Filed under book | Tags: · africa, art, black culture, caribbean, diaspora, film, literature, music, négritude, pan-africanism, poetry
“Festac ’77, also known as the Second World Black and African Festival of Arts and Culture (the first was in Dakar, 1966), was a major international festival held in Lagos, Nigeria, from 15 January 1977 to 12 February 1977. The month-long event celebrated African culture and showcased to the world African music, fine art, literature, drama, dance and religion. About 16,000 participants, representing 56 African nations and countries of the African Diaspora, performed at the event.
Artists who performed at the festival included Stevie Wonder from United States, Gilberto Gil from Brazil, Bembeya Jazz National from Guinea, Mighty Sparrow from Trinidad and Tobago, Les Ballets Africains, South African Miriam Makeba, and Franco Luambo Makiadi. At the time it was held, it was the largest pan-African gathering to ever take place.” (Wikipedia)
Publisher Africa Journal Limited, London, and International Festival Committee, Lagos, 1977
via Abdul Alkalimat
Film documentary (UNESCO, 1977, 26 MB)
Commentary: Arthur Monroe (Black Scholar, 1977), Iris Kay (African Arts, 1977), J. Southern (Black Perspective in Music, 1977), Moyibi Amoda (book-length evaluation, 1978, 80 MB).
PDF (134 MB)Comment (0)
Filed under magazine | Tags: · africa, art, art criticism, art history, colonialism, contemporary art, decolonization, diaspora, migration, postcolonialism
“Contemporary And (C&) is an online art magazine and a dynamic space for the reflection on and linking together of ideas, discourse and information on contemporary art practice from diverse African perspectives.”
Edited by Julia Grosse, Yvette Mutumba, Will Furtado, a.o.
Publisher Contemporary And (C&) & Institut für Auslandsbeziehungen (ifa), Stuttgart
HTML (online platform)
PDFs (print issues):
Issue 1: Dak’Art 14 (Dakar Biennale Special) (Apr 2014)
Issue 2: Kampala Focus (Sep 2014)
Issue 3: Focus Migration (Jun 2015)
Issue 4: Focus Bamako (10th Bamako Encounters – African Biennale of Photography Special) (English/French, Sep 2015)
Issue 5: The Interview Issue (Feb 2016)
Issue 6: Afro-Brazilian Perspectives (32nd Bienal de São Paulo Special) (Sep 2016)
Issue 7: Curriculum of Connections (documenta 14 Special) (Jun 2017)
Special Edition: #Nairobi (Sep 2017)
Issue 8: Conditions (Art Scene Cameroon Special) (Dec 2017)
Issue 9: You Are Already in it: Looking at a Global Diaspora (10th Berlin Biennale Special) (Jun 2018)
Filed under catalogue | Tags: · aesthetics, art, decoloniality, decolonization, diaspora, europe
“Be.Bop: Black Europe Body Politics, a project of Art Labour Archives, is a decolonial transdisciplinary and indisciplinary curatorial initiative based in Berlin with an international impact through presentations in major cities across three continents.”
“Active in the international cultural arena since 1997, Art Labour Archives has been passionately involved in the production and theorization of performance and the moving image from a Black Diaspora perspective.
In the vision of its founder, Alanna Lockward, disciplines are meant to facilitate each other’s dismantling by means of constantly challenging its own claims to legitimacy. This paradigm inversion places collective knowledge creation as a central ambition. In this sense, the optic and praxis of Art Labour Archives is to surpass the expectations of the society of the spectacle and its insatiable appetite for visual and sensorial stimulation. Instead, the dozens of publications, exhibitions, screening programs, workshops and seminars conceptualized and produced by Art Labour Archives in the last seventeen years, have offered liberation, healing and redemption as a viable alternative.
In short: our journey is one of experiencing “art” as a labour of love and mutual examination and recognition beyond geographical, discursive and disciplinary thresholds. Between 2010—2018 Be.Bop has been presented in conferences, seminars and different public events in three different continents thanks to the support and faith of our partners, participants and friends.”
Be.Bop “is an enterprise led by curator Alanna Lockward; a collective of artists, curators, artivists and activists, social theorists and humanists. A decolonial project of healing, learning and love. Network with the Middelburg Decolonial Summer School and with Decolonial Aesthesis in Bogota and Durham (Duke University)” (Walter Mignolo, project advisor).
Curated by Alanna Lockward
Publisher Art Labour Archives, Berlin, 2012-2018
The Skin Thing, 2012, event website
Decolonizing the “Cold” War, 2013, event website
Spiritual Revolutions & The “Scramble for Africa”, 2014, event website
Call & Response, 2016, event website (2)
Coalitions Facing White Innocence, 2018, event website