Difference between revisions of "Transition"
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− | [[Image:Transition_13_1928.jpg|thumb| | + | [[Image:Transition_13_1928.jpg|thumb|350px|Cover of ''transition'' 13 (1928) by Pablo Picasso.]] |
'''transition''' was an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. Founded in 1927 by Paris-based poet [[Eugene Jolas]], it was originally intended to serve as an outlet for experimental poetry, but gradually expanded to incorporate contributions from sculptors, photographers, writers, civil rights activists, critics, and cartoonists. The magazine ran through the spring of 1938, with a total of 27 issues published. | '''transition''' was an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. Founded in 1927 by Paris-based poet [[Eugene Jolas]], it was originally intended to serve as an outlet for experimental poetry, but gradually expanded to incorporate contributions from sculptors, photographers, writers, civil rights activists, critics, and cartoonists. The magazine ran through the spring of 1938, with a total of 27 issues published. | ||
+ | ==Issues== | ||
+ | * [http://gallica.bnf.fr/ark:/12148/cb328797802/date.r=transition.langEN Scans in Gallica] | ||
* ''[http://monoskop.org/log/?p=10801 In Transition: A Paris Anthology: Writing and Art from Transition Magazine 1927-30]'', New York: Anchor Books/Doubleday, 1990, 256 pp. | * ''[http://monoskop.org/log/?p=10801 In Transition: A Paris Anthology: Writing and Art from Transition Magazine 1927-30]'', New York: Anchor Books/Doubleday, 1990, 256 pp. | ||
− | * [http:// | + | |
+ | ==Literature== | ||
+ | * Céline Mansanti, ''[http://books.openedition.org/pur/32713 La revue ''Transition'' (1927-1938), le modernisme historique en devenir]'', Rennes: Presses universitaires de Rennes, 2009, 374 pp. {{fr}} | ||
+ | |||
+ | ==Links== | ||
+ | * [http://sites.davidson.edu/littlemagazines/transition/ transition in Index of Modernist Magazines] | ||
* [http://en.wikipedia.org/wiki/Transition_(literary_journal) transition at Wikipedia] | * [http://en.wikipedia.org/wiki/Transition_(literary_journal) transition at Wikipedia] | ||
{{Avant-garde and modernist magazines}} | {{Avant-garde and modernist magazines}} |
Latest revision as of 23:54, 25 May 2022
transition was an experimental literary journal that featured surrealist, expressionist, and Dada art and artists. Founded in 1927 by Paris-based poet Eugene Jolas, it was originally intended to serve as an outlet for experimental poetry, but gradually expanded to incorporate contributions from sculptors, photographers, writers, civil rights activists, critics, and cartoonists. The magazine ran through the spring of 1938, with a total of 27 issues published.
Issues[edit]
- Scans in Gallica
- In Transition: A Paris Anthology: Writing and Art from Transition Magazine 1927-30, New York: Anchor Books/Doubleday, 1990, 256 pp.
Literature[edit]
- Céline Mansanti, La revue Transition (1927-1938), le modernisme historique en devenir, Rennes: Presses universitaires de Rennes, 2009, 374 pp. (French)
Links[edit]
Avant-garde and modernist magazines | ||
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Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). |
Full list | ||
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Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). |