Media archaeology
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Contents
Institutes[edit]
- Media Archaeological Fundus of Humboldt University, Berlin, founded in c2003. Collection supervisor: Wolfgang Ernst, curators: Stefan Höltgen, Thomas Fecker, David Friedrich.
- IMA Institute of Media Archeology, Hainburg, founded in 2005. Head: Elisabeth Schimana.
- Media Archaeology Lab, Boulder, Colorado, founded in 2009. Director: Lori Emerson.
- Preservation & Art – Media Archaeology Lab (PAMAL), Ecole Supérieure d’Art d’Avignon, founded 2014. Head: Emmanuel Guez.
Educational programs[edit]
- Courses
- Media Archaeology course (with Dead Media Archive wiki), Dept of Media, Culture, and Communication, NYU, led by Alexander R. Galloway, Spring (syllabus) and Fall 2010.
- Media Technology and Exploration course by Nicole Starosielski, Winter 2011.
- Pojmy z teorie a dějin médií II & Mediální archeologie courses by Lucie Česálková, Masaryk University, Brno, Spring 2012 and Spring 2015.
- Urban Media Archaeology course by Shannon Mattern, Fall 2012.
- Gebhard Sengmüller's lectures on media archaeology, UFG Linz.
- Medienarchäologie seminar by Claus Pias, Leuphana, 2012/2013.
- Media Archaeology and Media Poetics course by Lori Emerson, U Colorado, Boulder, Spring 2014.
- Languages, Text, and Technology, course by Roger Whitson, Washington State U, Fall 2017.
Events[edit]
- Excavating the Future - An Archeology and Future of Moving Pictures symposium, Prague, 2-5 December 2001. Initiated by Jaroslav Anděl, collaboration: Miloš Vojtěchovský, Michael de la Fontaine, Michael Bielický.
- An Archaeology of Imaginary Media, mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by Eric Kluitenberg. Publication.
- Variantology: On Deep Time Relations of the Arts, Sciences and Technologies workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by Siegfried Zielinski. Publications.
- Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler, ZKM Karlsruhe, 19-20 October 2012.
- Network Archaeology conference, Miami University, 19-21 April 2012. Convened by Cris Cheek and Nicole Starosielski. Publication.
- Forum on the Genealogy of MediaThinking, University of the Arts Berlin, October 2012-June 2013. Facilitated by Siegfried Zielinski.
- Lichtklangphonogramm exhibition, Ethnological Museum in Berlin, 13 March-26 May 2013.
- Only Connect Festival of Sound: Machine Dreams, Oslo, 5-8 June 2013.
- Media Archaeology & Technological Debris, postgraduate workshop and conference, Goldsmiths, University of London, 20-21 June 2013. Organised by Stefania Charitou, Gabriel Menotti, and Corey Kai Nelson Schultz.
- Media Archeologies Institute lecture series, Film, Video, New Media, Animation department, School of the Art Institute of Chicago, October-November 2013. [1]
- Doing Experimental Media Archaeology: Practice & Theory, conference, Esch-sur-Alzette and Differdange, 7-9 Sep 2022.
Artists, theorists, initiatives[edit]
- Zoe Beloff
- John M. Bowers
- Lucie Česálková
- Paul DeMarinis
- Bernhard Dotzler
- Timothy Druckrey
- Tomáš Dvořák
- Lori Emerson
- Wolfgang Ernst
- Kristoffer Gansing
- Lisa Gitelman
- Michael Goddard
- Erkki Huhtamo
- Alexandra Hui
- Francis Hunger
- Gunnar Iversen
- Jonathan Kemp
- Friedrich Kittler
- Aleksander Kolkowski
- Markus Krajewski
- Julia Kursell
- Petra Löffler
- Patrik Lundell
- Irene Lusztig
- Thor Magnusson
- Bonnie Mak
- Shannon Mattern
- Media Archaeology Lab
- Alberto Novello
- Jussi Parikka
- Lisa Parks
- Miklós Peternák
- Claus Pias
- Georgii Pocheptsov
- Joost Rekveld
- Axel Roch
- Wolfgang Schäffner
- Gebhard Sengmüller
- Bernhard Siegert
- Pelle Snickars
- Nicole Starosielski
- Jonathan Sterne
- Kateřina Svatoňová
- Tjebbe van Tijen
- John Tresch
- Pasi Väliaho
- Cornelia Vismann
- Thomas Weynants
- Siegfried Zielinski
Bibliography[edit]
Monographs[edit]

Friedrich Kittler, Discourse Networks 1800 / 1900, [1985] 1990, PDF.

