Difference between revisions of "Dušan Barok"
(13 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
− | '''Dušan Barok'''{{'}}s work is concerned with digital culture, memory and activism. He is founding editor of [[About Monoskop|Monoskop]], a | + | '''Dušan Barok'''{{'}}s work is concerned with digital culture, memory and activism. He is founding editor of [[About Monoskop|Monoskop]], a wiki for arts and studies, and has been involved in collectives such as [[3/4]], [[Burundi]], [[Multiplace]], [[La Société Anonyme]] and [[Society of Algorithm]]. (2024) |
{{TOC limit|3}} | {{TOC limit|3}} | ||
Line 9: | Line 9: | ||
Dušan Barok ist ein in [[Bratislava]] (Tschechoslowakei) geborener Künstler, Forscher und Organisator. Seine Arbeit beschäftigt sich mit digitaler Kultur, Gedächtnisforschung und Aktivismus. Er ist Gründungsherausgeber von Monoskop, einer Forschungsplattform für avantgardistische Medienstudien, die er 2004 als Teil des Burundi-Kollektivs initiierte. [https://reclaim.hypotheses.org/964 (2023)] | Dušan Barok ist ein in [[Bratislava]] (Tschechoslowakei) geborener Künstler, Forscher und Organisator. Seine Arbeit beschäftigt sich mit digitaler Kultur, Gedächtnisforschung und Aktivismus. Er ist Gründungsherausgeber von Monoskop, einer Forschungsplattform für avantgardistische Medienstudien, die er 2004 als Teil des Burundi-Kollektivs initiierte. [https://reclaim.hypotheses.org/964 (2023)] | ||
− | Dušan Barok se ve své práci zabývá digitální kulturou, paměťovými studii a aktivismem. Je redaktorem Monoskopu, výzkumné platformy pro umění a humanitní vědy. (2023) | + | Dušan Barok se ve své práci zabývá digitální kulturou, paměťovými studii a aktivismem. Je redaktorem Monoskopu, výzkumné platformy pro umění a humanitní vědy. [https://monoskop.org/images/1/13/Flashback_Hermit_1992-1999_2023.pdf#page=260 (2023)] |
Dušan Barok je nezávislý kultúrny pracovník. Stará sa o platformu pre umenie, kultúru a výskum monoskop.org a server Multiplace. [[Media:Varia_Interview_Kapital_2022.pdf|(2022)]] | Dušan Barok je nezávislý kultúrny pracovník. Stará sa o platformu pre umenie, kultúru a výskum monoskop.org a server Multiplace. [[Media:Varia_Interview_Kapital_2022.pdf|(2022)]] | ||
Line 37: | Line 37: | ||
* ''[[Exhibition Library]]'', with [[About_Monoskop|Monoskop]] and [[Kyung Yong Lim]], Seoul Museum of Art, 2018 | * ''[[Exhibition Library]]'', with [[About_Monoskop|Monoskop]] and [[Kyung Yong Lim]], Seoul Museum of Art, 2018 | ||
− | * ''[https://monoskop.org/reader/ Inverse Reader]'', anthology on shadow and artist libraries, [https://creatingcommons.zhdk.ch Creating Commons], [[panke.gallery]], 2019 | + | * ''[https://monoskop.org/reader/index.php Inverse Reader]'', anthology on shadow and artist libraries, [https://creatingcommons.zhdk.ch Creating Commons], [[panke.gallery]], 2019 |
* [https://artycok.tv/en/post/de-platformizace-etika-a-alternativy-socialnich-medii-en#00e5667d-45a9-4de5-9687-1966e0b17894 "Artist-Run Servers and Community Work"], talk, De-platform-ization symposium, [[Display]] and [[Artyčok]], 2020 | * [https://artycok.tv/en/post/de-platformizace-etika-a-alternativy-socialnich-medii-en#00e5667d-45a9-4de5-9687-1966e0b17894 "Artist-Run Servers and Community Work"], talk, De-platform-ization symposium, [[Display]] and [[Artyčok]], 2020 | ||
Line 45: | Line 45: | ||
* [https://monoskop.org/File:Varia_Interview_Kapital_2022.pdf "Komunitné siete a vlákna infraštruktúrneho feminizmu. Rozhovor s členmi kooperatívy Varia"], conversation with [[Varia]], ''Kapitál'', 2022 | * [https://monoskop.org/File:Varia_Interview_Kapital_2022.pdf "Komunitné siete a vlákna infraštruktúrneho feminizmu. Rozhovor s členmi kooperatívy Varia"], conversation with [[Varia]], ''Kapitál'', 2022 | ||
