Helhesten

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The wartime journal Helhesten [The Hell-Horse] was published by the eponymous artists' collective involving artists Asger Jorn, Ejler Bille (1910–2004), Henry Heerup (1907–1993), Egill Jacobsen, (1910–1998), and Carl-Henning Pedersen (1913–2007), among others. The journal's twelve issues from April 1941 to November 1944 featured essays on art theory, non-Western artefacts, literature, poetry, film, architecture, and photography, as well as exhibition reviews and profiles of contemporary Danish artists.

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Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).