Difference between revisions of "De Stijl"
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'''De Stijl''' [The Style] was a Dutch artistic movement founded in 1917 by the Dutch painter, designer, writer, and critic [[Theo van Doesburg]]. The group's principal members were the painters [[Piet Mondrian]], [[Vilmos Huszár]], and [[Bart van der Leck]], and the architects [[Gerrit Rietveld]], [[Robert van 't Hoff]], and [[J. J. P. Oud]]. The artistic philosophy that formed a basis for the group's work is known as neoplasticism—the new plastic art (or ''Nieuwe Beelding'' in Dutch). | '''De Stijl''' [The Style] was a Dutch artistic movement founded in 1917 by the Dutch painter, designer, writer, and critic [[Theo van Doesburg]]. The group's principal members were the painters [[Piet Mondrian]], [[Vilmos Huszár]], and [[Bart van der Leck]], and the architects [[Gerrit Rietveld]], [[Robert van 't Hoff]], and [[J. J. P. Oud]]. The artistic philosophy that formed a basis for the group's work is known as neoplasticism—the new plastic art (or ''Nieuwe Beelding'' in Dutch). | ||
+ | ==Journal== | ||
''De Stijl: Maandblad voor de moderne beeldende vakken [en kultuur]'' is the name of a journal that was edited and published by [[Theo van Doesburg]] and served to propagate the group's theories. Originally a monthly, later published irregularly, ''De Stijl'' appeared in 90 issues between October 1917 and January 1932 in Delft (1917-18), Leiden (1918-21) and Meudon (France); not published in November-December 1920, January-February 1923, and 1929-1931. Though the journal never sold more than 300 copies, it had a strong influence on art in the Netherlands and abroad. | ''De Stijl: Maandblad voor de moderne beeldende vakken [en kultuur]'' is the name of a journal that was edited and published by [[Theo van Doesburg]] and served to propagate the group's theories. Originally a monthly, later published irregularly, ''De Stijl'' appeared in 90 issues between October 1917 and January 1932 in Delft (1917-18), Leiden (1918-21) and Meudon (France); not published in November-December 1920, January-February 1923, and 1929-1931. Though the journal never sold more than 300 copies, it had a strong influence on art in the Netherlands and abroad. | ||
− | ==Issues== | + | ===Issues=== |
{| class="imgtable" | {| class="imgtable" | ||
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[http://www.ubu.com/historical/de-stijl/index.html UbuWeb] hosts the PDF issues of Volumes 1-3. | [http://www.ubu.com/historical/de-stijl/index.html UbuWeb] hosts the PDF issues of Volumes 1-3. | ||
− | + | * Reprint: 2 vols., Amsterdam: Athenaeum, Polak & Van Gennep, and The Hague: Bert Bakker, 1968. | |
− | * Reprint. Amsterdam | ||
* Hans Jaffé, ''De Stijl'', New York: Abrams, 1970. An extensive anthology of selections. | * Hans Jaffé, ''De Stijl'', New York: Abrams, 1970. An extensive anthology of selections. | ||
+ | |||
+ | ===Index=== | ||
+ | * in ''Form'', Dec 1967 and Mar 1968, Cambridge. | ||
+ | * F. Bach-Dandrieú, J. Sprenkels-ten Horn, ''Index op de stijl / Index of De Stijl'', Amsterdam, 1983. | ||
==Literature== | ==Literature== | ||
− | * ''[http://monoskop | + | * [[Media:The_Museum_of_Modern_Art_Bulletin_20_2_De_Stijl_1952-53.pdf|''The Museum of Modern Art Bulletin'' 20:2: "De Stijl"]], New York, Winter 1952-1953, 13 pp. {{en}} |
