Difference between revisions of "Media archaeology"

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* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
 
* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999.
  
* Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', Stanford University Press, 1999, 282 pp. [http://monoskop.org/log/?p=4662]
+
* Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/a1a4a1e1-d7e6-45a6-8bfc-04f8db113941 Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era]'', Stanford University Press, 1999, 282 pp, [http://monoskop.org/log/?p=4662 Log].
  
 
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}}
 
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}}
Line 97: Line 97:
 
* Stephen Graham, Simon Marvin (eds.), ''[http://libgen.rs/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001.
 
* Stephen Graham, Simon Marvin (eds.), ''[http://libgen.rs/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001.
  
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. {{de}} [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review].
+
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kadmos, 2002. [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review]. {{de}}
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
 
** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011.  
  
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2].
+
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', London: Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2].
  
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.
+
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. {{de}}
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html]
 
 
 
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002.
 
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
 
** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009.
  
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 Contents], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}}
+
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 TOC], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}}
 
** ''[http://monoskop.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006.  
 
** ''[http://monoskop.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006.  
  
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003.
+
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre'', Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
 +
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. [http://www.naipublishers.nl/art/techniekkunst_e.html] {{nl}}
 +
 
 +
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://library.memoryoftheworld.org/#/book/4f7ced75-d45b-494f-95a9-48a06388df87 ''New Media, 1740-1915''], MIT Press, 2003, 271 pp, [http://monoskop.org/log/?p=2027 Log].
  
 
* Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}}
 
* Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}}
  
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004.
+
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004, 347 pp.
  
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
 
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html]
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* Erich Hörl, ''Die heiligen Kanäle. Über die archaische Illusion der Kommunikation'', Zürich and Berlin: diaphanes, 2005. {{de}}
 
* Erich Hörl, ''Die heiligen Kanäle. Über die archaische Illusion der Kommunikation'', Zürich and Berlin: diaphanes, 2005. {{de}}
** ''[https://1lib.eu/book/5286295/1c0604 Sacred Channels: The Archaic Illusion of Communication]'', pref. Jean-Luc Nancy, trans. Nils F. Schott, Amsterdam: Amsterdam University Press (Recursions), 2018, 342 pp, [https://aaaaarg.fail/thing/5c6da63b9ff37c36c1622bd0 ARG]. [https://www.aup.nl/en/book/9789089647702/sacred-channels Publisher]. [https://www.jstor.org/stable/j.ctvcj3048]  
+
** ''[https://1lib.sk/book/5286295/1c0604 Sacred Channels: The Archaic Illusion of Communication]'', pref. Jean-Luc Nancy, trans. Nils F. Schott, Amsterdam: Amsterdam University Press (Recursions), 2018, 342 pp, [https://aaaaarg.fail/thing/5c6da63b9ff37c36c1622bd0 ARG]. [https://www.aup.nl/en/book/9789089647702/sacred-channels Publisher]. [https://www.jstor.org/stable/j.ctvcj3048]  
  
 
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''[https://aaaaarg.fail/thing/606ebd059ff37c4eec2e81e5 Variantology: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2005.
 
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''[https://aaaaarg.fail/thing/606ebd059ff37c4eec2e81e5 Variantology: On Deep Time Relations Of Arts, Sciences and Technologies]'', Cologne: Verlag der Buchhandlung König, 2005.
  
* Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006. [http://sterneworks.org/OutwiththeTrash.pdf Chapter 2].
+
* Charles R. Acland (ed.), ''Residual Media'', Minneapolis, MN: University of Minnesota Press, 2006. [https://sterneworks.org/OutwiththeTrash.pdf Chapter 2].
  
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm]
+
* Laurent Mannoni, Werner Nekes, Marina Warner, ''Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection'', ACMI, 2006. [http://www.acmi.net.au/89BA7F8025E14704AD1C48ED2697CD14.htm Publisher].
  
* Pierre Levie, ''Montreurs et Vues d' Optique'', Editions Sofidoc, 2006. {{fr}}
+
* Pierre Levie, ''Montreurs et Vues d' Optique'', Sofidoc, 2006. {{fr}}
  
* Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', University of Minnesota Press, 2006.
+
* Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', Minneapolis, MN: University of Minnesota Press, 2006.
  
