Difference between revisions of "Monoskop"

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<div style="float: right; clear: right; margin: 5px;"><shtml keyname="admin" hash="a7f6175f333520c08178b8d86f6449a6fc53fd53bb80d7393e6ba5fd124c34f4"><a class="twitter-timeline" data-lang="en" data-width="258" data-height="700" data-link-color="#2B7BB9" href="https://twitter.com/monoskop?ref_src=twsrc%5Etfw">Tweets by monoskop</a> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script></shtml>
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Welcome to [[About Monoskop|Monoskop]], a wiki for the arts, media and humanities.   
 
Welcome to [[About Monoskop|Monoskop]], a wiki for the arts, media and humanities.   
  
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==Recent entries==
 
==Recent entries==
{| class="imgtable"
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<gallery mode=packed heights=210px style="font-size:110%; font-weight:bold;">
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Ono_Yoko_Grapefruit_1964.jpg|link=Artists publishing|[[Artists publishing|Artists' publishing]]
[[Image:Buren_Mosset_Parmentier_Toroni_1967_Photo-souvenir_Manifestation_3.jpg|thumb|link=Art|250px|[[Art|Guide to 350 styles and movements in modern and contemporary art worldwide]] ]]
 
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[[Image:IOK2015_3.1_Fuller_Haacke_Shapolsky.jpg|thumb|link=Ideographies_of_Knowledge|250px|[[Ideographies_of_Knowledge|Videos from Monoskop's permutative symposium on the poetics of archiving and organization of knowledge]] ]]
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Sa_Neide_1968_Transparencia.jpg|link=Women_in_concrete_poetry|[[Women in concrete poetry|Women in concrete, visual and sound poetry]]
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[[Image:Sa_Neide_1968_Transparencia.jpg|thumb|link=Women_in_concrete_poetry|250px|[[Women in concrete poetry|Women in concrete, visual and sound poetry]] ]]
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The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene]]
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[[Image:Ukeles_Mierle_Laderman_1977-1980_Touch_Sanitation.jpg|thumb|link=Performance_art|250px|[[Performance art|Extensive resource on performance art]] ]]
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Buren_Mosset_Parmentier_Toroni_1967_Photo-souvenir_Manifestation_3.jpg|link=Art|[[Art|Modern and contemporary art]]  
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[[Image:0100101110101101.org_Epidemic_2001_Biennale_py.jpg|thumb|link=Software_art|250px|[[Software art]] and [[Software studies]] ]]
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Ukeles_Mierle_Laderman_1977-1980_Touch_Sanitation_.jpg|link=Performance_art|[[Performance art]]
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[[Image:Trisha_Brown_Accumulation_1971_1979.jpg|thumb|link=Trisha_Brown|250px|[[Trisha Brown|Trisha Brown (1936-2017), dancer and choreographer, one of the founders of postmodern dance movement]] ]]
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Deeer.png|link=https://monoskop.org/log|[https://monoskop.org/log Monoskop Log]
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[[Image:Gustav_Metzger_The_Southbank_Demonstration_London_1961.jpg|thumb|link=Metzger|250px|[[Metzger|Work, manifestos and bibliography of artist and activist Gustav Metzger (1926-2017)]] ]]
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Dusan_Barok_and_Monoskop_2018_Exhibition_Library_at_Mediacity_Biennale_Seoul_1_small.jpg|link=Exhibition Library|[[Exhibition Library]]
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[[Image:Kircher_Athanasius_Arpa_eolica.jpg|thumb|link=Sound_art|250px|[[Sound art|Panorama of writings on sound art]] ]]
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Bibliotecha.jpg|link=Digital_libraries|[[Digital libraries]]
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[[Image:Russolo_intonorumori_1913.jpg|thumb|link=Noise|250px|[[Noise|Writings on noise]] ]]
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MA_8_1_15_Oct_1922_back_cover.jpg|link=Magazines|[[Magazines|Avant-garde and modernist magazines]]
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[[Image:Second_Spring_Exhibition_of_OBMOKhU_Moscow_May-June_1921.jpg|thumb|link=Constructivism|250px|[[Constructivism|Russian and East-Central European constructivism]] ]]
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Hinton_et_al_2006_p_7.jpg|link=Neural_aesthetics|[[Neural aesthetics]]
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[[Image:Lissitzky_El_1924_Proun_99.jpg|thumb|link=Lissitzky|250px|[[Lissitzky|El Lissitzky (1890-1941), avant-garde artist, designer, photographer, typographer and architect]] ]]
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IOK2015_3.1_Fuller_Haacke_Shapolsky.jpg|link=Ideographies_of_Knowledge|[[Ideographies of Knowledge]]  
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[[Image:Punin_Nikolay_Pamyatnik_III_internatsionala.jpg|thumb|link=Russia#Avant-garde|250px|[[Russia#Avant-garde|Extensive collection of writings of and on Russian avant-garde]] ]]
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0100101110101101.org_Epidemic_2001_Biennale_py.jpg|link=Software_art|[[Software art]] and [[Software studies]]
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[[Image:Picasso_Pablo_1913_Photographic_composition_with_Construction_with_Guitar_Player_and_Violin_grayscaled.jpg|thumb|link=Cubism|250px|[[Cubism|Resource on Cubism, focusing on the movement in France, Czechoslovakia (Czech Cubism and Cubo-Expressionism) and Russia (Cubo-Futurism)]] ]]
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Valie_Export_1967-68_Abstract_Film_No_1.jpg|link=Expanded cinema|[[Expanded cinema]]
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Trisha_Brown_Accumulation_1971_1979.jpg|link=Trisha_Brown|[[Trisha Brown]]
[[Image:Dusan_Barok_and_Monoskop_2018_Exhibition_Library_at_Mediacity_Biennale_Seoul_1.jpg|thumb|link=Exhibition_Library|250px|[[Exhibition_Library|Monoskop's Exhibition Library reimagines the medium of art exhibition and catalogue]] ]]
 
