Difference between revisions of "Women in concrete poetry"

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(Created page with "Women in concrete, visual, and sound poetry. ==Gallery== <gallery> Bentivoglio Mirella 1971 Lassente positivo negativo segno figura.jpg|Mirella Bentivoglio, ''L’(assente),...")
 
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Bentivoglio Mirella 1971 Lassente positivo negativo segno figura.jpg|Mirella Bentivoglio, ''L’(assente), positivo/negativo, segno/figura'' [The Absent One, Positive/Negative, Sign/Figure], 1971. Serigraph on paper, 62.55 x 48.26 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=26 (Source)].
 
Bentivoglio Mirella 1971 Lassente positivo negativo segno figura.jpg|Mirella Bentivoglio, ''L’(assente), positivo/negativo, segno/figura'' [The Absent One, Positive/Negative, Sign/Figure], 1971. Serigraph on paper, 62.55 x 48.26 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=26 (Source)].
 
Bentivoglio Mirella 1973 E congiunzione.jpg|Mirella Bentivoglio, ''E = congiunzione'' [And = Conjunction], 1973. Serigraph on paper, 20.96 x 29.85 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=9 (Source)].
 
Bentivoglio Mirella 1973 E congiunzione.jpg|Mirella Bentivoglio, ''E = congiunzione'' [And = Conjunction], 1973. Serigraph on paper, 20.96 x 29.85 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=9 (Source)].
 +
de Charmoy Cozette The Colossal Lie 1974.jpg|Cover of Cozette de Charmoy's collage novel ''The Colossal Lie'' (Collection OU 4), 1974.
 
Bentivoglio Mirella 1979 Io.jpg|Mirella Bentivoglio, ''Io'' [Me], 1979. Photo­mech­anical print on paper, 60 x 40 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=32 (Source)].
 
Bentivoglio Mirella 1979 Io.jpg|Mirella Bentivoglio, ''Io'' [Me], 1979. Photo­mech­anical print on paper, 60 x 40 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=32 (Source)].
 
Bentivoglio Mirella 1980 Moduli a E.jpg|Mirella Bentivoglio, ''Moduli a E'' [E Combinations], 1980. Ink on paper drawings after 1977 wooden constructions, 29.53 x 20.96 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=11 (Source)].
 
Bentivoglio Mirella 1980 Moduli a E.jpg|Mirella Bentivoglio, ''Moduli a E'' [E Combinations], 1980. Ink on paper drawings after 1977 wooden constructions, 29.53 x 20.96 cm. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=11 (Source)].
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''See also [https://www.are.na/sarah-hamerman/women-in-concrete-poetry Women in Concrete Poetry] channel on Are.na.''
 
''See also [https://www.are.na/sarah-hamerman/women-in-concrete-poetry Women in Concrete Poetry] channel on Are.na.''
 +
 +
[[Image:Greenham_Lily_International_Language_Experiments_of_the_50_60ies_1970.jpg|thumb|200px|Lily Greenham, ''[[Media:Greenham Lily International Language Experiments of the 50 60ies 1970.m4a|International Language Experiments of the 50/60ies]]'', 1970.]]
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==Sound recordings==
 +
* Anastasia Bitzos, ''Konkrete Poesie, Sound Poetry, Artikulationen'', 1966, vinyl LP; 2004, CD. A selected documentation of the performance organized by Anastasia Bitzos on 26 May 1966 in the Kunsthalle Bern, Switzerland: "Konkrete Poesie, in Tonband, Lichtbild und Lesung". The production of the performance, the selection and the compiling of the record made by Anastasia Bitzos. Compositions by Bremer, Jandl, Gomringer, Mon, de Campos, Greenham, Bense, De Vree, Döhl, Geissbühler. [https://discogs.com/release/2215434 Discogs].
 +
* Katalin Ladik, ''Ballada az ezüstbicikliről (1962-1968)'', Novi Sad: Forum Könyvkiadó, 1969. [http://www.zetna.org/zek/konyvek/73/ballada.html Texts].
 +
* Lily Greenham, ''[[Media:Greenham Lily International Language Experiments of the 50 60ies 1970.m4a|Internationale Sprachexperimente der 50/60er jahre / International Language Experiments of the 50/60ies: Tendentious Neo-Semantics 1970 in English]]'', Frankfurt am Main: Hoffmann, 1970, vinyl LP. Lily Greenham reading poems by Peter Greenham, Jandl, Mills, Morgan, Cobbing, Gamier, Bense, de Campos, Braga, Pignateri, Rühm, Arias-Misson, Heissenbüttel, Molero, Sanmark, Steen, and her own poetry. [https://discogs.com/release/7745613 Discogs].
 +
* Katalin Ladik, ''[[Media:Ladik Katalin 1976 Phonopoetica.webm|Phonopoetica (Phonetic Interpretations of Visual Poetry)]]'', Belgrade: Galerija studentskog kulturnog centra, 1976, 7" vinyl. [https://books.google.com/books?id=29f_DQAAQBAJ&pg=PT528]
 +
* Lily Greenham, ''Lingual Music'', Paradigm Discs, 2007, 2xCD. Works from 1968-1974. [https://discogs.com/release/1355529 Discogs].
  