* Lisa Gitelman, [http://monoskop.org/log/?p=669 ''Always Already New: Media, History, and the Data of Culture''], MIT Press, 2006.
+
* Lisa Gitelman, ''[http://library.memoryoftheworld.org/#/book/5edeffae-c343-4e07-8e08-271791feb9dc Always Already New: Media, History, and the Data of Culture]'', MIT Press, 2006, xiii+205 pp, [http://monoskop.org/log/?p=669 Log]. [https://mitpress.mit.edu/books/always-already-new Publisher].
  
 
* Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}}
 
* Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}}
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* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
 
* James Lyons, John Plunkett, ''Multimedia Histories: From Magic Lanterns to Internet'', University of Exeter Press, 2007. [http://www.exeterpress.co.uk/en/Book/447/Multimedia_Histories.html]
 +
 
*{{a|Kluitenberg2006}}Eric Kluitenberg (ed.), ''[https://monoskop.org/log/?p=22226 Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium]'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.  
 
*{{a|Kluitenberg2006}}Eric Kluitenberg (ed.), ''[https://monoskop.org/log/?p=22226 Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium]'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.  
 
** ''Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [http://web.archive.org/web/20091221194654/http://www.naipublishers.nl/kunst/ima_media_nl.html] {{nl}}
 
** ''Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium'', Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [http://web.archive.org/web/20091221194654/http://www.naipublishers.nl/kunst/ima_media_nl.html] {{nl}}
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* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007.
 
* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007.
  
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://1lib.eu/book/5282322/f0e5d3 Variantology 3: On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere]'', Cologne: Verlag der Buchhandlung König, 2008, [http://libgen.rs/book/index.php?md5=DA188EE3926BB74E899490E9DE6C9177 PDF], [https://aaaaarg.fail/thing/606ebca09ff37c4eec2e81e2 ARG].  
+
* Siegfried Zielinski, Eckhard Fürus (eds.), ''[https://1lib.sk/book/5282322/f0e5d3 Variantology 3: On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere]'', Cologne: Verlag der Buchhandlung König, 2008, [http://libgen.rs/book/index.php?md5=DA188EE3926BB74E899490E9DE6C9177 PDF], [https://aaaaarg.fail/thing/606ebca09ff37c4eec2e81e2 ARG].  
  
 
* Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. [http://www.blickmaschinen.de/katalog.php?id=31] {{de}}
 
* Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. [http://www.blickmaschinen.de/katalog.php?id=31] {{de}}
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* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] {{sw}}
 
* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] {{sw}}
  
* Alexandra Hui, ''[http://libgen.rs/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', The MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0]
+
* Alexandra Hui, ''[http://libgen.rs/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0 Publisher].
  
 
* Jussi Parikka, ''[http://libgen.rs/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012.
 
* Jussi Parikka, ''[http://libgen.rs/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012.
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* Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. [https://scholarlypress.si.edu/store/museum-studies-art/material-culture-electronic-sound/ Publisher].
 
* Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. [https://scholarlypress.si.edu/store/museum-studies-art/material-culture-electronic-sound/ Publisher].
  
* Erkki Huhtamo, ''[https://1lib.eu/book/2635815/d04af7 Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press (Leonardo), 2013, 464 pp. [http://mitpress.mit.edu/books/illusions-motion Publisher].
+
* Erkki Huhtamo, ''[https://1lib.sk/book/2635815/d04af7 Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press (Leonardo), 2013, 464 pp. [http://mitpress.mit.edu/books/illusions-motion Publisher].
  
 
* Karla Jasso, ''[http://monoskop.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}}
 
* Karla Jasso, ''[http://monoskop.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}}
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* Wolfgang Ernst, ''[http://library.memoryoftheworld.org/#/book/63e3203b-a063-4198-a07a-3ea719b68115 Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity]'', forew. Liam Cole Young, Amsterdam: Amsterdam University Press (Recursions), 2016, 160 pp. [https://www.aup.nl/en/book/9789089649492/sonic-time-machines Publisher]. Reviews: [http://www.theoryculturesociety.org/review-wolgang-ernsts-sonic-time-machines-stephen-cornford/ Cornford] (TCS), [https://www.leonardo.info/review/2016/11/review-of-sonic-time-machines-explicit-sound-sirenic-voices-and-implicit-sonicity Harle] (Leonardo).  
 
