Difference between revisions of "Ljubljana"
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'''Media''': [[Maska]] publishing (*1999), [[Informator]] (*2000). | '''Media''': [[Maska]] publishing (*1999), [[Informator]] (*2000). | ||
− | '''Art workers''': [[Aleš Vaupotič]], [[Barbara Borcic]], [[Borut Savski]], [[Gorazd Krnc]] (1973), [[Marina Grzinic]], [[Marko Batista]], [[Marko Peljhan]], [[Michael Benson]], [[Narvika Bovcon]], [[Nataša Petrešin-Bachelez]] (1976), [[Tilen Žbona]] (1976), [[Vanja Mervič]], [[Vuk Ćosić]] (1966). | + | '''Art workers''': [[Aleš Vaupotič]], [[Barbara Borcic]], [[Borut Savski]], [[Gorazd Krnc]] (1973), [[Marina Grzinic]], [[Marko Batista]], [[Marko Peljhan]], [[Michael Benson]], [[Narvika Bovcon]], [[Nataša Petrešin-Bachelez]] (1976), [[Tilen Žbona]] (1976), [[Tjaša Pureber]], [[Vanja Mervič]], [[Vuk Ćosić]] (1966). |
{{Cities}} | {{Cities}} |
Revision as of 12:08, 11 August 2011
Initiatives: kiberpipa, Ljudmila digital media lab, ArtNetLab Society for Connecting Art and Science (*2000), Radical Education Collective, Maska (*1999).
Festivals: Earzoom (*2009), City of Women (*1995), Haip (*2004), IFCA (*1995), Red Dawns (*2000).
Past festivals: hEXPO (2000), Crossing Over video mini-festival (1999).
Past events: This Is All Film! Experimental Film in Yugoslavia 1951-1991 exhibition (2010-11), Beauty and the East Nettime conference (1997).
Spaces: KUD Mreža (*1995), Ljudmila (*1994), Metelkova, Škuc Gallery (*1978).
Media: Maska publishing (*1999), Informator (*2000).
Art workers: Aleš Vaupotič, Barbara Borcic, Borut Savski, Gorazd Krnc (1973), Marina Grzinic, Marko Batista, Marko Peljhan, Michael Benson, Narvika Bovcon, Nataša Petrešin-Bachelez (1976), Tilen Žbona (1976), Tjaša Pureber, Vanja Mervič, Vuk Ćosić (1966).
Cities alternative base |
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Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb |