Difference between revisions of "Volné směry"
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− | + | '''Volné směry: umělecký mĕsíčník''' was a monthly (1896-1948) of the Mánes Association of Fine Artists in Prague, a large, secessionist exhibition society that facilitated contacts between Czech artists and the European avant-garde. For many years it was the premier Bohemian avant-garde periodical, with contributions on art, architecture, and literature. | |
Edited by Miloš Jiránek, [[Jan Preisler]] and [[František Xaver Šalda]]. Among the contributors were Julius Meier Graefe, Jan Kotěra, František Bilek, or Karel Vitĕzslav. | Edited by Miloš Jiránek, [[Jan Preisler]] and [[František Xaver Šalda]]. Among the contributors were Julius Meier Graefe, Jan Kotěra, František Bilek, or Karel Vitĕzslav. | ||
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+ | ==Issues== | ||
+ | * [http://bluemountain.princeton.edu/exist/apps/bluemountain/title.html?titleURN=bmtnaan Scans in Blue Mountain Project] (1896-1902) | ||
+ | * [http://archive.org/search.php?query=creator%3A%22Spolek+v%C3%BDtvarn%C3%BDch+um%C4%9Blc%C5%AF+M%C3%A1nes%22 Scans in Internet Archive] (1900, 1905-08) | ||
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+ | ==Literature== | ||
+ | * Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075] | ||
==See also== | ==See also== | ||
* [[Czech Republic#Avant-garde]] | * [[Czech Republic#Avant-garde]] | ||
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{{Avant-garde and modernist magazines}} | {{Avant-garde and modernist magazines}} |
Latest revision as of 18:49, 18 January 2017
Volné směry: umělecký mĕsíčník was a monthly (1896-1948) of the Mánes Association of Fine Artists in Prague, a large, secessionist exhibition society that facilitated contacts between Czech artists and the European avant-garde. For many years it was the premier Bohemian avant-garde periodical, with contributions on art, architecture, and literature.
Edited by Miloš Jiránek, Jan Preisler and František Xaver Šalda. Among the contributors were Julius Meier Graefe, Jan Kotěra, František Bilek, or Karel Vitĕzslav.
Issues[edit]
- Scans in Blue Mountain Project (1896-1902)
- Scans in Internet Archive (1900, 1905-08)
Literature[edit]
- Nicholas Sawicki, "The View From Prague: Moderní revue (1894-1925); Volné směry (1896-1949); Umělecký měsíčník (1911-14); Revoluční sborník Devětsil (1922); Život (1922); Disk (1923-5); Pásmo (1924-6); and ReD (1927-31)", in The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3, Europe 1880-1940, eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [1] [2]
See also[edit]
Avant-garde and modernist magazines | ||
---|---|---|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). |
Full list | ||
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Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). |