* Wolfgang Ernst, ''[http://library.memoryoftheworld.org/#/book/63e3203b-a063-4198-a07a-3ea719b68115 Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity]'', forew. Liam Cole Young, Amsterdam: Amsterdam University Press (Recursions), 2016, 160 pp. [https://www.aup.nl/en/book/9789089649492/sonic-time-machines Publisher]. Reviews: [http://www.theoryculturesociety.org/review-wolgang-ernsts-sonic-time-machines-stephen-cornford/ Cornford] (TCS), [https://www.leonardo.info/review/2016/11/review-of-sonic-time-machines-explicit-sound-sirenic-voices-and-implicit-sonicity Harle] (Leonardo).  
  
* Thomas Elsaesser, ''[https://1lib.eu/book/5420084/e72529 Film History as Media Archaeology: Tracking Digital Cinema]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2016, 414 pp. Collected essays. [http://www.tandfonline.com/doi/full/10.1080/17400309.2016.1146858 Epilogue]. [https://www.aup.nl/en/book/9789462980570/film-history-as-media-archaeology Publisher].
+
* Thomas Elsaesser, ''[https://1lib.sk/book/5420084/e72529 Film History as Media Archaeology: Tracking Digital Cinema]'', Amsterdam: Amsterdam University Press (Film Culture in Transition), 2016, 414 pp. Collected essays. [http://www.tandfonline.com/doi/full/10.1080/17400309.2016.1146858 Epilogue]. [https://www.aup.nl/en/book/9789462980570/film-history-as-media-archaeology Publisher].
  
 
* Roger Whitson, ''Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories'', Routledge, 2016, 244 pp. [https://www.routledge.com/Steampunk-and-Nineteenth-Century-Digital-Humanities-Literary-Retrofuturisms/Whitson/p/book/9781138859500 Publisher].
 
* Roger Whitson, ''Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories'', Routledge, 2016, 244 pp. [https://www.routledge.com/Steampunk-and-Nineteenth-Century-Digital-Humanities-Literary-Retrofuturisms/Whitson/p/book/9781138859500 Publisher].
  
* Liam Cole Young ''[https://1lib.eu/book/5931815/3d94f7 List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed]'', Amsterdam: Amsterdam University Press (Recursions), 2017, 196 pp. [https://www.aup.nl/en/book/9789462981102/list-cultures Publisher].
+
* Liam Cole Young ''[https://1lib.sk/book/5931815/3d94f7 List Cultures: Knowledge and Poetics from Mesopotamia to BuzzFeed]'', Amsterdam: Amsterdam University Press (Recursions), 2017, 196 pp. [https://www.aup.nl/en/book/9789462981102/list-cultures Publisher].
  
 
* Thor Magnusson, ''[https://monoskop.org/log/?p=21494 Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions]'', New York: Bloomsbury Academic, 2019, xiv+290 pp.
 
* Thor Magnusson, ''[https://monoskop.org/log/?p=21494 Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions]'', New York: Bloomsbury Academic, 2019, xiv+290 pp.
Line 244: Line 245:
 
* Siegfried Zielinski, ''[https://monoskop.org/log/?p=21823 Variations on Media Thinking]'', University of Minnesota Press (Posthumanities), 2019, xxv+426 pp. Selected essays.
 
* Siegfried Zielinski, ''[https://monoskop.org/log/?p=21823 Variations on Media Thinking]'', University of Minnesota Press (Posthumanities), 2019, xxv+426 pp. Selected essays.
  