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[[Image:The_worlds_protected_areas_2015.png|thumb|link=Anthropocene|250px|[[Anthropocene|Documentary genealogy of the concept of Anthropocene and its reception across the arts and sciences]] ]]
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Kay_Emma_1999_Worldview.jpg|link=Conceptual_writing|[[conceptual writing|Conceptual literature]]
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[[Image:Bibliotecha.png|thumb|250px|link=Digital_libraries|[[Digital libraries]] ]]
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Rossi_Aldo_1976_La_citta_analoga.jpg|link=Architecture|[[Architecture]]
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[[Image:Hinton_et_al_2006_p_7.jpg|thumb|link=Neural_aesthetics|250px|[[Neural aesthetics|Neural aesthetics: resource on recent work between art/design and artificial neural networks in machine learning]] ]]
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Neoist_Akademgorod.jpg|link=Neoism|[[Neoism]]
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[[Image:Valie_Export_1967-68_Abstract_Film_No_1.jpg|thumb|link=Expanded cinema|250px|[[Expanded cinema|Expanded cinema]] ]]
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Donna_Haraway.jpg|link=Haraway|[[Haraway|Donna Haraway]]
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[[Image:Kay_Emma_1999_Worldview.jpg|thumb|link=Conceptual_writing|250px|[[conceptual writing|Collated resources on conceptual literature]] ]]
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Gustav_Metzger_The_Southbank_Demonstration_London_1961.jpg|link=Metzger|[[Metzger|Gustav Metzger]]
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[[Image:Donna_Haraway.jpg|thumb|link=Haraway|250px|[[Haraway|Works of Donna Haraway]] ]]
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Kircher_Athanasius_Arpa_eolica.jpg|link=Sound_art|[[Sound art]]
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[[Image:HfG_Ulm_Metal_workshop_1958.jpg|thumb|link=Design research|250px|[[Design research|Design research survey]] ]]
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Russolo_intonorumori_1913.jpg|link=Noise|[[Noise]]
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[[Image:Bauhaus_2-1_1928.jpg|thumb|link=Bauhaus|250px|[[Bauhaus|Collection of Bauhaus publications, including 11 volumes of ''Bauhausbücher'', 1925-30, and issues of ''Bauhaus'' journal]] ]]
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From_Victor_Turner_The_Ritual_Process_Structure_and_Anti-Structure_1969.jpg|link=Cultural_techniques|[[Cultural techniques]]
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[[Image:Moholy-Nagy_Laszlo_1930_Light-Space_Modulator_2.jpg|thumb|link=Moholy-Nagy|250px|[[Moholy-Nagy|Life and works of László Moholy-Nagy (1895-1946)]] ]]
 
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[[Image:Teodoro_Wolf-Ferrari_1912_Poster_for_M1_the_first_Olivetti_typewriter.jpg|thumb|link=Kittler|250px|[[Kittler|Works of Friedrich Kittler (1943-2011)]] ]]
 
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[[Image:Shannon_Claude_E_1948_General_communication_system_diagram.jpg|thumb|link=Information theory|250px|[[Information theory|Collected writings on information theory and its impact across the sciences]] ]]
 
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<div style="float: right; clear: right; margin: 5px;"><shtml keyname="admin" hash="a7f6175f333520c08178b8d86f6449a6fc53fd53bb80d7393e6ba5fd124c34f4"><a class="twitter-timeline" data-lang="en" data-width="258" data-height="700" data-link-color="#2B7BB9" href="https://twitter.com/monoskop?ref_src=twsrc%5Etfw">Tweets by monoskop</a> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script></shtml>
 
</div>
 
<div style="clear:both"></div><br>
 
  
[[Image:Ono_Yoko_Grapefruit_1964.jpg|thumb|link=Artists publishing|250px|[[Artists publishing|Comprehensive resource on artists' publishing]] ]]
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Vocal_apparatus_and_Voder_ATT_pamphlet.jpg|link=Cybernetics|[[Cybernetics]]
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[[Image:MA_8_1_15_Oct_1922_back_cover.jpg|thumb|link=Magazines|250px|[[Magazines|Guide to 150+ avant-garde and modernist magazines online]] ]]
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Teodoro_Wolf-Ferrari_1912_Poster_for_M1_the_first_Olivetti_typewriter.jpg|link=Kittler|[[Kittler|Friedrich Kittler]]
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[[Image:Deeer.png|thumb|link=https://monoskop.org/log|250px|[https://monoskop.org/log Digital library of arts and humanities Monoskop Log] ]]
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HfG_Ulm_Metal_workshop_1958.jpg|link=Design research|[[Design research]]
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[[Image:Rossi_Aldo_1976_La_citta_analoga.jpg|thumb|link=Architecture|250px|[[Architecture|Collection of source documents in the history, theory and criticism of 20th-century architecture]] ]]
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Second_Spring_Exhibition_of_OBMOKhU_Moscow_May-June_1921.jpg|link=Constructivism|[[Constructivism]]
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[[Image:Comenius_1705_Orbis_Pictus_index_page.jpg|thumb|link=Index|250px|[[Index|Monoskop Index: ABC of art, media and humanities]] ]]
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Lissitzky_El_1924_Proun_99.jpg|link=Lissitzky|[[Lissitzky|El Lissitzky]]
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[[Image:Neoist_Akademgorod.jpg|thumb|link=Neoism|250px|[[Neoism|Neoism repository]] ]]
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Punin_Nikolay_Pamyatnik_III_internatsionala.jpg|link=Russia#Avant-garde|[[Russia#Avant-garde|Russian avant-garde]]
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[[Image:Marey_1894_Falling_cat.jpg|thumb|link=Experimental_film|250px|[[Experimental film|Experimental film bibliography]] ]]
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Bauhaus_2-1_1928.jpg|link=Bauhaus|[[Bauhaus|BAUHAUS]]
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[[Image:Vertov_Dziga_1929_Man_with_a_Movie_Camera_still_2.jpg|thumb|link=Vertov|250px|[[Vertov|Life, films and writings of Dziga Vertov (1896-1954)]] ]]
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Picasso_Pablo_1913_Photographic_composition_with_Construction_with_Guitar_Player_and_Violin_grayscaled.jpg|link=Cubism|[[Cubism]]
<div style="clear:both"></div><br>
 
