Difference between revisions of "Latvia"
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==Predecessors== | ==Predecessors== | ||
* 1910, Modernist tendencies (combining Neo-Primitivism and Expressionism with Symbolism and Post-Impressionism) following the exhibitions in Riga of the new Latvian Society for the Encouragement of the Arts, the Izdebsky International Salon, the St Petersburg group the [[Union of Youth]] and [[Voldemārs Zeltin]] (1879–1909). [[Vladimir Markov]], the principal spokesman for the Union of Youth (1910–14), publishes articles defending the group’s artistic experiments, organizes its early exhibitions and travels to Western Europe to establish links with the German and French avant-garde. His articles on the principles of the new art and his advocacy of a subjective approach through altered states of consciousness influence Kazimir Malevich, Filonov, Rozanova and Larionov. | * 1910, Modernist tendencies (combining Neo-Primitivism and Expressionism with Symbolism and Post-Impressionism) following the exhibitions in Riga of the new Latvian Society for the Encouragement of the Arts, the Izdebsky International Salon, the St Petersburg group the [[Union of Youth]] and [[Voldemārs Zeltin]] (1879–1909). [[Vladimir Markov]], the principal spokesman for the Union of Youth (1910–14), publishes articles defending the group’s artistic experiments, organizes its early exhibitions and travels to Western Europe to establish links with the German and French avant-garde. His articles on the principles of the new art and his advocacy of a subjective approach through altered states of consciousness influence Kazimir Malevich, Filonov, Rozanova and Larionov. | ||
+ | * [[Jēkabs Kazaks]] introduces African-influenced geometric and stereometric forms in 1916. | ||
{{Countries}} | {{Countries}} |
Revision as of 19:13, 22 August 2011
Cities
Predecessors
- 1910, Modernist tendencies (combining Neo-Primitivism and Expressionism with Symbolism and Post-Impressionism) following the exhibitions in Riga of the new Latvian Society for the Encouragement of the Arts, the Izdebsky International Salon, the St Petersburg group the Union of Youth and Voldemārs Zeltin (1879–1909). Vladimir Markov, the principal spokesman for the Union of Youth (1910–14), publishes articles defending the group’s artistic experiments, organizes its early exhibitions and travels to Western Europe to establish links with the German and French avant-garde. His articles on the principles of the new art and his advocacy of a subjective approach through altered states of consciousness influence Kazimir Malevich, Filonov, Rozanova and Larionov.
- Jēkabs Kazaks introduces African-influenced geometric and stereometric forms in 1916.
Countries avant-garde, modernism, experimental art, media culture, social practice |
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Albania, Argentina, Armenia, Australia, Austria, Azerbaijan, Belarus, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Central and Eastern Europe, Chile, China, Croatia, Cyprus, Czech Republic, Denmark, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Hungary, Iceland, India, Indonesia, Iran, Ireland, Italy, Japan, Kazakhstan, Kosova, Latvia, Lebanon, Lithuania, Luxembourg, Malta, Mexico, Moldova, Montenegro, Morocco, Netherlands, North Macedonia, Norway, Pakistan, Peru, Poland, Portugal, Romania, Russia, Serbia, Spain, Slovenia, Slovakia, South Korea, Sweden, Switzerland, Turkey, Ukraine, United Kingdom, United States |