Difference between revisions of "Computer music"
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* ''Musicology and the Computer'', ed. Barry S. Brook, New York, 1970. | * ''Musicology and the Computer'', ed. Barry S. Brook, New York, 1970. | ||
* ''The Computer and Music'', ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL]. | * ''The Computer and Music'', ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL]. | ||
| + | * Georgina Born, ''[https://monoskop.org/log/?p=21877 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde]'', University of California Press, 1995, xvi+390 pp. | ||
* [https://en.wikipedia.org/wiki/Computer_music#Further_reading more] | * [https://en.wikipedia.org/wiki/Computer_music#Further_reading more] | ||
Revision as of 14:54, 16 December 2019
Pages
Literature
- Elektronische Datenverarbeitung in der Musikwissenschaft, ed. Harald Heckmann, Regensburg, 1967. (German)
- Computer Applications in Music, ed. Gerald Lefkoff, Morgantown, WV, 1967.
- Musicology and the Computer, ed. Barry S. Brook, New York, 1970.
- The Computer and Music, ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, OL.
- Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde, University of California Press, 1995, xvi+390 pp.
- more
See also
Electroacoustic music, Sound art
| Sound and Music communities of practice |
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Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About. | ||