− | * [https://vasulkalivearchive.net/ Vasulka Live Archive], machine vision and learning catalogue of works by [[Steina and Woody Vasulka]], with [[Jana Horáková]], Pavel Sikora, Štěpán Miklánek, a.o., Masaryk University and Brno University of Technology, 2022, [https://ars.electronica.art/planetb/en/vasulka-live-archive-tool/] | + | * [https://vasulkalivearchive.net/ Vasulka Live Archive], machine vision and learning catalogue of works by [[Steina and Woody Vasulka]], with [[Jana Horáková]], Pavel Sikora, Štěpán Miklánek, a.o., Masaryk University and Brno University of Technology, 2022, [https://ars.electronica.art/planetb/en/vasulka-live-archive-tool/ Exhibition], [https://authors.elsevier.com/c/1jOVC4ckJF41L9 Paper] |
− | * [https://webarchive.multiplace.org/artdocweb/ Art Doc Web], artist websites archive prototype, with [[Anna Schäffler]], [[Peter Gonda]] a.o., [https://art-doc-archive.net/ Art Doc Archive], TU Berlin, 2023 | + | * [https://webarchive.multiplace.org/artdocweb/ Art Doc Web], artist websites archive prototype, with [[Anna Schäffler]], [[Peter Gonda]], Lukas Fuchsgruber a.o., [https://art-doc-archive.net/ Art Doc Archive], TU Berlin, 2023 |
− | * [https://webarchive.multiplace.org/artdocweb/about.html "For Artist and Community Web Archives"], article, 2023 | + | * [https://webarchive.multiplace.org/artdocweb/about.html "For Artist and Community Web Archives"], article, 2023, [https://zenodo.org/records/7886843] |
− | * [https://limits.pubpub.org/pub/6loh1eqi/release/1 "Permacomputing Aesthetics"], article, with [[Aymeric Mansoux]], [[Brendan Howell]] and [[Viznut|Ville-Matias Heikkilä (Viznut)]], Computing within Limits, 2023, [[Media:Mansoux Aymeric et al 2023 Permacomputing Aesthetics.pdf|PDF]], [https://post.lurk.org/@320x200/110537628317885414 Toot] | + | * [https://limits.pubpub.org/pub/6loh1eqi/release/1 "Permacomputing Aesthetics"], article, with [[Aymeric Mansoux]], [[Brendan Howell]] and [[Viznut|Ville-Matias Heikkilä (Viznut)]], Computing within Limits, 2023, [[Media:Mansoux Aymeric et al 2023 Permacomputing Aesthetics.pdf|PDF]], [[Permacomputing Aesthetics|wiki]], [https://post.lurk.org/@320x200/110537628317885414 Toot] |
+ | * [https://pages.sandpoints.org/sandpoints/ubu5050ubus-8daa49c3/reflection/variations/ "Variations on Preserving a Digital Archive of the Avant-Garde"], reflection, ''[https://pages.sandpoints.org/sandpoints/ubu5050ubus-8daa49c3/mirror/ubu/ Ubu@50 – 50 Ubus: Everything Is Temporary]'', MaMa - Multimedia Institute, 2024 | ||
+ | |||
+ | * [http://k.torpedobok.no/ Katalog for kunstnerisk publisering], digital catalogue for artist publishing in Norway, with Lotte Grønneberg, Karin Nygård, Elin Olaussen, Ellef Prestsæter, and Karen Christine Tandberg, Torpedo, 2024 | ||
</div> | </div> | ||
Line 59: | Line 62: | ||
<div class=twocol> | <div class=twocol> | ||