* Ben Roberts, Mark Goodall (eds.), ''[https://1lib.eu/book/11448816/97ef67 New Media Archaeologies]'', Amsterdam: Amsterdam University Press (Recursions), 2019, 238 pp. [https://www.aup.nl/en/book/9789462982161/new-media-archaeologies Publisher].
+
* Ben Roberts, Mark Goodall (eds.), ''[https://1lib.sk/book/11448816/97ef67 New Media Archaeologies]'', Amsterdam: Amsterdam University Press (Recursions), 2019, 238 pp. [https://www.aup.nl/en/book/9789462982161/new-media-archaeologies Publisher].
 +
 
 +
* Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), ''Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin'', Berlin: Eeclectic, 2019. [https://eeclectic.de/produkt/never-mind-the-nineties/ Publisher]. {{de}}
  
* Doron Galili, ''[https://1lib.eu/book/6127767/dc957b Seeing by Electricity: The Emergence of Television, 1878-1939]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2020, 264 pp. [https://www.dukeupress.edu/seeing-by-electricity Publisher].
+
* Doron Galili, ''[https://1lib.sk/book/6127767/dc957b Seeing by Electricity: The Emergence of Television, 1878-1939]'', Durham, NC: Duke University Press (Sign, Storage, Transmission), 2020, 264 pp. [https://www.dukeupress.edu/seeing-by-electricity Publisher].
  
 
* Bernhard Rieder, ''[[Media:Rieder_Bernhard_Engines_of_Order_A_Mechanology_of_Algorithmic_Techniques_2020.pdf|Engines of Order: A Mechanology of Algorithmic Techniques]]'', Amsterdam: Amsterdam University Press (Recursions), 2020, 353 pp. [https://library.oapen.org/handle/20.500.12657/39371 OAPEN]. [https://www.aup.nl/en/book/9789462986190/engines-of-order Publisher].
 
* Bernhard Rieder, ''[[Media:Rieder_Bernhard_Engines_of_Order_A_Mechanology_of_Algorithmic_Techniques_2020.pdf|Engines of Order: A Mechanology of Algorithmic Techniques]]'', Amsterdam: Amsterdam University Press (Recursions), 2020, 353 pp. [https://library.oapen.org/handle/20.500.12657/39371 OAPEN]. [https://www.aup.nl/en/book/9789462986190/engines-of-order Publisher].
  
* Jane Birkin, ''[https://1lib.eu/book/11341529/85a4e7 Archive, Photography and the Language of Administration]'', Amsterdam: Amsterdam University Press (Recursions), 2021, 218 pp. [https://www.aup.nl/en/book/9789463729642/archive-photography-and-the-language-of-administration Publisher].
+
* Jane Birkin, ''[https://1lib.sk/book/11341529/85a4e7 Archive, Photography and the Language of Administration]'', Amsterdam: Amsterdam University Press (Recursions), 2021, 218 pp. [https://www.aup.nl/en/book/9789463729642/archive-photography-and-the-language-of-administration Publisher].
  
 
* Jacob Gaboury, ''Image Objects: An Archaeology of Computer Graphics'', MIT Press, 2021, 312 pp. [https://mitpress.mit.edu/books/image-objects Publisher].
 
* Jacob Gaboury, ''Image Objects: An Archaeology of Computer Graphics'', MIT Press, 2021, 312 pp. [https://mitpress.mit.edu/books/image-objects Publisher].

Latest revision as of 10:29, 13 April 2021

Institutes[edit]

Educational programs[edit]

Courses

Events[edit]

Artists, Theorists[edit]

Bibliography[edit]

Monographs[edit]