Friedrich Kittler, Gramophone Film Typewriter, [1986] 1999, PDF.

Siegfried Zielinski, Audiovisions: Cinema and Television as Entr’actes in History, [1989] 1999, PDF.

Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, 1999, PDF.

Cornelia Vismann, Files: Law and Media Technology, [2000] 2008, Log.

Lisa Gitelman, Geoffrey B. Pingree (eds.): New Media, 1740-1915, 2003, PDF.

Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, 2011, Log.
- Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
- Friedrich A. Kittler, Aufschreibesysteme 1800/1900, Munich: Fink, 1985; 2nd ed., 1987; 3rd ed., rev, 1995, 524 pp. (German)
- Friedrich A. Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986, 427 pp. (German)
- Siegfried Zielinski, Zur Geschichte des Videorecorders, Berlin: Wissenschaftsverlag Spiess, 1986, 408 pp; new ed., Potsdam: Polzer Media Group, 2010. (German)
- Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), Materialität der Kommunikation, Frankfurt am Main: Suhrkamp, 1988. TOC. (German)
- Materialities of Communication, trans. William Whobrey, Stanford University Press, 1994, 447 pp. (English)
- Carolyn Marvin, When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century, New York and Oxford: Oxford University Press, 1988.
- Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (German)
- Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989, 153 pp. (German)
- Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
- Bernhard Siegert, Relais: Geschicke der Literatur als Epoche der Post, 1751-1913, Berlin: Brinkmann & Bose, 1993. (German)
- Relays: Literature as an Epoch of the Postal System, trans. Kevin Repp, Stanford University Press, 1999, 340 pp.
- Ellen Lupton, Mechanical Brides: Women and Machines from Home to Office, Princeton Architectural Press, 1993.
- Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
- Terry Castle, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny, Oxford University Press, 1995.
- Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
- Rachel P. Maines, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, Baltimore: Johns Hopkins University Press, 1999.
- Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, Stanford University Press, 1999, 282 pp, Log.
- Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (German)
- Files: Law and Media Technology, Stanford University Press, 2008.
- Donald F McLean, Restoring Baird's Image, Institution of Electrical Engineers, 2000, 295 pp. [2]
- Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television, Duke University Press, 2000, 272 pp. Chapter 1.
- Stephen Graham, Simon Marvin (eds.), Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition, New York: Routledge, 2001.
- Markus Krajewski, ZettelWirtschaft, Berlin: Kadmos, 2002. Review, Review. (German)
- Paper Machines: About Cards & Catalogs, 1548-1929, MIT Press, 2011.
- Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, London: Verso, 2002. Chapter 1, Chapter 2.
- Friedrich Kittler, Optische Medien / Berliner Vorlesung 1999, Berlin: Merve, 2002. (German)
- Optical Media. Berlin Lectures 1999, trans. Anthony Enns, Polity, 2009.
- Siegfried Zielinski, Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Reinbek: Rowohlt Taschenbuch, 2002. TOC, Introduction. (German)
- Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means, intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006.
- P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
- Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. [3] (Dutch)
- Lisa Gitelman, Geoffrey B. Pingree (eds.), New Media, 1740-1915, MIT Press, 2003, 271 pp, Log.
- Wolfgang Ernst, Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003, Berlin: Humboldt University, 2004, 31 pp. (German)
- Wolfgang Lefèvre (ed.), Picturing Machines 1400-1700, MIT Press, 2004, 347 pp.
- Lisa Parks, Cultures in Orbit: Satellites and the Televisual, Durham: Duke University Press, 2005.
- Erich Hörl, Die heiligen Kanäle. Über die archaische Illusion der Kommunikation, Zürich and Berlin: diaphanes, 2005. (German)
- Sacred Channels: The Archaic Illusion of Communication, pref. Jean-Luc Nancy, trans. Nils F. Schott, Amsterdam: Amsterdam University Press (Recursions), 2018, 342 pp, ARG. Publisher. [6]
- Siegfried Zielinski, Silvia M. Wagnermaier (eds.), Variantology: On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2005.