 
==Poets, artists, collectives==
 
==Poets, artists, collectives==
 
<gallery>
 
<gallery>
−
Bentivoglio Mirella 1970s Io.jpg|''Io'' [Me], [[Mirella Bentivoglio]] in the 1970s. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=23 (Source)].
+
Bentivoglio Mirella 1970s Io.jpg|''Io'' [Me], [[Mirella Bentivoglio]] in the 1970s. [https://monoskop.org/images/f/f1/Mirella_Bentivoglio_Pages_Selected_Works_1966-2012_2015_excerpt.pdf#page=23 Source].
 +
Katalin_Ladik_1973.jpg|[[Katalin Ladik]] giving a sound poetry performance at the Chapel Gallery in Balatonboglár, Hungary, July 1973. Photo: György Galántai. [http://www.artpool.hu/boglar/1973/730729e_e.html Source].
 +
Cozette de Charmoy 1975.jpg|Cozette de Charmoy, 1975. Photo: Rodney Grey. [https://monoskop.org/images/d/d0/Chopin_Henri_Poesie_sonore_internationale_1979.pdf#page=242 Source].
 +
Michele Metail 1976.jpg|[[Michèle Métail]], 1976. Photo: Françoise Janicot. [https://monoskop.org/images/d/d0/Chopin_Henri_Poesie_sonore_internationale_1979.pdf#page=253 Source].
 
Irma Blank Milan 1977.jpg|[[Irma Blank]] photographed in her studio, Milan, 1977, in front of Law I and Law II, 1975, ink on parchment-like paper. Photograph: Maria Mulas. [https://frieze.com/article/i-am-here-i-am Source].
 
Irma Blank Milan 1977.jpg|[[Irma Blank]] photographed in her studio, Milan, 1977, in front of Law I and Law II, 1975, ink on parchment-like paper. Photograph: Maria Mulas. [https://frieze.com/article/i-am-here-i-am Source].
 
</gallery>
 
</gallery>
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===Solo exhibitions===
 
===Solo exhibitions===
 
* ''Mirella Bentivoglio: Pages: Selected Works, 1966-2012'', ed. & intro. Frances K. Pohl, Claremont, CA: Pomona College Museum of Art, 2015, 152 pp, [[Media:Mirella Bentivoglio Pages Selected Works 1966-2012 2015 excerpt.pdf|Excerpt (pp 57-90)]]. This book is the first museum publication in English on Italian artist Mirella Bentivoglio (born 1922). It includes critical essays by art historians Frances K. Pohl, Leslie Cozzi and Franca Zoccoli, interviews with Bentivoglio and John David O'Brien, and a biographical note by Rosaria Abate, plus a bibliography. The book highlights work from the recent exhibition at the Pomona College Museum of Art, which surveyed nearly 50 years of the artist's work as an internationally renowned member of the Concrete and visual poetry movements. Including works in paper, stone, metal, wood, cloth, plastic and Plexiglass and with numerous previously unpublished images, it reveals the ways in which Bentivoglio engaged with many of the most significant formal and theoretical issues of postwar art--for example, the relationship between image and text, the impact of mass media and consumer culture, feminist critiques of patriarchy and artistic interventions in public spaces. Exhibition: Pomona College Museum of Art, Claremont, USA (20.01-17.05.2015). [https://content-object.com/Pages-Mirella-Bentivoglio] {{en}}
 
