Difference between revisions of "ReD"
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− | + | '''ReD''' (měsíčník pro moderní kulturu / Revue internationale illustrée de l’activité contemporaine / Internationale Monatsschrift für moderne Gestaltung) was an art magazine published by members of the Czech avant-garde art collective [[Devětsil]], edited and designed by [[Karel Teige]]. | |
− | * http://brbl-dl.library.yale.edu/vufind/Author?author=Devětsil | + | |
+ | Thirty numbers were published, with the special issues on the Russian avant-garde, Bauhaus, and photography/film/typography. | ||
+ | |||
+ | Several manifestos appeared in the journal: [[Toyen]] and [[Jindřich Štyrský]]’s [[Media:Toyen_Styrsky_1927_Artificielisme_manifesto.pdf|"Artificielisme"]] (1:1, 1927), Karel Teige’s second [[Media:Teige_Karel_1928_Manifest_Poetismu.pdf|Poetism manifesto]] [Manifest Poetismu] (1:9, 1928), and [[Levá fronta]] [Left Front]‘s [[Media:Leva_fronta_1929_Founding_manifesto.pdf|founding manifesto]] (3:2, 1929). | ||
+ | |||
+ | ==Issues== | ||
+ | ; Volumes | ||
+ | {| class="imgtable" | ||
+ | | | ||
+ | [[Image:ReD_I_1927-1928.jpg|thumb|185px|''ReD'' I, 1927-28, 10 issues, 360 pages. [[Media:ReD_I_1927-1928.pdf|Download]].]] | ||
+ | | | ||
+ | [[Image:ReD_II_1928-1929.jpg|thumb|185px|''ReD'' II, 1928-29, 10 issues, 324 pages. [[Media:ReD_II_1928-1929.pdf|Download]].]] | ||
+ | | | ||
+ | [[Image:ReD_III_1929-1931.jpg|thumb|185px|''ReD'' III, 1929-31, 10 issues, 315 pages. [[Media:ReD_III_1929-1931.pdf|Download]].]] | ||
+ | |} | ||
+ | |||
+ | ; Selected issues | ||
+ | {| class="imgtable" | ||
+ | | | ||
+ | [[Image:ReD_I-2_Nov_1927.jpg|thumb|185px|''ReD'' 1:2 (November 1927): The Russian issue. [[Media:ReD_I-2_Nov_1927_The_Russian_Issue.pdf|Download]].]] | ||
+ | | | ||
+ | [[Image:ReD_II-8_Apr_1929.jpg|thumb|185px|''ReD'' 2:8 (April 1929): "Foto Film Typo". [[Media:ReD_II-8_April_1929_Foto_Film_Typo.pdf|Download]].]] | ||
+ | | | ||
+ | [[Image:ReD_III-5_Feb_1930.jpg|thumb|185px|''ReD'' 3:5 (February 1930): The Bauhaus issue. [[Media:ReD_III-5_Feb_1930_The_Bauhaus_Issue.pdf|Download]].]] | ||
+ | |} | ||
+ | |||
+ | The above PDFs are sourced from [http://digitalgallery.nypl.org/nypldigital/dgtitle_tree.cfm?title_id=1058761&level=1&imgs=20&snum=120 NYPL Digital Library] (as of 1/2016 not available anymore). | ||
+ | |||
+ | ==Literature== | ||
+ | * Aurèle Letricot, [http://www.academia.edu/1062857/ "ReD, signal rouge de l'avant-garde tchèque"], ''Revue des Revues'' 19 (1995). {{fr}} | ||
+ | * Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075] | ||
+ | |||
+ | ==See also== | ||
+ | * [[Devětsil]] | ||
+ | * [[Czech Republic#Avant-garde]] | ||
+ | |||
+ | ==Links== | ||
+ | * [http://brbl-dl.library.yale.edu/vufind/Author?author=Devětsil Selected covers of ReD in Beinecke Rare Book & Manuscript Library] | ||
+ | |||
+ | |||
+ | {{Avant-garde journals}} |
Latest revision as of 19:18, 18 October 2016
ReD (měsíčník pro moderní kulturu / Revue internationale illustrée de l’activité contemporaine / Internationale Monatsschrift für moderne Gestaltung) was an art magazine published by members of the Czech avant-garde art collective Devětsil, edited and designed by Karel Teige.
Thirty numbers were published, with the special issues on the Russian avant-garde, Bauhaus, and photography/film/typography.
Several manifestos appeared in the journal: Toyen and Jindřich Štyrský’s "Artificielisme" (1:1, 1927), Karel Teige’s second Poetism manifesto [Manifest Poetismu] (1:9, 1928), and Levá fronta [Left Front]‘s founding manifesto (3:2, 1929).
Contents
Issues[edit]
- Volumes
- Selected issues
The above PDFs are sourced from NYPL Digital Library (as of 1/2016 not available anymore).