− | * Sascha Bru, "'The will to style': the Dutch contribution to the avant-garde : Leiden: De Stijl (1917-32), Mécano (1922-3), Amsterdam: Wendingen (1918-32), i10 (1927-9), Groningen: The Next Call (1923-6)'", in ''The Oxford Critical and Cultural History of Modernist Magazines. Volume III: Europe 1880-1940'', eds. Peter Brooker, Sascha Bru, Andrew Thacker, and Christian Weikop, Oxford University Press, 2013. | + | ** incl.: Alfred H. Barr Jr., [[Media:Barr_Jr_Alfred_H_1952-53_De_Stijl.pdf|"De Stijl"]], pp 6-13. Adapted from Barr's ''Cubism and Abstract Art'' (1936). {{en}} |
+ | * H.L.C. Jaffé, ''De Stijl, 1917–1931: The Dutch Contribution to Art'', Amsterdam, 1956; repr., London, 1986. {{en}} | ||
+ | * ''[http://libgen.rs/book/index.php?md5=78b240a3da9d8279055f83691d936d4b Nijhoff, Van Ostaijen, "De Stijl": Modernism in the Netherlands and Belgium in the First Quarter of the 20th Century]'', ed. & intro. Francis Bulhof, The Hague: Nijhoff, 1976, 136 pp. {{en}} | ||
+ | * ''De Stijl 1917–1931: Visions of Utopia'', ed. M. Friedman, Phaidon, 1982. Catalogue. {{en}} | ||
+ | * Yve-Alain Bois, ''De Stijl: un mouvement hollandais de peintres et d’architecture'', Paris: Centre national de documentation, 1982. {{fr}} | ||
+ | * ''[http://monoskop.org/log/?p=10329 Het Nieuwe Bouwen: De Stijl: Neo Plasticism in Architecture]'', eds. Cees Boekraad, Flip Bool and Herbert Henkels, intro. Cees Boekraad, Delft: Delft University Press, and The Hague: Haags Gemeentemuseum, 1983, 179 pp. {{en}}/{{nl}} | ||
+ | * Nancy J. Troy, ''The De Stijl Environment'', MIT Press, 1983. {{en}} | ||
+ | * Nancy J. Troy, [http://sci-hub.st/10.1080/00043079.1984.10788216 "Figures of the Dance in De Stijl"], ''The Art Bulletin'' 66:4 (1984), pp 645-656. {{en}} | ||
+ | * Y.A. Bois, et al, ''De Stijl à Paris et l’architecture en France'', Liège and Paris, 1985. {{fr}} | ||
+ | * ''De Stijl: The Formative Years'', ed. C. Blotkamp, Cambridge, 1986. {{en}} | ||
+ | * Serge Lemoine, ''Mondrian et De Stijl'', Paris: Hazan, 1987; 2010. {{fr}} | ||
+ | * ''Essays from ‘Het Bouwbedrijf’, 1924–1931'', ed. C. Boekraad, Boston, 1990. {{en}} | ||
+ | * P. Overy, ''De Stijl'', London, 1991. {{en}} | ||
+ | * Yves Bonnefoy, ''le Nuage rouge'', Paris: Mercure de France, 1992. {{fr}} | ||
+ | * Jonneke Jobse, ''De Stijl Continued: The Journal ''Structure'' (1958-1964). An Artists' Debate'', Rotterdam: 010 Publishers, 2005. [http://books.google.com/books?id=hA7-1pMzMXwC&printsec=frontcover] [http://www.nai010.com/en/component/zoo/item/de-stijl-continued] {{en}} | ||
+ | * ''De Stijl, 1917-1931'', eds. Frédéric Migayrou and Aurélien Lemonier, Paris: Centre Pompidou, 2010. Catalogue. {{fr}} | ||
+ | * Sascha Bru, "'The will to style': the Dutch contribution to the avant-garde : Leiden: De Stijl (1917-32), Mécano (1922-3), Amsterdam: Wendingen (1918-32), i10 (1927-9), Groningen: The Next Call (1923-6)'", in ''The Oxford Critical and Cultural History of Modernist Magazines. Volume III: Europe 1880-1940'', eds. Peter Brooker, Sascha Bru, Andrew Thacker, and Christian Weikop, Oxford University Press, 2013. {{en}} | ||
+ | * ''Organizatorzy życia De Stijl, polska awangarda i design'', eds. Paulina Kurc-Maj and Anna Saciuk-Gąsowska, Łódź: Muzeum Sztuki w Łodzi, 2017, 256 pp. Catalogue. [https://msl.org.pl/ms/ksiegarnia/organizatorzy-zycia-de-stijl--polska-awangarda-i-design,245.html] {{pl}} | ||