- Charles R. Acland (ed.), Residual Media, Minneapolis, MN: University of Minnesota Press, 2006. Chapter 2.
- Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. Publisher.
- Pierre Levie, Montreurs et Vues d' Optique, Sofidoc, 2006. (French)
- Timothy C. Campbell, Wireless Writing in the Age of Marconi, Minneapolis, MN: University of Minnesota Press, 2006.
- Lisa Gitelman, Always Already New: Media, History, and the Data of Culture, MIT Press, 2006, xiii+205 pp, Log. Publisher.
- Bernhard J. Dotzler, Diskurs und Medium. Zur Archäologie der Computerkultur, Munich: Fink, 2006, 233 pp. (German)
- Siegfried Zielinski, David Link (eds.), Variantology 2: On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2006.
- James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [7]
- Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.
- Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [8] (Dutch)
- Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. Preview. [9] (Latvian)
- Wolfgang Ernst, Das Gesetz des Gedächtnisses. Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kadmos, 2007. Publisher. Review: Zierold (H-Net). (German)
- Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [10]
- José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
- Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, University of Alabama Press, 2007.
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 3: On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere, Cologne: Verlag der Buchhandlung König, 2008, PDF, ARG.
- Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. [11] (German)
- Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [12]
- Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [13]
- Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. [14] (German)/(English)
- Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
- Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
- Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
- Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. [15] (French)
- Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), Mediernas kulturhistoria, Stockholm: Mediehistoriskt arkiv, 2009. [16] (Swedish)
- Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), 1897 – Mediehistorier kring Stockholmsutställningen, Stockholm: Mediehistoriskt arkiv, 2009. [17] (Swedish)
- Jonas Harvard, Patrik Lundell (eds.), 1800-talets mediesystem, Stockholm: Mediehistoriskt arkiv, 2010. [18] (Swedish)
- Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), The Story of Storage I. Kompendium, Stockholm: Mediehistoriskt arkiv, 2010. [19] (Swedish)
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 4: On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, Cologne: Verlag der Buchhandlung Walther König, 2010.
- Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [20] [21]
- Jussi Parikka, Insect Media: An Archaeology of Animals and Technology, Minneapolis, MN: University of Minnesota Press (Posthumanities), 2010, xxxv+281 pp. Publisher.
- Owady i media, trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Księgarnia Akademicka, 2017, 375 pp. (Polish)
- Pasi Väliaho, Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900, Amsterdam: Amsterdam University Press (Film Culture in Transition), 2010, 256 pp.
- Paul DeMarinis, Buried in Noise, eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. Publisher. (English)/(German)
- Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, Berkeley, CA: University of California Press, 2011, x+356 pp.
- Mei jie kao gu xue: fang fa.lu jing yu yi han [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. (Chinese)
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 5: Neapolitan Affairs, Cologne: Verlag der Buchhandlung König, 2011.
- Florian Cramer, Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Munich: Wilhelm Fink, 2011. (German)
- Johan Jarlbrink, Patrik Lundell (eds.), Från pressarkivet 1800-1899. En källsamling, Stockholm: Mediehistoriskt arkiv, 2012. [22] (Swedish)
- Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910, MIT Press, 2012. Publisher.
- Jussi Parikka, What is Media Archaeology?, Polity, 2012.
- Medya Arkeolojisi Nedir?, trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. Publisher. (Turkish)
- Qu'est-ce que l'archéologie des médias?, pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. Publisher. Review: Sevin (Lectures). (French)
- Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione, pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. (Italian)
- John Tresch, The Romantic Machine: Utopian Science and Technology after Napoleon, Chicago: University of Chicago Press, 2012, 472 pp. Publisher.
- Jonathan Sterne, MP3: The Meaning of a Format, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2012, 341 pp.
- Karla Jasso, Daniel Garza Usabiaga (eds.): (Ready) Media: Hacia una arqueología de los medios y la invención en México, Mexico City: Instituto Nacional de Bellas Artes y Literatura, 2012, 519 pp. (Spanish)
- Wolfgang Ernst, Digital Memory and the Archive, ed. & intro. Jussi Parikka, University of Minnesota Press, 2012, 265 pp. Reviews: Young (RiC), Ward (I&C).
