.

As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical “type”—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot’s “Tuesday Lectures.”

Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot’s favorite “cases,” that of Augustine, whose image crops up again and again in the Iconographie. Augustine’s virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.

Originally published by Editions Macula, Paris, 1982
Translated by Alisa Hartz
Publisher MIT Press, 2003
ISBN 0262042150, 9780262042154
373 pages

publisher
google books

PDF (updated on 2012-9-24)