Friedrich Kittler, Discourse Networks 1800 / 1900, [1985] 1990, PDF.
Friedrich Kittler, Gramophone Film Typewriter, [1986] 1999, PDF.
Siegfried Zielinski, Audiovisions: Cinema and Television as Entr’actes in History, [1989] 1999, PDF.
Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, 1999, PDF.
Cornelia Vismann, Files: Law and Media Technology, [2000] 2008, Log.
Lisa Gitelman, Geoffrey B. Pingree (eds.): New Media, 1740-1915, 2003, PDF.
Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, 2011, Log.
  • Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
  • Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer (eds.), Materialität der Kommunikation, Frankfurt am Main: Suhrkamp, 1988. TOC. (German)
  • Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (German)
  • Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989, 153 pp. (German)
  • Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
  • Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
  • Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
  • Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (German)
  • Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, London: Verso, 2002. Chapter 1, Chapter 2.
  • P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers (Fascinations), 2003, 111 pp.
    • Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. [3] (Dutch)
  • Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [4] [5]
  • Charles R. Acland (ed.), Residual Media, Minneapolis, MN: University of Minnesota Press, 2006. Chapter 2.
  • Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. Publisher.
  • Pierre Levie, Montreurs et Vues d' Optique, Sofidoc, 2006. (French)
  • Timothy C. Campbell, Wireless Writing in the Age of Marconi, Minneapolis, MN: University of Minnesota Press, 2006.
  • James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [7]
  • Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 296 pp. With DVD.
    • Boek van de imaginaire Media: over de droom van het ultieme communicatiemedium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2006, 320 pp. [8] (Dutch)
    • Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. Preview. [9] (Latvian)
  • Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [10]
  • José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
  • Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. [11] (German)
  • Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [12]
  • Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [13]
  • Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. [14] (German)/(English)
  • Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
  • Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
  • Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
  • Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. [15] (French)
  • Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [20] [21]
  • Paul DeMarinis, Buried in Noise, eds. Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth, Heidelberg: Kehrer, 2010, 280 pp. Publisher. (English)/(German)
  • Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, Berkeley, CA: University of California Press, 2011, x+356 pp.
    • Mei jie kao gu xue: fang fa.lu jing yu yi han [媒介考古学: 方法.路径与意涵], Shanghai: Fu dan da xue chu ban she, 2018, 342 pp. (Chinese)
  • Jussi Parikka, What is Media Archaeology?, Polity, 2012.
    • Medya Arkeolojisi Nedir?, trans. Ebru Kılıç, ed. Ferit Burak Aydar, Istanbul: Koç Üniversitesi, 2017, 264 pp. Publisher. (Turkish)
    • Qu'est-ce que l'archéologie des médias?, pref. Emmanuel Guez, trans. Christophe Degoutin, Grenoble: UGA Editions, 2018, 323 pp. Publisher. Review: Sevin (Lectures). (French)
    • Archeologia dei media: nuove prospettive per la storia e la teoria della comunicazione, pref. Ruggero Eugeni, postf. Simone Venturini, Rome: Carocci, 2019, 282 pp. (Italian)
  • Shintaro Miyazaki, Algorhythmisiert: eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Berlin: Kadmos (Berliner Programm einer Medienwissenschaft), 2013, 281 pp. Introduction. Publisher. [23] (German)
  • Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press (Artefacts), 2013, 312 pp. Publisher.
  • Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham, NC: Duke University Press (Sign, Storage, Transmission), 2014, 210 pp.
    • Zhi zhi shi: Guan yu wen dang de mei jie li shi [纸知识 : 关于文档的媒介历史], trans. Yun Wang, Shanghai: Fu dan da xue chu ban she you xian gong si, 2020, 194 pp. (Chinese)
  • Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), Återkopplingar, Lund University, 2014, 416 pp. (Swedish)
  • Roger Whitson, Steampunk and Nineteenth-Century Digital Humanities: Literary Retrofuturisms, Media Archaeologies, Alternate Histories, Routledge, 2016, 244 pp. Publisher.
  • Moritz Hiller, Stefan Höltgen (eds.), Archäographien. Aspekte einer radikalen Medienarchäologie. Festschrift für Wolfgang Ernst, Basel: Schwabe, 2019, 354 pp. TOC & Foreword. (German),(English)
  • Knut Ebeling, Annette Maechtel, Heimo Lattner (eds.), Never Mind the Nineties: eine Medienarchäologie des Kunststandorts Berlin, Berlin: Eeclectic, 2019. Publisher. (German)
  • Jacob Gaboury, Image Objects: An Archaeology of Computer Graphics, MIT Press, 2021, 312 pp. Publisher.

Journal issues and Special sections[edit]

Book chapters, Papers, Articles[edit]

Theses[edit]

Primary references[edit]

Research, Resources[edit]

See also[edit]


Humanities

Fields and theories: Classics, Art history, History of architecture, Anthropology, Semiotics, Philosophy of technology, Marxist aesthetics, Design research, Humanities computing, Structuralism, Poststructuralism, Mediology, Media archaeology, Cyberfeminism, Cultural techniques, Neuroaesthetics, Posthumanities, Sensory ethnography, Media ecology, Digital humanities, Software studies, Modern periodical studies, Accelerationism.
Concepts: Faktura, Ostranenie, Biomechanics, Commons, Postmedia, Evil media.
Related theories: Systems theory, Information theory, Cybernetics.
Writers.