- Wolfgang Ernst, Chronopoetik. Zeitweisen und Zeitgaben technischer Medien, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 428 pp. TOC. Publisher. Review: Powell (GSR, EN). (German)
- Chronopoetics: The Temporal Being and Operativity of Technological Media, Rowman & Littlefield (Media Philosophy), 2016, 288 pp. Trans. of abridged version. Publisher.
- Shintaro Miyazaki, Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. Introduction. Publisher. [23] (German)
- Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. Publisher.
- Erkki Huhtamo, Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles, MIT Press (Leonardo), 2013, 464 pp. Publisher.
- Karla Jasso, Arte-tecnología. Arqueología, dialéctica, mediación, México D.F.: self-published, 2013, 329 pp. (Spanish)
- Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
- Zhi zhi shi: Guan yu wen dang de mei jie li shi [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. (Chinese)
- Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), Återkopplingar, Lund University, 2014, 416 pp. (Swedish)
- Wolfgang Ernst, Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity, forew. Liam Cole Young, Amsterdam: Amsterdam University Press (Recursions), 2016, 160 pp. Publisher. Reviews: Cornford (TCS), Harle (Leonardo).
- Thomas Elsaesser, Film History as Media Archaeology: Tracking Digital Cinema, Amsterdam: Amsterdam University Press (Film Culture in Transition), 2016, 414 pp. Collected essays. Epilogue. Publisher.
- Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories, Routledge, 2016, 244 pp. Publisher.
- Liam Cole Young List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed, Amsterdam: Amsterdam University Press (Recursions), 2017, 196 pp. Publisher.
- Thor Magnusson, Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions, New York: Bloomsbury Academic, 2019, xiv+290 pp.
- Moritz Hiller, Stefan Höltgen (eds.), Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst, Basel: Schwabe, 2019, 354 pp. TOC & Foreword. (German),(English)
- Siegfried Zielinski, Variations on Media Thinking, University of Minnesota Press (Posthumanities), 2019, xxv+426 pp. Selected essays.
- Ben Roberts, Mark Goodall (eds.), New Media Archaeologies, Amsterdam: Amsterdam University Press (Recursions), 2019, 238 pp. Publisher.
- Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin, Berlin: Eeclectic, 2019. Publisher. (German)
- Doron Galili, Seeing by Electricity: The Emergence of Television, 1878-1939, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2020, 264 pp. Publisher.
- Bernhard Rieder, Engines of Order: A Mechanology of Algorithmic Techniques, Amsterdam: Amsterdam University Press (Recursions), 2020, 353 pp. OAPEN. Publisher.
- Jane Birkin, Archive, Photography and the Language of Administration, Amsterdam: Amsterdam University Press (Recursions), 2021, 218 pp. Publisher.
- Jacob Gaboury, Image Objects: An Archaeology of Computer Graphics, MIT Press, 2021, 312 pp. Publisher.
- Wolfgang Ernst, Technológos in Being: Radical Media Archaeology and the Computational Machine, Bloomsbury Academic, 2021, 211 pp. Publisher. (English)
Journal issues and Special sections[edit]
- Grey Room 43: "Audio/Visual", Spring 2011. [24]
- Amodern 2 "Network Archaeology", 2013.
- Tiszatáj 69(4): "Médiumok magánélete: A hardver mikro eseményeiről", Szeged, Apr 2015, pp 57-103, HTML. (Hungarian)
- Journal of Contemporary Archaeology 2(1): "Media-Archaeologies", ed. Angela A. Piccini, 2015.
- Twentieth-Century Music 14(1): "Tape", eds. Andrea F. Bohlman and Peter McMurray, Feb 2017. [25]
- communication +1 7(1): "Intersectionalities and Media Archaeologies", eds. Zachary J. McDowell and Nathanael Bassett, 2018.
- communication +1 7(2): "Intersectionalities and Media Archaeologies", eds. Zachary J. McDowell and Nathanael Bassett, 2018.
Book chapters, Papers, Articles[edit]
- Erkki Huhtamo, "From Kaleidoscomaniac to Cybernerd: Towards an Archeology of the Media", Leonardo, 3, 1997, pp 221-224.