− | * Interviews and conversations with [http://web.archive.org/web/20120217163223/dusan.satori.sk/txt/artmachine.php Guy van Belle] (2005), [http://web.archive.org/web/20160527112437/memoir.okno.be/?id=893 jodi.org] (2006), [[Media:Barok_Dusan_2009_On_Participatory_Art_Interview_with_Claire_Bishop.pdf|Claire Bishop]] (on participatory art, A2, 2009), [[Talks/Michal_Murin/sk|Michal Murin]] (2012; [https://34.sk/archiv/text.php?text=3-231 3/4], 2012), [https://34.sk/archiv/text.php?text=3-229 Diana McCarty] (3/4, 2012), [https://34.sk/archiv/text.php?text=3-235 Rasa Smite and Raitis Smits] (on [[RIXC]], 3/4, 2012), [https://34.sk/archiv/text.php?text=3-233 Călin Man] (on [[Kinema Ikon]], 3/4, 2012), [http://database.unearthingthemusic.eu/Milan_Adamčiak_interviewed_by_Dušan_Barok | + | * Interviews and conversations with [http://web.archive.org/web/20120217163223/dusan.satori.sk/txt/artmachine.php Guy van Belle] (2005), [http://web.archive.org/web/20160527112437/memoir.okno.be/?id=893 jodi.org] (2006), [[Media:Barok_Dusan_2009_On_Participatory_Art_Interview_with_Claire_Bishop.pdf|Claire Bishop]] (on participatory art, A2, 2009), [[Talks/Michal_Murin/sk|Michal Murin]] (2012; [https://34.sk/archiv/text.php?text=3-231 3/4], 2012), [https://34.sk/archiv/text.php?text=3-229 Diana McCarty] (3/4, 2012), [https://34.sk/archiv/text.php?text=3-235 Rasa Smite and Raitis Smits] (on [[RIXC]], 3/4, 2012), [https://34.sk/archiv/text.php?text=3-233 Călin Man] (on [[Kinema Ikon]], 3/4, 2012), [https://monoskop.org/images/8/80/Hlavackova_Jitka_Vojtechovsky_Milos_eds_Zvuky_kody_obrazy_Sounds_Codes_Images_2021.pdf#page=83 Milan Adamčiak] (2012/[http://database.unearthingthemusic.eu/Milan_Adamčiak_interviewed_by_Dušan_Barok 2019]/2021), [[Media:Barok_Dusan_2021_The_Extensions_of_Many_20_Years_of_Bergen_Centre_for_Electronic_Arts.pdf|BEK]] (2021), [https://monoskop.org/File:Varia_Interview_Kapital_2022.pdf Varia] (2022) |
* [[The Extensions of Many]], seminars on media aesthetics, with [[BEK]], Hordaland kunstsenter, 2015 | * [[The Extensions of Many]], seminars on media aesthetics, with [[BEK]], Hordaland kunstsenter, 2015 | ||
Line 73: | Line 76: | ||
* [[Media:Barok Dusan 2023 Not for Sale Art Communities of the 1990s as a Possibility.pdf|"Not for Sale: Art Communities of the 1990s as a Possibility" / "Umělecká společenství devadesátých let jako možnost (alternativa)"]], essay in ''[https://www.muo.cz/archiv-hermit--4468/ Flashback: Hermit 1992–1999]'', Olomouc Museum of Art, 2023 | * [[Media:Barok Dusan 2023 Not for Sale Art Communities of the 1990s as a Possibility.pdf|"Not for Sale: Art Communities of the 1990s as a Possibility" / "Umělecká společenství devadesátých let jako možnost (alternativa)"]], essay in ''[https://www.muo.cz/archiv-hermit--4468/ Flashback: Hermit 1992–1999]'', Olomouc Museum of Art, 2023 | ||
− | * "Looking to the Future: Science, Technology, and Utopia", essay in ''[https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Multiple Realities: Experimental Art in the Eastern Bloc, 1960s-1980s]'', Walker Art Center, 2023 | + | * [[Media:Barok_Dusan 2023 Looking to the Future Science Technology and Utopia.pdf|"Looking to the Future: Science, Technology, and Utopia"]], essay in ''[https://walkerart.org/calendar/2023/multiple-realities-experimental-art-in-the-eastern-bloc-1960s-1980s Multiple Realities: Experimental Art in the Eastern Bloc, 1960s-1980s]'', Walker Art Center, 2023 |
</div> | </div> | ||
Line 98: | Line 101: | ||
* ''[https://newmediamuseumsproceedings.cead.space/ New Media Museums]'', research project and publication, with [[Jakub Frank]], Olomouc Museum of Art, 2022 | * ''[https://newmediamuseumsproceedings.cead.space/ New Media Museums]'', research project and publication, with [[Jakub Frank]], Olomouc Museum of Art, 2022 | ||
+ | |||
+ | * [https://link.springer.com/chapter/10.1007/978-3-031-42357-4_13 "Sharing Knowledge in Art Conservation: From Repository Building to Research Publishing"], book chapter in ''Conservation of Contemporary Art: Bridging the Gap Between Theory and Practice'', Springer, 2024 | ||
