Difference between revisions of "Computer music"

Revision as of 16:22, 16 December 2019

Elektronische Datenverarbeitung in der Musikwissenschaft, ed. Harald Heckmann, Regensburg, 1967. (German)
Computer Applications in Music, ed. Gerald Lefkoff, Morgantown, WV, 1967.
Music by Computer, eds. Heinz von Foerster and James W. Beauchamp, John Wiley & Sons, 1969, 139 pp.
Musicology and the Computer, ed. Barry S. Brook, New York, 1970.
The Computer and Music, ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, OL.
Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde, University of California Press, 1995, xvi+390 pp.
more

	Sound and Music communities of practice
Music magazines, Radio art, Pirate radio, Community radio, Electroacoustic music, Computer music, Sound art, Field recording, Noise, Cassette culture, Max/MSP, Pure Data, SuperCollider, Net radio, Live coding, Writers. Art and culture, Contents, Index, About.

@@ Line 11: / Line 11: @@
 * ''Elektronische Datenverarbeitung in der Musikwissenschaft'', ed. Harald Heckmann, Regensburg, 1967. {{de}}
 * ''Computer Applications in Music'', ed. Gerald Lefkoff, Morgantown, WV, 1967.
+* ''[[Media:von Foerster Heinz Beauchamp James W eds_Music_by_Computer 1969.pdf|Music by Computer]]'', eds. Heinz von Foerster and James W. Beauchamp, John Wiley & Sons, 1969, 139 pp.
 * ''Musicology and the Computer'', ed. Barry S. Brook, New York, 1970.
 * ''The Computer and Music'', ed. Harry B. Lincoln, Ithaca: Cornell University Press, 1970, xvi+354 pp, [https://archive.org/details/computermusic00linc OL].
+* Georgina Born, ''[https://monoskop.org/log/?p=21877 Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde]'', University of California Press, 1995, xvi+390 pp.
 * [https://en.wikipedia.org/wiki/Computer_music#Further_reading more]