+ | ** ''Organizers of Life: De Stijl, The Polish Avant-Garde and Design'', Łódź: Muzeum Sztuki w Łodzi, 2017, 256 pp. [https://msl.org.pl/en/eventsms/publications/organizers-of-life---de-stijl--the-polish-avant-garde-and-design,2501.html] {{en}} | ||
+ | * ''[[Media:Mondrian_y_De_Stijl_MNCARS_2020.pdf|Mondrian y De Stijl]]'', Barcelona: Museo Reina Sofía, 2020, 207 pp. Catalogue. [https://www.museoreinasofia.es/exposiciones/mondrian-stijl Exhibition]. [https://www.museoreinasofia.es/publicaciones/mondrian-stijl Publisher]. {{es}} | ||
+ | ** ''[[Media:Mondrian_and_De_Stijl_MNCARS_2020.pdf|Mondrian and De Stijl]]'', Barcelona: Museo Reina Sofía, 2020, 207 pp. [https://www.museoreinasofia.es/en/exhibitions/mondrian-stijl Exhibition]. [https://www.museoreinasofia.es/en/publicaciones/mondrian-and-stijl Publisher]. {{en}} | ||
==See also== | ==See also== | ||
* [[Theo van Doesburg]] | * [[Theo van Doesburg]] | ||
* [[Piet Mondrian]] | * [[Piet Mondrian]] | ||
+ | * [[Chris Beekman]] | ||
==Links== | ==Links== | ||
− | * [http://www.dada-companion.com/journals/per_stijl.php De Stijl journal in Dada Companion] | + | * [http://mediation.centrepompidou.fr/education/ressources/ENS-mondrian/ENS-mondrian-en.html 2010 retrospective at Pompidou], Paris |
+ | * [http://web.archive.org/web/20190419232052/http://www.dada-companion.com/journals/per_stijl.php De Stijl journal in Dada Companion] | ||
+ | * [http://www.moma.org/collection_ge/details.php?theme_id=10199 De Stijl in ''Grove'' Dictionary] | ||
* http://www.pinterest.com/smelsslems/de-stijl/ | * http://www.pinterest.com/smelsslems/de-stijl/ | ||
* [http://en.wikipedia.org/wiki/De_Stijl De Stijl at Wikipedia] | * [http://en.wikipedia.org/wiki/De_Stijl De Stijl at Wikipedia] |
Latest revision as of 23:34, 27 January 2023
De Stijl [The Style] was a Dutch artistic movement founded in 1917 by the Dutch painter, designer, writer, and critic Theo van Doesburg. The group's principal members were the painters Piet Mondrian, Vilmos Huszár, and Bart van der Leck, and the architects Gerrit Rietveld, Robert van 't Hoff, and J. J. P. Oud. The artistic philosophy that formed a basis for the group's work is known as neoplasticism—the new plastic art (or Nieuwe Beelding in Dutch).
Journal[edit]
De Stijl: Maandblad voor de moderne beeldende vakken [en kultuur] is the name of a journal that was edited and published by Theo van Doesburg and served to propagate the group's theories. Originally a monthly, later published irregularly, De Stijl appeared in 90 issues between October 1917 and January 1932 in Delft (1917-18), Leiden (1918-21) and Meudon (France); not published in November-December 1920, January-February 1923, and 1929-1931. Though the journal never sold more than 300 copies, it had a strong influence on art in the Netherlands and abroad.
Issues[edit]
Digitale bibliotheek Nederlandse letteren hosts a HTML version of the 1968 reprint: Volumes 1-3 (1917-20) and Volume 4 through Dernier Numero (1921-32).
Iowa Digital Library and International Dada Archive have JPG and PDF pages of Volumes 1-3 and Number 4:11.
UbuWeb hosts the PDF issues of Volumes 1-3.
- Reprint: 2 vols., Amsterdam: Athenaeum, Polak & Van Gennep, and The Hague: Bert Bakker, 1968.
- Hans Jaffé, De Stijl, New York: Abrams, 1970. An extensive anthology of selections.
Index[edit]
- in Form, Dec 1967 and Mar 1968, Cambridge.