</div> | </div> | ||
Line 103: | Line 108: | ||
==Links== | ==Links== | ||
− | * [[Mastodon::https://post.lurk.org/@sandu | + | * [[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@sandu]] |
* [[Dušan Barok/2021|Older bio]] | * [[Dušan Barok/2021|Older bio]] | ||
Line 113: | Line 118: | ||
* db at societyofalgorithm dot org | * db at societyofalgorithm dot org | ||
− | [[Series:Community servers]] [[Series:Artists' publishing]] [[Series:Shadow libraries]] | + | [[Series:Art writers]] [[Series:Community servers]] [[Series:Artists' publishing]] [[Series:Shadow libraries]] |
{{DEFAULTSORT:Barok, Dusan}} | {{DEFAULTSORT:Barok, Dusan}} |
Revision as of 13:17, 10 July 2024
Dušan Barok's work is concerned with digital culture, memory and activism. He is founding editor of Monoskop, a wiki for arts and studies, and has been involved in collectives such as 3/4, Burundi, Multiplace, La Société Anonyme and Society of Algorithm. (2024)
Dušan Barok er en kunstner, forsker og organisator som arbeider med digital kultur, minne og aktivisme. Han er grunnlegger og redaktør for den kunstnerstyrten plattformen for avantgarde medievitenskap Monoskop. (2021)
Dušan Barok is een onderzoeker en kunstenaar. Hij is afgestudeerd in Networked Media aan het Piet Zwart Institute, redigeert Monoskop en is medebeheerder van de Multiplace / Sanchez-server. (2021)
Dušan Barok ist ein in Bratislava (Tschechoslowakei) geborener Künstler, Forscher und Organisator. Seine Arbeit beschäftigt sich mit digitaler Kultur, Gedächtnisforschung und Aktivismus. Er ist Gründungsherausgeber von Monoskop, einer Forschungsplattform für avantgardistische Medienstudien, die er 2004 als Teil des Burundi-Kollektivs initiierte. (2023)
Dušan Barok se ve své práci zabývá digitální kulturou, paměťovými studii a aktivismem. Je redaktorem Monoskopu, výzkumné platformy pro umění a humanitní vědy. (2023)
Dušan Barok je nezávislý kultúrny pracovník. Stará sa o platformu pre umenie, kultúru a výskum monoskop.org a server Multiplace. (2022)
Work, writing, collaboration
Community servers, shadow libraries, artist publishing, websites
- Multiplace/Sanchez, community server, with Peter Gonda, Multiplace, *2008
- Monoskop Log, digital library, with Tomáš Kovács, *2009
- Networked media, studies, Piet Zwart Institute, 2010-2012
- The SKOR Codex, La Société Anonyme, 2012
- "Poetics of Research", talk, Public Library, Württembergsicher Kunstverein (WKV) and Akademie Schloss Solitude, 2014
- Mundaneum symposium, with Barbora Šedivá, Paul Otlet Archive, 2015
- "Book of the Web", article, Mondothèque, Constant, 2016
- "Knižnice zväzkov siete", article, 2017
- Exhibition Library, with Monoskop and Kyung Yong Lim, Seoul Museum of Art, 2018
- Inverse Reader, anthology on shadow and artist libraries, Creating Commons, panke.gallery, 2019
- "Artist-Run Servers and Community Work", talk, De-platform-ization symposium, Display and Artyčok, 2020
- "Collection as a Network Volume" / "Die Sammlung als ein Netzwerkband", article, Networks of Care, nGbK, 2022
- "Komunitné siete a vlákna infraštruktúrneho feminizmu. Rozhovor s členmi kooperatívy Varia", conversation with Varia, Kapitál, 2022
- Vasulka Live Archive, machine vision and learning catalogue of works by Steina and Woody Vasulka, with Jana Horáková, Pavel Sikora, Štěpán Miklánek, a.o., Masaryk University and Brno University of Technology, 2022, Exhibition, Paper
- Art Doc Web, artist websites archive prototype, with Anna Schäffler, Peter Gonda, Lukas Fuchsgruber a.o., Art Doc Archive, TU Berlin, 2023