* ''Mirella Bentivoglio: Pages: Selected Works, 1966-2012'', ed. & intro. Frances K. Pohl, Claremont, CA: Pomona College Museum of Art, 2015, 152 pp, [[Media:Mirella Bentivoglio Pages Selected Works 1966-2012 2015 excerpt.pdf|Excerpt (pp 57-90)]]. This book is the first museum publication in English on Italian artist Mirella Bentivoglio (born 1922). It includes critical essays by art historians Frances K. Pohl, Leslie Cozzi and Franca Zoccoli, interviews with Bentivoglio and John David O'Brien, and a biographical note by Rosaria Abate, plus a bibliography. The book highlights work from the recent exhibition at the Pomona College Museum of Art, which surveyed nearly 50 years of the artist's work as an internationally renowned member of the Concrete and visual poetry movements. Including works in paper, stone, metal, wood, cloth, plastic and Plexiglass and with numerous previously unpublished images, it reveals the ways in which Bentivoglio engaged with many of the most significant formal and theoretical issues of postwar art--for example, the relationship between image and text, the impact of mass media and consumer culture, feminist critiques of patriarchy and artistic interventions in public spaces. Exhibition: Pomona College Museum of Art, Claremont, USA (20.01-17.05.2015). [https://content-object.com/Pages-Mirella-Bentivoglio] {{en}}
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* ''[[Media:Cozette de Charmoy Podroze wyobrazni 1987.pdf|Cozette de Charmoy: Podróże wyobraźni]]'', eds. Urszula Czartoryska and Jaromir Jedlinski, Lodz: Muzeum sztuki, 1987, [16] pp. {{pl}}
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==Writings, statements==
 +
* Lily Greenham, [https://monoskop.org/images/1/1d/Kontextsound_Stedelijk_1977.pdf#page=22 "Lingual Music"], in ''Kontextsound'', ed. Michael Gibbs, Amsterdam: Kontexts Publications, 1977, p 22.
  
 
==Reception, art historical studies, theory==
 
==Reception, art historical studies, theory==

Revision as of 17:47, 15 December 2018

Women in concrete, visual, and sound poetry.

Gallery

  • Mirella Bentivoglio, L’(assente), positivo/negativo, segno/figura [The Absent One, Positive/Negative, Sign/Figure], 1971. Serigraph on paper, 62.55 x 48.26 cm. (Source).

  • Mirella Bentivoglio, E = congiunzione [And = Conjunction], 1973. Serigraph on paper, 20.96 x 29.85 cm. (Source).

  • Cover of Cozette de Charmoy's collage novel The Colossal Lie (Collection OU 4), 1974.

  • Mirella Bentivoglio, Io [Me], 1979. Photo­mech­anical print on paper, 60 x 40 cm. (Source).

  • Mirella Bentivoglio, Moduli a E [E Combinations], 1980. Ink on paper drawings after 1977 wooden constructions, 29.53 x 20.96 cm. (Source).

  • Irma Blank, Radical Writings, Rosa geatmet, rosa gechrieben [Pink Breathed, Pink Scripted], 1987. Acrylic on canvas (diptych), 2 × 2.4 m. Photograph: C. Favero. (Source).

  • Irma Blank, Osmotic Drawings D-7, 1996. Acrylic on paper, 23 × 30 cm. Photograph: C. Favero. (Source).

See also Women in Concrete Poetry channel on Are.na.

Lily Greenham, International Language Experiments of the 50/60ies, 1970.