Literature[edit]
- Aurèle Letricot, "ReD, signal rouge de l'avant-garde tchèque", Revue des Revues 19 (1995). (French)
- Nicholas Sawicki, "The View From Prague: Moderní revue (1894-1925); Volné směry (1896-1949); Umělecký měsíčník (1911-14); Revoluční sborník Devětsil (1922); Život (1922); Disk (1923-5); Pásmo (1924-6); and ReD (1927-31)", in The Oxford Critical and Cultural History of Modernist Magazines, Volume III, Europe 1880-1940, eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [1] [2]
See also[edit]
Links[edit]
Avant-garde and modernist magazines | ||
---|---|---|
Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38). |
Full list | ||
---|---|---|
Entretiens politiques et littéraires (1890-93), Moderní revue (1894-1925), Volné směry (1897-1948), Mir iskusstva (1898-1904), Vesy (1904-09), Poesia (1905-09, 1920), Zolotoe runo (1906-10), The Mask (1908-29), Apollon (1909-17), Ukraïnska khata (1909-14), Der Sturm (1910-32), Thalia (1910-13), Rhythm (1911-13), Trudy i dni (1912), Simbolul (1912), The Glebe (1913-14), Ocharovannyi strannik (1913-16), Revolution (1913), Blast (1914-15), The Little Review (1914-29), Futuristy (1914), Zeit-Echo (1914-17), The Egoist (1914-19), L'Élan (1915-16), 291 (1915-16), Orpheu (1915), La Balza futurista (1915), MA (1916-25), SIC (1916-19), flamman (1916-21), The Blindman (1917), Nord-Sud (1917-18), De Stijl (1917-20, 1921-32), Dada (1917-21), Klingen (1917-20, 1942), Noi (1917-25), 391 (1917-24), Modernisme et compréhension (1917), Anarkhiia (1917-18), Iskusstvo kommuny (1918-19), Formiści (1919-21), S4N (1919-25), La Cité (1919-35), Aujourd'hui (1919), Exlex (1919-20), L'Esprit nouveau (1920-25), Orfeus (1920-21), Action (1920-22), Proverbe (1920-22), Ça ira (1920-23), Zenit (1921-26), Kinofon (1921-22), Het Overzicht (1921-25), Jednodńuwka futurystuw (1921), Nowa sztuka (1921-22), Broom (1921-24), Život (1921-48), Creación (1921-24), Jar-Ptitza (1921-26), New York Dada (1921), Aventure (1921-22), Spolokhi (1921-23), Gargoyle (1921-22), Veshch/Gegenstand/Objet (1922), Kino-fot (1922-23), Le Coeur à barbe (1922), Die Form (1922, 1925-35), 7 Arts (1922-28), Manomètre (1922-28), Ultra (1922), Út (1922-25), Dada-Jok (1922), Dada Tank (1922), Dada Jazz (1922), Mécano (1922-23), Contimporanul (1922-32), Zwrotnica (1922-23, 1926-27), Secession (1922-24), Stavba (1922-38), Gostinitsa dlya puteshestvuyuschih v prekrasnom (1922-24), Putevi (1922-24), Klaxon (1922-23), Akasztott Ember (1922-23), MSS (1922-23), Perevoz Dada (1922-49), Egység (1922-24), L'Architecture vivante (1923-33), Merz (1923-32), LEF (1923-25), G (1923-26), The Next Call (1923-26), Russkoye iskusstvo (1923), Disk (1923-25), Irradiador (1923), Surréalisme (1924), Almanach Nowej Sztuki (1924-25), La Révolution surréaliste (1924-29), Blok (1924-26), Pásmo (1924-26), DAV (1924-37), Bulletin de l'Effort moderne (1924-27), ABC (1924-28), CAP (1924-28), Athena (1924-25), Punct (1924-25), 75HP (1924), Le Tour de Babel (1925), Periszkop (1925-26), Integral (1925-28), Praesens (1926, 1930), Sovremennaya architektura (1926-30), bauhaus (1926-31), Das neue Frankfurt (1926-31), L'Art cinématographique (1926-31), Dokumentum (1926-27), Kritisk Revy (1926-28), Novyi LEF (1927-29), i 10 (1927-29), Nova generatsiia (1927-30), ReD (1927-31), Dźwignia (1927-28), Tank (1927-28), Close Up (1927-33), Horizont (1927-32), transition (1927-38), Discontinuité (1928), Munka (1928-39), Quosego (1928-29), Urmuz (1928), Unu (1928-32), Revista de Antropofagia (1928-29), 50 u Evropi (1928-29), Documents (1929-30), L'Art Contemporain - Sztuka Współczesna (1929-30), Adam (1929-40), Art concret (1930), Zvěrokruh (1930), Alge (1930-31), Le Surréalisme au service de la révolution (1930-33), Levá fronta (1930-33), Kvart (1930-37, 1945-49), Nová Bratislava (1931-32), Linja (1931-33), Spektrum (1931-33), Nadrealizam danas i ovde (1931-32), Ulise (1932-33), Die neue Stadt (1932-33), Mouvement (1933), PLAN (1933-36), Karavan (1934-35), Ekran (1934), Axis (1935-37), Acéphale (1936-39), Telehor (1936), aka (1937-38), Plastique (1937-39), Plus (1938-39), Les Réverbères (1938-39). |