- "For Artist and Community Web Archives", article, 2023, [1]
- "Permacomputing Aesthetics", article, with Aymeric Mansoux, Brendan Howell and Ville-Matias Heikkilä (Viznut), Computing within Limits, 2023, PDF, wiki, Toot
- "Variations on Preserving a Digital Archive of the Avant-Garde", reflection, Ubu@50 – 50 Ubus: Everything Is Temporary, MaMa - Multimedia Institute, 2024
- Katalog for kunstnerisk publisering, digital catalogue for artist publishing in Norway, with Lotte Grønneberg, Karin Nygård, Elin Olaussen, Ellef Prestsæter, and Karen Christine Tandberg, Torpedo, 2024
Art, history, memory
- Interviews and conversations with Guy van Belle (2005), jodi.org (2006), Claire Bishop (on participatory art, A2, 2009), Michal Murin (2012; 3/4, 2012), Diana McCarty (3/4, 2012), Rasa Smite and Raitis Smits (on RIXC, 3/4, 2012), Călin Man (on Kinema Ikon, 3/4, 2012), Milan Adamčiak (2012/2019/2021), BEK (2021), Varia (2022)
- The Extensions of Many, seminars on media aesthetics, with BEK, Hordaland kunstsenter, 2015
- "Between Eastern Europe and Latin America", timeline of events, with Abigail Winograd, The Other Transatlantic: Kinetic and Op Art in Eastern Europe and Latin America, MoMA Warsaw, 2017
- "The Extensions of Many: 20+ Years of Bergen Centre for Electronic Arts" / "20+ år med Bergen senter for elektronisk kunst", essay, BEK, 2021
- "Demokratický priestor a demokratická avantgarda: umelecké spoločenstvá 90. rokov v stredoeurópskom priestore", essay, 2021
- We Have Never Been Closer / Nikdy sme neboli bližšie, exhibition project dedicated to the transformation period of the 1990s in central Europe, with Ivana Rumanová, tranzit.sk, 2021-2022
- "Not for Sale: Art Communities of the 1990s as a Possibility" / "Umělecká společenství devadesátých let jako možnost (alternativa)", essay in Flashback: Hermit 1992–1999, Olomouc Museum of Art, 2023
- "Looking to the Future: Science, Technology, and Utopia", essay in Multiple Realities: Experimental Art in the Eastern Bloc, 1960s-1980s, Walker Art Center, 2023
Museums, collection care, media conservation
- New Approaches in the Conservation of Contemporary Art (NACCA), researcher, 2016-2019; INCCA member
- "From Collection Management to Content Management in Art Documentation: The Conservator as an Editor", journal paper, with Julia Noordegraaf and Arjen P. de Vries, Studies in Conservation, 2019
- "Archiving Complex Digital Artworks", journal paper, with Sofia Boschat-Thorez, Annet Dekker, David Gauthier and Claudia Roeck, J Institute of Conservation 2019
- Naked on Pluto, preservation case study, with Sofia Boschat-Thorez and Aymeric Mansoux, LIMA, 2020
- "Publishing as a Strategy for Preserving Artistic Research", article, with Sofia Boschat-Thorez and Aymeric Mansoux, 2020
- "Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie", essay in Vasulka Kitchen Cooking Reader, 2020, (wiki)
- "Taktická kanonizácia a procesné uchovávanie", article, Flash Art CS, 2020
- Collecting and Preserving Research-based and Archive-based Art Projects, seminar series, with Aga Wielocha, David Smith, and Fabiola Rocco, M+ Museum Hong Kong, 2022
- New Media Museums, research project and publication, with Jakub Frank, Olomouc Museum of Art, 2022
- "Sharing Knowledge in Art Conservation: From Repository Building to Research Publishing", book chapter in Conservation of Contemporary Art: Bridging the Gap Between Theory and Practice, Springer, 2024
Links
- db at monoskop dot org
- db at societyofalgorithm dot org