  
[[Image:Lenin_plays_chess_with_Bogdanov_during_a_visit_to_Gorky_April_1908.jpg|thumb|link=Bogdanov|250px|[[Bogdanov|Writings by and about revolutionary philosopher, utopian fiction writer and early systems theorist Alexander Bogdanov (1873-1928)]] ]]
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Moholy-Nagy_Laszlo_1930_Light-Space_Modulator_2.jpg|link=Moholy-Nagy|[[Moholy-Nagy|László Moholy-Nagy]]
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[[Image:Simondon_Gilbert_1958_Le_processus_de_concretisation.jpg|thumb|link=Simondon|250px|[[Simondon|Bibliography of works of philosopher of individuation and technology Gilbert Simondon (1924-89)]] ]]
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Marey_1894_Falling_cat.jpg|link=Experimental_film|[[Experimental film]]
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[[Image:Gilles_Deleuze_and_Felix_Guattari.jpg|thumb|link=Deleuze|250px|[[Deleuze|Works of Gilles Deleuze (1925-95)]] and [[Guattari|Félix Guattari (1930-92)]]. ]]
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Vertov_Dziga_1929_Man_with_a_Movie_Camera_still_2.jpg|link=Vertov|[[Vertov|Dziga Vertov]]
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[[Image:From_Victor_Turner_The_Ritual_Process_Structure_and_Anti-Structure_1969.jpg|thumb|link=Cultural_techniques|250px|[[Cultural techniques|Introduction to cultural techniques]] ]]
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Comenius_1705_Orbis_Pictus_index_page.jpg|link=Index|[[Index|Monoskop Index]]
|}
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</gallery>
  
 
==Monoskop Log==
 
==Monoskop Log==

Revision as of 15:11, 14 January 2019

Welcome to Monoskop, a wiki for the arts, media and humanities.

This page shows a selection of the latest additions to the website. For more detailed listings see the Log, Recent, Contents and Index sections. Selected updates are posted on RSS, Twitter, Facebook and Instagram.

Recent entries

Monoskop Log

McKenzie Wark: Capital Is Dead: Is This Something Worse? (2019)

“It’s not capitalism, it’s not neoliberalism—what if it’s something worse?

In this radical and visionary new book, McKenzie Wark argues that information has empowered a new kind of ruling class. Through the ownership and control of information, this emergent class dominates not only labour but capital as traditionally understood as well. And it’s not just tech companies like Amazon and Google. Even Walmart and Nike can now dominate the entire production chain through the ownership of not much more than brands, patents, copyrights, and logistical systems.

While techno-utopian apologists still celebrate these innovations as an improvement on capitalism, for workers—and the planet—it’s worse. The new ruling class uses the powers of information to route around any obstacle labor and social movements put up. So how do we find a way out? Capital Is Dead offers not only the theoretical tools to analyze this new world, but ways to change it. Drawing on the writings of a surprising range of classic and contemporary theorists, Wark offers an illuminating overview of the contemporary condition and the emerging class forces that control—and contest—it.”

Publisher Verso, London, 2019
ISBN 9781788735308, 1788735307
202 pages

Publisher
WorldCat

HTML

Richard W. Bailey (ed.): Computer Poems (1973)

A collection of early computer-generated poetry gathered by Richard W. Bailey.

“At the beginning of this century, Stephane Mallarmé published a slogan for modernism: A throw of the dice will never abolish chance. Chance is not abolished by the computer’s randomizing power but is re-created in different terms. The poet-programmer finds this power a tool to create a new set of dice, multi-faceted and marked with elements of his own choosing.

Yet the new battle to free language is fought on familiar battlefields: concrete poetry is reflected with a computer mirror in the poems of Leslie Mezei and Greta Monarch; pure poetry of sound in the verbal orchestrations of Archie Donald and Noreen Greeno; imagistic poetry in the juxtaposition of the unfamiliar by Charles Forbes, James Runner, and Robin Shirley; syllabic organization in the haiku of Margaret Chisman, Robert Gaskins, and John Morris; and the imposition of order on disorder in the poems of Marie Borroff, Pete Kilgannon, and Louis Milic. From all of these varied efforts a new convention has already arisen that allows poets like Edwin Morgan the scope to simulate computer poetry without recourse to the machine.

