Ultra

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Cover of Ultra 4, 1922.

Ultra: kirjallistaiteellinen aikakauslehti: tidskrift för ny konst och litteratur [Magazine for New Art and Literature] was published bilingually in Finnish and Swedish in 8 numbers (7 issues) in Helsinki between September and December 1922. The magazine was edited by the Finnish writer and dramatist Lauri Haarla, the Finland-Swedish critic Haggar Olsson and the Finland-Swedish film and theatre critic Raoul af Hällström. The contributors included T.K. Sallinnen, Ludwig Meidner, Kathe Kollwitz and Ester Heleniu. Ultra was tied to the small publishing house Daimon, run by L. A. Salava, a dealer in antiquarian books.

Issues[edit]

Literature[edit]

  • Mats Jansson, "Crossing Borders: Modernism in Sweden and the Swedish-Speaking Part of Finland: Thalia (1909-13); Ny konst (1915); flamman (1917-21); Ultra (1922); Quosego (1928-9); kontakt (1931); Spektrum (1931-3); and Karavan (1934-5)", in The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3 (Europe, 1880-1940), New York: Oxford University Press, 2013, pp 666-690. [1]

See also[edit]

Links[edit]


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).