- F. Bach-Dandrieú, J. Sprenkels-ten Horn, Index op de stijl / Index of De Stijl, Amsterdam, 1983.
Literature[edit]
- The Museum of Modern Art Bulletin 20:2: "De Stijl", New York, Winter 1952-1953, 13 pp. (English)
- incl.: Alfred H. Barr Jr., "De Stijl", pp 6-13. Adapted from Barr's Cubism and Abstract Art (1936). (English)
- H.L.C. Jaffé, De Stijl, 1917–1931: The Dutch Contribution to Art, Amsterdam, 1956; repr., London, 1986. (English)
- Nijhoff, Van Ostaijen, "De Stijl": Modernism in the Netherlands and Belgium in the First Quarter of the 20th Century, ed. & intro. Francis Bulhof, The Hague: Nijhoff, 1976, 136 pp. (English)
- De Stijl 1917–1931: Visions of Utopia, ed. M. Friedman, Phaidon, 1982. Catalogue. (English)
- Yve-Alain Bois, De Stijl: un mouvement hollandais de peintres et d’architecture, Paris: Centre national de documentation, 1982. (French)
- Het Nieuwe Bouwen: De Stijl: Neo Plasticism in Architecture, eds. Cees Boekraad, Flip Bool and Herbert Henkels, intro. Cees Boekraad, Delft: Delft University Press, and The Hague: Haags Gemeentemuseum, 1983, 179 pp. (English)/(Dutch)
- Nancy J. Troy, The De Stijl Environment, MIT Press, 1983. (English)
- Nancy J. Troy, "Figures of the Dance in De Stijl", The Art Bulletin 66:4 (1984), pp 645-656. (English)
- Y.A. Bois, et al, De Stijl à Paris et l’architecture en France, Liège and Paris, 1985. (French)
- De Stijl: The Formative Years, ed. C. Blotkamp, Cambridge, 1986. (English)
- Serge Lemoine, Mondrian et De Stijl, Paris: Hazan, 1987; 2010. (French)
- Essays from ‘Het Bouwbedrijf’, 1924–1931, ed. C. Boekraad, Boston, 1990. (English)
- P. Overy, De Stijl, London, 1991. (English)
- Yves Bonnefoy, le Nuage rouge, Paris: Mercure de France, 1992. (French)
- Jonneke Jobse, De Stijl Continued: The Journal Structure (1958-1964). An Artists' Debate, Rotterdam: 010 Publishers, 2005. [1] [2] (English)
- De Stijl, 1917-1931, eds. Frédéric Migayrou and Aurélien Lemonier, Paris: Centre Pompidou, 2010. Catalogue. (French)
- Sascha Bru, "'The will to style': the Dutch contribution to the avant-garde : Leiden: De Stijl (1917-32), Mécano (1922-3), Amsterdam: Wendingen (1918-32), i10 (1927-9), Groningen: The Next Call (1923-6)'", in The Oxford Critical and Cultural History of Modernist Magazines. Volume III: Europe 1880-1940, eds. Peter Brooker, Sascha Bru, Andrew Thacker, and Christian Weikop, Oxford University Press, 2013. (English)
- Organizatorzy życia De Stijl, polska awangarda i design, eds. Paulina Kurc-Maj and Anna Saciuk-Gąsowska, Łódź: Muzeum Sztuki w Łodzi, 2017, 256 pp. Catalogue. [3] (Polish)
- Organizers of Life: De Stijl, The Polish Avant-Garde and Design, Łódź: Muzeum Sztuki w Łodzi, 2017, 256 pp. [4] (English)
- Mondrian y De Stijl, Barcelona: Museo Reina Sofía, 2020, 207 pp. Catalogue. Exhibition. Publisher. (Spanish)
- Mondrian and De Stijl, Barcelona: Museo Reina Sofía, 2020, 207 pp. Exhibition. Publisher. (English)
See also[edit]
Links[edit]
- 2010 retrospective at Pompidou, Paris
- De Stijl journal in Dada Companion
- De Stijl in Grove Dictionary
- http://www.pinterest.com/smelsslems/de-stijl/
- De Stijl at Wikipedia
Avant-garde and modernist magazines | ||
---|---|---|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). |
Full list | ||
---|---|---|
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). |