Difference between revisions of "Computer music"
Jump to navigation
Jump to search
(Created page with "==Pages== <div class="dpl" style="-moz-column-count:3; -webkit-column-count:3; column-count:3;"> <DynamicPageList> category = Computer music ordermethod =...") |
|||
(4 intermediate revisions by the same user not shown) | |||
Line 7: | Line 7: | ||
</DynamicPageList> | </DynamicPageList> | ||
</div> | </div> | ||
+ | |||
+ | ==Literature== | ||
+ | * ''Elektronische Datenverarbeitung in der Musikwissenschaft'', ed. Harald Heckmann, Regensburg, 1967. {{de}} | ||
+ | * ''Computer Applications in Music'', ed. Gerald Lefkoff, Morgantown, WV, 1967. | ||
+ | * ''[[Media:von Foerster Heinz Beauchamp James W eds_Music_by_Computer 1969.pdf|Music by Computer]]'', eds. Heinz von Foerster and James W. Beauchamp, John Wiley & Sons, 1969, 139 pp. | ||
+ | * ''Musicology and the Computer'', ed. Barry S. Brook, New York, 1970. | ||
+ | * ''The Computer and Music'', ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL]. | ||
+ | * Georgina Born, ''[https://monoskop.org/log/?p=21877 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde]'', University of California Press, 1995, xvi+390 pp. | ||
+ | * [https://en.wikipedia.org/wiki/Computer_music#Further_reading more] | ||
==See also== | ==See also== | ||
Line 12: | Line 21: | ||
− | {{ | + | {{Sound and Music}} |
__NOTOC__ | __NOTOC__ |
Revision as of 16:22, 16 December 2019
Pages
Literature
- Elektronische Datenverarbeitung in der Musikwissenschaft, ed. Harald Heckmann, Regensburg, 1967. (German)
- Computer Applications in Music, ed. Gerald Lefkoff, Morgantown, WV, 1967.
- Music by Computer, eds. Heinz von Foerster and James W. Beauchamp, John Wiley & Sons, 1969, 139 pp.
- Musicology and the Computer, ed. Barry S. Brook, New York, 1970.
- The Computer and Music, ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, OL.
- Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde, University of California Press, 1995, xvi+390 pp.
- more
See also
Electroacoustic music, Sound art
Sound and Music communities of practice |
||
---|---|---|
Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About. |