The Potagannissing Press takes pleasure in the publication of the following collection of poems, an edition of computer-assisted literary works executed in Britain, Canada, and the United States.

The occasion for its publication was a symposium on the computer in the arts held at the Cranbrook Academy of Art in May 1973, an event sponsored by the Academy, the Bloomfield Art Association, Eastern Michigan University, and the University of Michigan, with the support of the Michigan Council for the Arts.” (from the preface)

Publisher Potagannissing Press, Drummond Island, MI, 1973
53 pages
via xfoml

Commentary: Matteo D’Ambrosio (Matlit, 2018).

WorldCat

PDF (7 MB, page warble is due to the book copy’s poor condition)
Internet Archive

Jeremy Matthew Glick: The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution (2016)

“As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.

In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.”

Publisher New York University Press, New York, 2016
America and the Long 19th Century series
ISBN 9781479844425, 147984442X
xiii+266 pages

Reviews: Slavoj Žižek (LA Review of Books, 2016), Marina Sofia Magloire (Women & Performance, 2017), Paige A. McGinley (TDR, 2017).

Publisher
WorldCat

PDF

Notes sur les mouvements (2013-2014) [French/English]

A free publication edited by Romana Schmalisch during her residency at Les Laboratoires d’Aubervilliers.

“The first issue analyses the conjunction of dance with Labour Movements of the 1930s (New Dance Group) as well as its use in the industry to enhance efficiency (Laban/Lawrence); it looks at the vague image that we have from various professions, researches the value of the performance of a work and its equivalence in the wage, and considers different forms of abstractions (notations and graphics) and training methods.”

“The second issue focuses on the question of education. In an interview, sociologist Anne Querrien discusses social norms and the school system. In her text, the London-based writer Marina Vishmidt revisits an earlier essay which considered the relationship between contemporary dance and the de-materialization of labour. What changes about this relationship as all employment becomes more and more of a brutal hypothesis in our post-crisis conditions?”

“The last, third, issue deals with what is at stake when one learns a job, with relationships between teachers and students, with various methods of education, and with the way these systems reflect certain social norms.”

Edited by Romana Schmalisch
Publisher Les Laboratoires d’Aubervilliers, Aubervilliers, 2013-2014
Open access
24 pages per issue

Publisher

Issue 1 (September 2013)
Issue 2 (March 2014)
Issue 3 (September 2014)

Clarence G. Williams: Technology and the Dream: Reflections on the Black Experience at MIT, 1941-1999 (2001)

“This book grew out of the Blacks at MIT History Project, whose mission is to document the black presence at MIT. The main body of the text consists of transcripts of more than seventy-five oral history interviews, in which the interviewees assess their MIT experience and reflect on the role of blacks at MIT and beyond. Although most of the interviewees are present or former students, black faculty, administrators, and staff are also represented, as are nonblack faculty and administrators who have had an impact on blacks at MIT. The interviewees were selected with an eye to presenting the broadest range of issues and personalities, as well as a representative cross section by time period and category.

Each interviewee was asked to discuss family background; education; role models and mentors; experiences of racism and race-related issues; choice of field and career; goals; adjustment to the MIT environment; best and worst MIT experiences; experience with MIT support services; relationships with MIT students, faculty, and staff; advice to present or potential MIT students; and advice to the MIT administration. A recurrent theme is that MIT’s rigorous teaching instills the confidence to deal with just about any hurdle in professional life, and that an MIT degree opens many doors and supplies instant credibility.

Each interview includes biographical notes and pictures. The book also includes a general introduction, a glossary, and appendixes describing the project’s methodology.”

Publisher MIT Press, 2001
Open access
ISBN 026223212X, 9780262232128
xi+1042 pages

Review: Nancy-Elizabeth Fitch (Oral History Review, 2005).

Publisher
WorldCat

PDF (83 MB)