Sound recordings

  • Anastasia Bitzos, Konkrete Poesie, Sound Poetry, Artikulationen, 1966, vinyl LP; 2004, CD. A selected documentation of the performance organized by Anastasia Bitzos on 26 May 1966 in the Kunsthalle Bern, Switzerland: "Konkrete Poesie, in Tonband, Lichtbild und Lesung". The production of the performance, the selection and the compiling of the record made by Anastasia Bitzos. Compositions by Bremer, Jandl, Gomringer, Mon, de Campos, Greenham, Bense, De Vree, Döhl, Geissbühler. Discogs.
  • Katalin Ladik, Ballada az ezüstbicikliről (1962-1968), Novi Sad: Forum Könyvkiadó, 1969. Texts.
  • Lily Greenham, Internationale Sprachexperimente der 50/60er jahre / International Language Experiments of the 50/60ies: Tendentious Neo-Semantics 1970 in English, Frankfurt am Main: Hoffmann, 1970, vinyl LP. Lily Greenham reading poems by Peter Greenham, Jandl, Mills, Morgan, Cobbing, Gamier, Bense, de Campos, Braga, Pignateri, Rühm, Arias-Misson, Heissenbüttel, Molero, Sanmark, Steen, and her own poetry. Discogs.
  • Katalin Ladik, Phonopoetica (Phonetic Interpretations of Visual Poetry), Belgrade: Galerija studentskog kulturnog centra, 1976, 7" vinyl. [1]
  • Lily Greenham, Lingual Music, Paradigm Discs, 2007, 2xCD. Works from 1968-1974. Discogs.

Poets, artists, collectives

  • Io [Me], Mirella Bentivoglio in the 1970s. Source.

  • Katalin Ladik giving a sound poetry performance at the Chapel Gallery in Balatonboglár, Hungary, July 1973. Photo: György Galántai. Source.

  • Cozette de Charmoy, 1975. Photo: Rodney Grey. Source.

  • Michèle Métail, 1976. Photo: Françoise Janicot. Source.

  • Irma Blank photographed in her studio, Milan, 1977, in front of Law I and Law II, 1975, ink on parchment-like paper. Photograph: Maria Mulas. Source.

Catalogues

Group exhibitions

  • Materializzazione del linguaggio, ed. Mirella Bentivoglio, Biennale di Venezia 1978-Arti visive e architettura, 1978, 55 pp. Catalogue for exh. held 20 Sep-15 Oct 1978. Text by Mirella Bentivoglio, biographies of the exhibiting artists including Sonia Delaunay, Natalia Goncharova, Irma Blank, Mirella Bentivoglio, Lia Dreai, Chiara Diamantini, Elisabetta Gut, Ketty La Rocca, Lucia Marcucci, Simona Weller, Carla Vasio, Giulia Niccolai, Paola Levi Montalcini, Maria Lai, Tomaso Binga. [2] {{it}

Solo exhibitions

  • Mirella Bentivoglio: Pages: Selected Works, 1966-2012, ed. & intro. Frances K. Pohl, Claremont, CA: Pomona College Museum of Art, 2015, 152 pp, Excerpt (pp 57-90). This book is the first museum publication in English on Italian artist Mirella Bentivoglio (born 1922). It includes critical essays by art historians Frances K. Pohl, Leslie Cozzi and Franca Zoccoli, interviews with Bentivoglio and John David O'Brien, and a biographical note by Rosaria Abate, plus a bibliography. The book highlights work from the recent exhibition at the Pomona College Museum of Art, which surveyed nearly 50 years of the artist's work as an internationally renowned member of the Concrete and visual poetry movements. Including works in paper, stone, metal, wood, cloth, plastic and Plexiglass and with numerous previously unpublished images, it reveals the ways in which Bentivoglio engaged with many of the most significant formal and theoretical issues of postwar art--for example, the relationship between image and text, the impact of mass media and consumer culture, feminist critiques of patriarchy and artistic interventions in public spaces. Exhibition: Pomona College Museum of Art, Claremont, USA (20.01-17.05.2015). [3] (English)
  • Cozette de Charmoy: Podróże wyobraźni, eds. Urszula Czartoryska and Jaromir Jedlinski, Lodz: Muzeum sztuki, 1987, [16] pp. (Polish)

Writings, statements

  • Lily Greenham, "Lingual Music", in Kontextsound, ed. Michael Gibbs, Amsterdam: Kontexts Publications, 1977, p 22.

Reception, art historical studies, theory

See also

Concrete poetry, Sound poetry


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