- Wolfgang Ernst, "Medienarchäologie. Eine Provokation der Kommunikationsgeschichte", in Habbo Knoch, Daniel Morat (eds.), Kommunikation als Beobachtung. Medienwandel und Gesellschaftsbilder 1880–1960, Munich: Fink 2003, pp 37–56. (German)
- Thomas Elsaesser, "The New Film History as Media Archaeology", Cinémas, Vol. 14, No. 2-3, 2004, pp 75-117.
- Wolfgang Ernst, "Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines", Art History 28, November 2005, pp 582-603.
- Shannon Mattern, "From Post Offices to Radiograms: Local Primary Resources on Urban Media History", Words In Space blog, 20 July 2010.
- Garnet Hertz, Jussi Parikka, "Zombie Media: Circuit Bending Media Archaeology into an Art Method", Leonardo, 2012.
- Roger Whitson, "The Difference Engine: 1832, 1855, 1876, 1991, 2002, 2008″, "BRANCH: Britain, Representation, and Nineteenth-Century History", 2017.
- Shannon Mattern, "Infrastructural Tourism", Words in Space blog, 20 July 2012.
- Petra Löffler, "Towards a new media archaeology? A report on some books and tendencies", NECSUS / European Journal of Media Studies 1 (Spring 2012).
- Bonnie Mak, "Archaeology of a Digitization", Journal of the American Society for Information Science and Technology, 2013.
- Sanne Krogh Groth, "Provoking, disturbing, hacking: Media archaeology as a framework to the understanding of contemporary DIY composers’ instruments and ideas", Organised Sound 18:3 (December 2013), pp 266-273. [26] [27]
- Morten Riis, "The Media Archaeological Repairman", Organised Sound 18:3 (December 2013), pp 255-265. [28]
- Georgii Pocheptsov (Георгий Почепцов), "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami" [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], Gefter, 11 Mar 2015. (Russian)
- Jacob Gaboury, "The Random-Access Image: Memory and the History of the Computer Screen", Grey Room 70, Winter 2018, pp 24-53.
- more, more
Theses[edit]
- Jentery Sayers, How Text Lost Its Source: Magnetic Recording Cultures, University of Washington, 2011. [29]
- Kristoffer Gansing, Transversal Media Practices: Media Archaeology, Art and Technological Development, Malmö: Malmö University, 2013. PhD dissertation.
Primary references[edit]
- Michel Foucault, The Archaeology of Knowledge, 1969–.
Research, Resources[edit]
- Bundled, Buried & Behind Closed Doors, documentary film by Ben Mendelsohn and Alex Chohlas-Wood, 2011.
- Early Visual Media, A Historical Window to Early Vintage Visual Media Archaeology, maintained by Thomas Weynants.
- First Sounds, an initiative founded by Patrick Feaster, David Giovannoni, Richard Martin, and Meagan Hennessey.
- The Cylinder Archive, cylinder phonograph recordings. Maintained by Norman Bruderhofer.
- René Rondeau's Antique Phonograph, Fan, and Photography Site
- Media Archaeology of Place, a project initiated by a collaborative course at Harvard University, Fall 2010.
- Maryland Institute for Technology in the Humanities' Vintage Computers, dir. Matthew Kirschenbaum.
- Institute for Algorhythmics, an ongoing research project investigating the algorhythmic structures in contemporary culture. Started in 2008 by Shintaro Miyazaki.
- Gebhard Sengmüller's links collection
- Renesys presentations and reports
- Doing Experimental Media Archaeology, research project, Luxembourg Centre for Contemporary and Digital History (C²DH), University of Luxembourg, Sep 2019-Jan 2022. Led by Andreas Fickers. [30]
See also[edit]
Humanities | ||
---|---|---|
Fields and theories: Classics, Art history, History of architecture, Anthropology, Semiotics, Philosophy of technology, Marxist aesthetics, Design research, Humanities computing, Structuralism, Poststructuralism, Mediology, Media archaeology, Cyberfeminism, Cultural techniques, Neuroaesthetics, Posthumanities, Sensory ethnography, Media ecology, Digital humanities, Software studies, Modern periodical studies, Accelerationism. |